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John Satterthwaite

Imię i nazwisko Klasa Data

George Romney, John Satterthwaite (1780), Judges' Lodgings. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
George Romney originaluniqueart.com/pl/artists/george-romney_pl/
Daty życia artysty
1734 – 1802
Technika malarska
1780
Technika wykonania
Oil On Canvas
Wymiary oryginału
70 x 50 cm
Ruch
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Miejsce wystawy
Judges' Lodgings originaluniqueart.com/pl/museums/judges-lodgings-lancaster/
Artistic style
Portraiture
Influences
Romney
Notable elements
Portrait of a man
Subject or theme
Man portrait

W kontekście

John Satterthwaite — George Romney

Jakie są wymiary?

Oryginalne wymiary to 70 × 50 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 68 w chwili śmierci.

Namalowane, gdy artysta miał 46 lat. Artysta dożył 68 lat. 84 z 261 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia George Romney (1734–1802) ▲ to dzieło, 1780 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1777 Główne lata aktywności zawodowej: 1777–1788 Późne dzieła: od 1788

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/george-romney-john-satterthwaite-ARJG3L-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Phthalo Green #292217

    Paleta w katalogu

    • #292217
    • #6F3521
    • #CEB28B
    • #4E2A19

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Phthalo Green
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Gentle W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa George Romney z ostatnich dwunastu miesięcy — łącznie 21 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 70,7%34 200 visits
    2. 2 Stany Zjednoczone Ameryki 11,0%5 300 visits
    3. 3 Singapur 6,0%2 900 visits
    4. 4 Hongkong 5,0%2 400 visits
    5. 5 Rumunia 1,7%800 visits
    6. 6 Brazylia 1,2%600 visits
    7. 7 Wielka Brytania 0,8%400 visits
    8. 8 Francja 0,6%300 visits
    9. 9 Niemcy 0,4%200 visits
    10. 10 Luksemburg 0,4%200 visits
    11. · 11 innych krajów 2,2%1 100 visits

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty George Romney

    1. 1 Jemima Yorke (1763–1804), Mrs Reginald Pole Carew, 1784 1,1%600 visits
    2. 2 The Death of General Wolfe at Quebec, 1759 (study), 1763 1,1%600 visits
    3. 3 Portrait of the Vernon children 1,1%600 visits
    4. 4 Henrietta, Countess of Warwick, and Her Children, 1787 0,9%500 visits
    5. 5 Lady Hamilton jako Westalka, 1800 0,9%500 visits
    6. 6 Mrs Siddons, 1784 0,9%500 visits
    7. 7 Lydia Henrietta Malortie (1754–1816), Mrs Henry Hoare, 1784 0,9%500 visits
    8. 8 Anna Maria Hunt (c.1771–1861), the Honourable Mrs Charles Agar Bagenal, 1793 0,9%500 visits
    9. 9 Mrs. Alexander Blair, 1789 0,9%500 visits
    10. 10 Sketch 62 0,9%500 visits
    11. 11 Pani Crouch, 1787 0,8%400 visits
    12. 12 Portrait of Emma, Lady Hamilton as a Bacchante 0,8%400 visits
    13. 13 Hugh Holme, Deputy Recorder of Kendal 0,8%400 visits
    14. 14 Double portrait of mrs. russell and her eldest son 0,8%400 visits
    15. 15 Portret Georga Cowpera 0,8%400 visits
    16. 16 Lady Hamilton w Straw Hat 0,8%400 visits
    17. 17 Sir John Trevelyan (1761–1846), 5th Bt, 1788 0,6%300 visits
    18. 18 Lady Hamilton as Circe, 1782 0,6%300 visits
    19. 19 Miss Constable, 1787 0,6%300 visits
    20. — John Satterthwaite, 1780 ten obraz 0,0%0 visits

    Razem dzieła te stanowią 16,2% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 1111 dzieł tego artysty, z których 345 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    John Satterthwaite — George Romney

    A Portrait of Quiet Dignity: John Satterthwaite by George Romney

    George Romney’s “John Satterthwaite,” painted in 1780, is more than just a likeness; it's a carefully constructed tableau of Georgian society and the burgeoning ideals of portraiture. Executed in the Rococo style – a period characterized by its elegance, grace, and emphasis on decorative detail – the painting offers a glimpse into the life of a gentleman of considerable standing within Lancaster’s social circles. Romney, already establishing himself as one of London's most sought-after artists, masterfully captures not only Satterthwaite’s physical appearance but also an underlying sense of composure and quiet authority.

