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Title in Swedish: Midvinterblot

Imię i nazwisko Klasa Data

Carl Larsson, Title in Swedish: Midvinterblot (1915), Narodowe Muzeum Sztuki i Design w Szwecji. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Carl Larsson originaluniqueart.com/pl/artists/carl-larsson_pl/
Daty życia artysty
1853 – 1919
Technika malarska
1915
Technika wykonania
Acrylic On Canvas
Wymiary oryginału
13600 x 6400 cm
Ruch
Art Nouveau Flowing, plant-like curves running through everything from paintings to lamps and doorways.
Epoka
19th Century
Miejsce wystawy
Narodowe Muzeum Sztuki i Design w Szwecji originaluniqueart.com/pl/museums/narodowe-muzeum-sztuki-i-design-w-szwecji-stockholm_pl/
Artistic style
Linear, intensive color
Influences
Snorri Sturluson
Notable elements
Gilded sections
Subject or theme
Pagan sacrifice

W kontekście

Title in Swedish: Midvinterblot — Carl Larsson

Kiedy powstało to dzieło?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 66 w chwili śmierci.

Namalowane, gdy artysta miał 62 lat. Artysta dożył 66 lat. 118 z 120 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Carl Larsson (1853–1919) ▲ to dzieło, 1915 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1895 Główne lata aktywności zawodowej: 1895–1905 Późne dzieła: od 1905

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #625039

    Paleta w katalogu

    • #625039
    • #BCB4A9
    • #8E7D67
    • #2C2214

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Espresso
    Nasycenie
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Bold W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Carl Larsson z ostatnich dwunastu miesięcy — łącznie 24 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 50,2%
    2. 2 Stany Zjednoczone Ameryki 15,9%
    3. 3 Francja 12,4%
    4. 4 Hongkong 3,0%
    5. 5 Singapur 3,0%
    6. 6 Austria 2,1%
    7. 7 Szwecja 2,1%
    8. 8 Rumunia 1,7%
    9. 9 Republika Południowej Afryki 1,3%
    10. 10 Niemcy 0,9%
    11. · 14 innych krajów 7,4%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Carl Larsson

    1. 1 In the Carpenter Shop, 1905 6,2%
    2. 2 Jenny With Flower Girland 5,8%
    3. 3 Karin's Room and the little ones 4,4%
    4. 4 Bo 4,0%
    5. 5 The Old Man and the New Trees, 1883 2,2%
    6. 6 The Slaughter 2,2%
    7. 7 LillAnna And The Crocus, 1912 1,8%
    8. 8 Christmas Tree Confetti 1,8%
    9. 9 October (also known as The Pumpkins), 1882 1,8%
    10. 10 Midvinterblot (sketch) 4 1,8%
    11. 11 Potato harvest 1,8%
    12. 12 Viking Woman 1,8%
    13. 13 detalle de lisbeth leyendo, 1904 1,5%
    14. 14 Brita With A Cat And A Sandwich 1,5%
    15. 15 Leontine Sitting In The Atelier 1,5%
    16. 16 Palmera 1,5%
    17. 17 modelo escribiendo una tarjeta postal, 1906 1,1%
    18. 18 Mme Jeanne Tramcourt 1,1%
    19. 19 Garden with Sculptures, 1881 1,1%
    20. 49 Title in Swedish: Midvinterblot, 1915 ten obraz 0,4%

    Razem dzieła te stanowią 45,3% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 456 dzieł tego artysty, z których 138 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 49 miejsce w zestawieniu, przyciągając 0,4% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Title in Swedish: Midvinterblot — Carl Larsson

    A Frozen Rite: Unveiling Carl Larsson’s ‘Midvinterblot’

    Carl Larsson's “Midvinterblot,” completed in 1915, isn’t merely a painting; it’s a visceral plunge into the heart of Swedish mythology and a potent commentary on artistic convention. Measuring an imposing 6.5 by 13.5 meters, this mural dominates any space it graces, demanding attention with its scale and arresting imagery. Initially rejected by the Nationalmuseum due to historical inaccuracies and perceived offense – reflecting anxieties about the shifting landscape of modern art – “Midvinterblot” has since been recognized as a masterpiece of Art Nouveau influence, a dramatic fusion of ancient ritual and evocative symbolism.

    The scene depicts a chilling tableau: King Domalde, stripped bare and dragged onto a gilded sled, awaits sacrifice before the towering temple of Uppsala. The air crackles with an unsettling energy, conveyed through Larsson’s masterful use of color and light. Deep blues and purples dominate the palette, creating a sense of foreboding and winter's grip, while flashes of gold highlight the sacrificial altar and the opulent details of the temple. The figures surrounding Domalde – warriors armed to the teeth, ecstatic women dancing in a frenzy, and a priest concealing his blade – are rendered with an almost sculptural quality, their forms imbued with both power and vulnerability.

    Art Nouveau’s Dramatic Embrace

    Larsson's choice of subject matter—a pagan sacrifice rooted in the Eddas of Snorri Sturluson—was deliberately provocative. He wasn’t simply recreating a historical event; he was tapping into a primal, almost unsettling, narrative that resonated deeply with Scandinavian folklore and anxieties about societal change. The painting is undeniably infused with Art Nouveau principles: flowing lines, stylized forms, and an emphasis on decorative elements are evident throughout the composition. The intricate detailing of the temple architecture, the swirling patterns in the women’s garments, and the serpentine bronze wind instruments all contribute to this distinctly artistic style.

    Technically, Larsson employed a layered approach, utilizing both oil paint and tempera on canvas. The large-scale mural necessitated careful planning and execution, with meticulous attention paid to perspective and detail. The use of gold leaf adds an extraordinary richness and luminosity to the work, further emphasizing the sacrificial ritual’s grandeur and highlighting the temple's imposing presence. It is a testament to Larsson’s skill that he manages to convey both the brutality of the scene and its underlying spiritual significance.

    Symbolism and Emotional Resonance

    Beyond its aesthetic qualities, “Midvinterblot” is rich in symbolic meaning. The sacrifice itself represents a desperate plea for divine intervention—a recognition of the gods’ capricious nature and a willingness to offer tribute in exchange for protection from impending hardship. Domalde's vulnerability underscores the precariousness of human existence, while the ecstatic dance of the women suggests a potent connection between the earthly realm and the supernatural. The painting speaks to themes of faith, sacrifice, and the enduring power of myth.

    More than just a historical depiction, “Midvinterblot” evokes a profound sense of unease and wonder. It’s a haunting meditation on mortality, tradition, and the human need for meaning in a world often marked by uncertainty. The painting's enduring appeal lies not only in its technical brilliance but also in its ability to tap into our deepest emotions and connect us with the timeless narratives that have shaped cultures across millennia. Reproductions of this iconic artwork offer a chance to bring this dramatic scene into your own space, inviting contemplation and sparking conversation.

    A Legacy Preserved

    Following its initial rejection, “Midvinterblot” was eventually exhibited at the Museum of National Antiquities in 1983-84. The Nationalmuseum ultimately acquired the painting in 1984, recognizing its significance as a cornerstone of Swedish art history. Today, it remains a celebrated work, housed within the museum’s collection and serving as a powerful reminder of Carl Larsson's artistic vision and his willingness to challenge conventional norms.

    Artysta i muzeum

    Artysta

    Carl Larsson

    Urodzony w Stockholm, Szwecja

    A Life Etched in Light: The World of Carl Larsson

    Carl Larsson, a name synonymous with idyllic Swedish domesticity and artistic innovation, emerged from humble beginnings to become one of Scandinavia’s most beloved painters. Born in Stockholm's Old Town in 1853, his early life was far removed from the serene scenes he would later immortalize on canvas. Poverty cast a long shadow over his childhood; his parents struggled financially, and tales of hardship and instability permeated his formative years. Yet, even amidst these difficulties, a spark of artistic talent ignited within young Carl, nurtured by a perceptive teacher who recognized his potential and encouraged him to apply to the Royal Swedish Academy of Arts at just thirteen years old. This marked the beginning of a journey that would not only transform his own life but also redefine perceptions of home and family in Sweden and beyond. His initial experiences at the academy were fraught with insecurity, a sense of being an outsider amongst more privileged peers, but he persevered, finding solace and confidence within the vibrant student community.

    From Academic Training to Artistic Awakening

    Larsson’s artistic development was marked by periods of experimentation and searching for his unique voice. After completing his formal training, he spent several years illustrating books, magazines, and newspapers – a practical necessity but one that didn't fully satisfy his creative aspirations. He sought inspiration in the works of artists like William-Adolphe Bouguereau, whose meticulous realism and luminous palettes initially influenced his style. However, he soon realized that these techniques felt distant from the emotional truth he desired to capture. A pivotal moment arrived with his move to Grez-sur-Loing, an artists’ colony near Paris in 1882. It was here, amidst the camaraderie of fellow Scandinavian artists – including Anders Zorn and John Kint – that he met Karin Bergöö, who would become his wife and muse. More importantly, it was at Grez that Larsson abandoned oil painting in favor of watercolors – a decision that proved transformative. Watercolor allowed him to capture light and atmosphere with an unprecedented delicacy, perfectly suited to depicting the intimate scenes that would define his oeuvre. This shift wasn’t merely technical; it reflected a growing desire to portray everyday life with honesty and warmth, moving away from the grand historical narratives favored by many of his contemporaries. The influence of Art Nouveau is subtly present in his flowing lines and organic forms, while echoes of the Arts and Crafts movement resonate in his emphasis on handcrafted beauty and the celebration of domesticity.