    The composition itself is remarkably restrained. Satterthwaite sits in a simple, dark armchair against a stark black wall, a deliberate choice that draws the viewer's attention entirely to his figure. His posture is upright, suggesting self-assurance and respectability – hallmarks of the era’s social norms. The lighting, expertly rendered by Romney, highlights the textures of his clothing: the rich velvet of his jacket, the subtle sheen of his waistcoat, and the delicate folds of his cravat. These details speak to both his wealth and his attention to detail, reflecting a man who valued appearances and status.

    The Painter’s Hand and the Rococo Influence

    Romney's technique is immediately recognizable – a blend of meticulous observation and expressive brushwork. He employs a loose, almost impressionistic approach to capturing light and shadow, creating a sense of depth and volume that belies the painting’s relatively small scale (70 x 50 cm). Note the subtle variations in tone across his face, particularly around the eyes and mouth, conveying a hint of intelligence and perhaps even melancholy. The artist's use of color is restrained yet effective; the deep reds and browns of Satterthwaite’s attire are offset by the cool tones of the background, creating a harmonious balance.

    The painting firmly resides within the Rococo tradition, which flourished in Europe during the 18th century. Characterized by its emphasis on beauty, pleasure, and intimacy, Rococo art often depicted scenes of leisure, mythology, and aristocratic life. Romney’s “John Satterthwaite” embodies these principles perfectly, offering a refined portrait that celebrates the virtues of Georgian society. The inclusion of elements like the dark background – a common device in portraits of this period – served not only to highlight the subject but also to evoke a sense of formality and gravitas.

    Symbolism and Context

    Beyond its aesthetic qualities, “John Satterthwaite” is rich in symbolic meaning. The gentleman’s attire—the velvet jacket, the lace cravat—are indicators of his social standing and wealth. His gaze, directed directly at the viewer, establishes a connection and invites engagement. The painting was created during a period of significant social and political change in Britain – the aftermath of the American Revolution and the rise of Enlightenment ideals. Portraits like this one served as powerful tools for asserting status, reinforcing social hierarchies, and documenting an individual’s place within the established order.

    Interestingly, research reveals that John Satterthwaite was a prominent figure in Lancaster's legal community during the late 18th century. The painting likely served to commemorate his position and influence within the local society. Further investigation into the artist, George Romney, unveils a fascinating career marked by both success and personal struggles – including a brief marriage and eventual relocation to London. His ability to capture the essence of his subjects, as evidenced in “John Satterthwaite,” cemented his reputation as one of the era’s most celebrated portrait painters.

    A Timeless Masterpiece: Reproduction Possibilities

    Today, "John Satterthwaite" resides at the Judges' Lodgings in Lancaster, a testament to its enduring artistic value. High-quality reproductions offer an accessible way to appreciate Romney’s skill and vision. When commissioning a hand-painted reproduction, consider the scale and materials carefully – ensuring that the final product faithfully captures the painting’s original atmosphere and detail. The rich textures, subtle lighting, and dignified composition of this portrait will undoubtedly add a touch of timeless elegance to any interior space.

    Artysta i muzeum

    Artysta

    George Romney

    Urodzony w Dalton-in-Furness, Wielka Brytania

    A Life in Portraiture: The World of George Romney

    Born in the picturesque landscape of Dalton-in-Furness, Lancashire, on December 15th, 1734, George Romney ascended to become one of the most sought-after portrait painters of his era. His journey from a cabinet maker’s son to the favored artist of British high society is a compelling narrative of innate talent and unwavering ambition. Early life offered little indication of the artistic path he would forge; initially apprenticed to his father, it was an inherent inclination towards drawing and craftsmanship that led him to Christopher Steele, a local portraitist who had studied in Paris. This apprenticeship proved pivotal, providing Romney with foundational skills and an introduction to European artistic traditions. He quickly surpassed his master, however, demonstrating a precocious talent demanding further cultivation. A brief, unhappy marriage and subsequent separation propelled him towards London in 1762, a city brimming with opportunity but also fierce competition.