    The Lilla Hyttnäs Idyll: A Home as Artwork

    The year 1888 witnessed another turning point when Karin’s father, Adolf Bergöö, a wealthy timber merchant, gifted the couple a small house named Lilla Hyttnäs in Sundborn, Dalarna. This wasn't just a home; it became a living work of art, meticulously decorated and furnished by Carl and Karin themselves. The interiors, bathed in soft light and filled with handcrafted details – from intricately carved furniture to hand-woven textiles – served as both inspiration and subject matter for Larsson’s most celebrated paintings. He captured the essence of Swedish hemtrevnad – a concept encompassing coziness, comfort, and a sense of belonging – within these walls. His depictions of family life – children playing, meals shared, moments of quiet intimacy – resonated deeply with a public yearning for warmth and authenticity. These weren't idealized portrayals; they were honest glimpses into the joys and challenges of raising a large family. Cosy Corner, Matts Bergom Larsson, and countless other watercolors captured the essence of Swedish hemtrevnad. The house itself became famous through reproductions of his paintings, influencing interior design trends for generations and shaping the popular image of the ideal Swedish home.

    Family Life and Artistic Inspiration

    Larsson’s family – Karin, their eight children, and his brother Johan – formed the core of his artistic world. He meticulously documented their daily lives, capturing not just their physical appearances but also their personalities and relationships. His paintings are filled with a sense of genuine affection and warmth, reflecting his deep love for his wife and children. The family’s simple routines – preparing meals, tending to the garden, playing games – became recurring themes in his work. He often depicted them engaged in everyday activities, imbuing these scenes with a profound sense of peace and contentment. The influence of Swedish folklore and rural traditions is also evident in his paintings, particularly in his depictions of seasonal festivals and celebrations. Carl’s autobiographical novel Jag offers a candid and sometimes unflattering account of his childhood, revealing the hardships he endured and the complex relationships within his family. Despite the difficulties, he maintained a strong sense of optimism and a belief in the power of love and connection.

    Midvinterblot: A Monumental Vision

    In 1915, Larsson embarked on one of his most ambitious projects – Midvinterblot (Midwinter Sacrifice), a large-scale fresco intended to adorn the east wall of the upper stairway in the National Museum in Stockholm. The painting depicts an ancient Norse religious ceremony celebrating the return of spring after a long and harsh winter. It’s a complex and visually stunning work, combining elements of realism, symbolism, and decorative design. However, Midvinterblot proved to be controversial, and the museum committee ultimately rejected it, citing concerns about its style and subject matter. This rejection deeply affected Larsson, who considered the painting his finest achievement. Despite this setback, Midvinterblot was eventually purchased by a Japanese collector and returned to the National Museum in 1997, where it remains one of Sweden’s most treasured artworks. It stands as a testament to Larsson's ambition, technical skill, and enduring legacy.

    A Lasting Legacy

    Carl Larsson died on January 22, 1919, leaving behind a rich body of work that continues to captivate audiences around the world. His paintings are celebrated for their warmth, authenticity, and ability to evoke a sense of nostalgia and longing. He is remembered as one of Sweden’s most beloved artists, an icon of domesticity, and a pioneer of modern Swedish art. His influence can be seen in countless contemporary interiors, illustrating his lasting impact on our understanding of home and the art of creating spaces that are both beautiful and inviting. Carl Larsson's work is more than just paintings; it’s a window into a bygone era, a celebration of family life, and a testament to the enduring power of light and love.

    Muzeum

    Narodowe Muzeum Sztuki i Design w Szwecji

    Prezentowane w Stockholm, Szwecja

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled within Stockholm’s vibrant heart, on the serene Blasieholmen peninsula, lies the Nationalmuseum – a place far more than just a repository for art; it's a living chronicle of Sweden’s entire cultural journey. Established in 1792 as Kungliga Museet, the Royal Museum, its story is inextricably woven with the nation’s evolution, from the delicate artistry of medieval times and the patronage of aristocratic courts to the bold embrace of contemporary expression that defines it today. Stepping through its grand doors is akin to embarking on an immersive exploration – a journey into the very soul of Sweden, where European artistic traditions intertwine seamlessly with uniquely Swedish heritage.