    Establishing a Reputation: Style and Technique

    London proved to be a crucible for Romney’s artistic development. He swiftly established himself as a formidable portraitist, challenging the dominance of artists like Thomas Gainsborough and Sir Joshua Reynolds. While he never sought membership in the Royal Academy – a decision that perhaps limited his access to certain patronage – his success was undeniable. Romney's style evolved over time, initially reflecting the influence of Steele and his Parisian training, but soon blossomed into something distinctly his own. He possessed an exceptional ability to capture not merely the likeness, but also the personality and social standing of his sitters. His portraits are characterized by elegant poses, a refined use of light and shadow, and a subtle psychological insight that set him apart. Romney’s technique was marked by a delicate touch and a preference for flowing lines, often drawing inspiration from classical sculpture. He skillfully employed color to convey texture and depth, creating portraits that were both visually striking and emotionally resonant. His ability to flatter his subjects while maintaining artistic integrity earned him the loyalty of an elite clientele. He understood the power of suggestion, hinting at character rather than explicitly defining it, a quality that appealed to those who valued discretion and refinement. Romney’s compositions often avoided overly dramatic settings, favoring intimate interiors or carefully arranged outdoor scenes – a deliberate choice designed to focus attention on his subjects' expressions and demeanor.

    The Muse and Her Influence: Emma Hamilton

    Romney’s life took a dramatic turn with his encounter with Emma Hart, later known as Lady Hamilton, in 1782. She became not only his most celebrated model but also his muse, profoundly influencing his artistic output. Emma's beauty, intelligence, and theatrical flair captivated Romney, inspiring a series of portraits that explored themes of classical mythology, dramatic narrative, and feminine grace. He depicted her in various roles – as a bacchante, as the tragic Miranda from Shakespeare’s The Tempest, and in numerous allegorical scenes that showcased her expressive range. These works demonstrate Romney's willingness to experiment with composition and symbolism, moving beyond conventional portraiture into more imaginative territory. The Tempest series, in particular, reveals a Romantic sensibility at play, anticipating the emotional intensity of later artists. The relationship was intense and all-consuming for Romney, though ultimately unfulfilled romantically; Emma eventually became the mistress of Lord Nelson, a union that cemented her place in history. Nevertheless, their artistic collaboration left an indelible mark on both their lives and produced some of Romney’s most enduring masterpieces. He painted over 80 portraits of her, each revealing a different facet of her captivating personality. The influence of Emma is evident not only in the subject matter but also in the way Romney handled light and shadow, creating a sense of drama and intimacy within his paintings.

    Key Works and Artistic Development

    Romney’s artistic journey can be traced through several key works that reveal his evolving style and interests. His early portraits, such as The Death of General Wolfe, demonstrated a technical proficiency honed during his apprenticeship but lacked the psychological depth of later pieces. However, after moving to London and encountering Emma Hamilton, Romney's work underwent a significant transformation. Paintings like Mrs. Carwardine and Son (1775) and Sir Christopher and Lady Sykes (1786) showcased a greater understanding of human emotion and a more refined use of color and composition. The series of portraits depicting Emma Hamilton, particularly those exploring her mythological associations, represent the pinnacle of his artistic achievement. These works are characterized by their elegance, grace, and psychological insight – qualities that cemented Romney’s reputation as one of the leading portrait painters of his time. His later work continued to explore themes of beauty, mythology, and social status, reflecting a growing interest in Romanticism and its emphasis on emotion and imagination.

    Legacy and Historical Significance

    George Romney's impact on British portraiture is undeniable. He helped shape the aesthetic sensibilities of the late 18th century, contributing to a style that emphasized elegance, psychological depth, and artistic flair. His portraits offer invaluable insights into the lives and tastes of the British elite during his time, providing a visual record of their social customs, fashion, and intellectual pursuits. While he faced periods of self-doubt and struggled with mental health issues in later life – leading to a decline in productivity before his death in Kendal in 1802 – his legacy endures through the hundreds of paintings and drawings that remain as testaments to his skill. Romney’s portraits are not merely representations of individuals; they are windows into a vanished world. His work continues to be admired for its technical brilliance and emotional resonance, securing his place as a significant figure in the history of art.

    Muzeum

    Judges' Lodgings

    Prezentowane w Lancaster, United States of America

    A Legacy of Craftsmanship: Unveiling the Judges’ Lodgings

    Nestled within the historic heart of Lancaster, a city steeped in tales of justice and folklore, lies the Judges’ Lodgings – a remarkably preserved townhouse that offers an unparalleled glimpse into England's past. More than just a museum, it’s a living narrative woven through centuries, its very stones echoing with the voices of assize judges, Victorian children, and the whispers of a region grappling with both grandeur and darkness. Originally constructed in 1625 as a private residence, the building’s evolution—from stately home to public institution—has imbued it with layers of significance, creating an immersive experience for visitors seeking to connect with history on a profoundly human level. The Judges' Lodgings stands as a testament to architectural adaptation and a poignant reminder of how spaces can absorb and reflect the lives they have sheltered.

    A Foundation of History:

    The building’s origins trace back even further, with foundations suggesting Roman occupation – a subtle but powerful connection to Lancaster’s long and complex past.

    Judicial Residence:

    From 1826 onwards, the Judges' Lodgings served as accommodation for travelling judges presiding over court cases at nearby Lancaster Castle, transforming it into a hub of legal proceedings.

    Architectural Evolution:

    The building’s design reflects evolving architectural styles, showcasing elements from the Elizabethan era through to the Regency period, offering a tangible record of changing tastes and construction techniques.

    The Gillow Collection: A Symphony of Georgian Elegance

    At the heart of the Judges' Lodgings lies an extraordinary collection of furniture crafted by Gillows of Lancaster and London – a firm renowned throughout the 18th and 19th centuries for their unparalleled skill, innovation, and dedication to quality. These weren’t merely functional pieces; they were works of art, embodying the pinnacle of Georgian and Regency design. The museum houses an impressive array of mahogany tables, intricately carved chairs, and exquisitely constructed cabinets – each a testament to the meticulous craftsmanship of Gillow artisans. What truly sets this collection apart is its integration into the period rooms themselves, allowing visitors to experience how these furnishings would have graced elegant homes, enhancing daily life with their beauty and sophistication. Studying these pieces offers invaluable insight into historical styles, techniques, and the evolving aesthetic sensibilities of the era. The sheer scale and quality of the Gillow collection represent a remarkable investment in artistry and a lasting legacy of British furniture making.

    Notable Pieces Include:

    A magnificent mahogany dining table, showcasing intricate marquetry and hand-carved details.

    Elegant Regency chairs upholstered in luxurious silk brocade.

    Exquisitely crafted cabinets displaying the hallmarks of Gillow’s signature style – precision, elegance, and attention to detail.

    Echoes of Childhood & The Victorian World

    Beyond the grandeur of the Gillow furniture, the Judges' Lodgings offers a poignant journey through time with its captivating Museum of Childhood. This delightful section transports visitors back to bygone eras, displaying an enchanting collection of Victorian toys, games, and educational materials – from delicate porcelain dolls to intricate mechanical trains. These objects offer a glimpse into the lives of children from different social backgrounds, revealing how play and learning have evolved over generations. The museum doesn’t shy away from portraying both the joys and hardships of childhood in the past, providing a nuanced perspective on societal norms and family life. Contrasting this intimate view of domesticity are the meticulously preserved Regency Rooms, which transport visitors to an era defined by elegance, refinement, and social grace – showcasing richly patterned wallpapers, luxurious fabrics, and decorative details that reflect the prevailing aesthetic sensibilities of the period.

    A Tapestry of Lancashire History: Pendle & Beyond

    The Judges’ Lodgings is inextricably linked to the rich and often turbulent history of Lancashire. Exhibits delve into the region's past, exploring significant events such as the infamous Pendle Witch Trials – a dark chapter in English folklore where local women were accused of witchcraft and subjected to harrowing persecution. The museum doesn’t merely recount these events; it contextualizes them within the broader social and political landscape of the time, shedding light on the beliefs, fears, and prejudices that fueled such injustices. Further exhibits trace the evolution of Victorian life in Lancashire, examining the impact of industrialization, urbanization, and social reform. The museum's commitment to preserving and interpreting local history makes it a vital cultural resource for both residents and visitors, fostering a deeper understanding of the region’s unique identity and heritage. The Judges’ Lodgings stands as a powerful reminder that history is not simply a collection of dates and facts but a complex web of human experiences – triumphs, tragedies, and enduring legacies.

    A Unique Cultural Beacon: Engaging with the Past

    What truly sets the Judges' Lodgings apart is its ability to seamlessly blend historical scholarship with engaging presentation. The museum isn’t simply a static display of artifacts; it’s a dynamic space that encourages exploration, interaction, and reflection. From informative guided tours to interactive exhibits, visitors are invited to immerse themselves in the past and connect with the stories behind the objects on display. The preservation of the Gillow furniture collection is particularly significant, safeguarding a vital part of England’s artistic heritage for future generations. The Judges' Lodgings stands as a testament to the power of museums to not only preserve history but also to bring it to life, inspiring curiosity, fostering appreciation for craftsmanship, and enriching our understanding of the human experience.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania John Satterthwaite

    originaluniqueart.com/pl/art/download/george-romney-john-satterthwaite-ARJG3L-en/

    Jak cytować to dzieło

    MLA
    Romney, George. John Satterthwaite. 1780, Judges' Lodgings. https://originaluniqueart.com/pl/art/george-romney-john-satterthwaite-ARJG3L-en/
    APA
    Romney, George (1780). John Satterthwaite [Painting]. Judges' Lodgings. https://originaluniqueart.com/pl/art/george-romney-john-satterthwaite-ARJG3L-en/
    Chicago
    George Romney. John Satterthwaite. 1780. Judges' Lodgings. https://originaluniqueart.com/pl/art/george-romney-john-satterthwaite-ARJG3L-en/
    Harvard
    Romney, George (1780) John Satterthwaite. Judges' Lodgings. Available at: https://originaluniqueart.com/pl/art/george-romney-john-satterthwaite-ARJG3L-en/

    Przyjrzyj się uważnie

    John Satterthwaite — George Romney

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: portrait, gentleman, red clothing. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Portrait of Mrs. Verelst (1773), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Gdzie można to dostrzec w tym dziele?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    John Satterthwaite — George Romney

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What is the primary artistic style of George Romney’s painting, ‘John Satterthwaite’?

      • A Renaissance
      • B Rococo
      • C Baroque
    2. 2. In what year was the painting ‘John Satterthwaite’ created by George Romney?

      • A 1760
      • B 1780
      • C 1800
    3. 3. According to the description, what is prominent in the background of the painting?

      • A A lush garden
      • B A black wall
      • C A grand ballroom
    4. 4. Who painted ‘John Satterthwaite’?

      • A Leonardo da Vinci
      • B George Romney
      • C Rembrandt van Rijn
    5. 5. The painting is currently located at which location?

      • A The Louvre Museum, Paris
      • B The Judges’ Lodgings in Lancaster, United States
      • C The National Gallery, London

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1B · 2B · 3B · 4B · 5B

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Jaka technika i styl charakteryzują „John Satterthwaite” – George Romney?

    „John Satterthwaite” – George Romney łączy technikę Oil On Canvas z nurtem Rococo. Technika i styl określają sposób wykonania oraz estetykę dzieła.

    Ilu użytkowników ogląda "John Satterthwaite"?

    Dla dzieła „John Satterthwaite” dostępna jest strona Statystyki wyświetleń. Przedstawia ona miesięczną liczbę odwiedzin tego dzieła oraz innych prac artysty, z podziałem na kraje i języki.

    Jaki kolor dominuje w dziele "John Satterthwaite"?

    Dominującym odcieniem w „John Satterthwaite” – George Romney jest Golden Yellow Range.