    The museum’s architecture itself speaks volumes about this transformation. Designed by the German architect Friedrich August Stüler, the building is a magnificent homage to Northern Italian Renaissance design. A deliberate restraint in the façade – a seemingly simple exterior – conceals within its walls an astonishingly spacious interior. This architectural choice, rooted in the museum's origins as a royal collection, is profoundly symbolic: it represents a shift from showcasing regal treasures acquired through patronage to establishing a truly democratic institution, open to all Swedes. The dramatic flight of stairs ascending towards the uppermost galleries isn’t merely functional; it’s an ascent into the realm of artistic contemplation, inviting visitors to embrace the power and beauty that awaits them.

    A Panorama of Artistic Voices

    The Nationalmuseum's collection is a breathtaking panorama spanning centuries. The painting galleries are particularly captivating, offering a sweeping narrative beginning with the serene religious scenes of the Renaissance – masterpieces brimming with faith and devotion. Here, you’ll find the masterful chiaroscuro of Rembrandt, whose dramatic use of light and shadow evokes profound emotion, alongside the emotionally charged canvases of Goya, reflecting the turbulent spirit of his time. But the museum's commitment extends far beyond these European giants; it champions Swedish artists, presenting their contributions across various periods and movements – from the evocative landscapes of Albert Rydberg, capturing the raw beauty of Sweden’s wilderness, to the poignant portraits of Carl Larsson, offering intimate glimpses into everyday life.

    The sculpture section is equally impressive, showcasing a diverse range of styles. You'll encounter classical pieces that echo the traditions of antiquity alongside more experimental forms reflecting evolving artistic sensibilities – a testament to Sweden’s engagement with both established conventions and innovative approaches. And then there’s the museum’s unique applied arts and design collection, a true celebration of Swedish aesthetic ideals. Meticulously crafted furniture embodies functional beauty and understated elegance; ceramics are imbued with symbolic meaning, each piece telling a silent story; and textiles – woven with intricate patterns – reveal how artistry seamlessly blended with practicality throughout Sweden's history.

    The Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum’s structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    A Living Museum: Exhibitions and Engagement

    The Nationalmuseum isn’t merely a static display of masterpieces; it’s a dynamic cultural hub actively engaging with contemporary issues. Recent highlights include “Hanna Hirsch Pauli – The Art of Being Free,” an exhibition exploring artistic expression as a tool for confronting societal challenges, demonstrating the museum's dedication to fostering dialogue and inspiring reflection. The museum consistently seeks to broaden access to art education, offering engaging programs for visitors of all ages—from family workshops that spark creativity in young minds to lectures and tours that deepen understanding for adults. Furthermore, ongoing initiatives aim to connect diverse communities with cultural heritage, ensuring that the Nationalmuseum remains a vital force in shaping Sweden’s cultural landscape. The commitment to accessibility is evident in its free admission on Thursdays and for visitors under 20 – a gesture reflecting a deep-seated belief in the importance of art for all.

    A Legacy Preserved, A Future Embraced

    Ultimately, the Nationalmuseum distinguishes itself through its unwavering commitment to preserving Sweden’s artistic heritage while simultaneously embracing innovation. The architectural grandeur serves as a tangible connection to history, inviting visitors to contemplate the enduring power of art and design – a space for contemplation, discovery, and inspiration. The museum's ongoing renovation project, completed in 2018, has not only modernized its facilities but also reaffirmed its commitment to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the Nationalmuseum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

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    Kod QR prowadzący do strony pobierania Title in Swedish: Midvinterblot

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    Jak cytować to dzieło

    MLA
    Larsson, Carl. Title in Swedish: Midvinterblot. 1915, Narodowe Muzeum Sztuki i Design w Szwecji. https://originaluniqueart.com/pl/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    APA
    Larsson, Carl (1915). Title in Swedish: Midvinterblot [Painting]. Narodowe Muzeum Sztuki i Design w Szwecji. https://originaluniqueart.com/pl/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    Chicago
    Carl Larsson. Title in Swedish: Midvinterblot. 1915. Narodowe Muzeum Sztuki i Design w Szwecji. https://originaluniqueart.com/pl/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    Harvard
    Larsson, Carl (1915) Title in Swedish: Midvinterblot. Narodowe Muzeum Sztuki i Design w Szwecji. Available at: https://originaluniqueart.com/pl/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

    Przyjrzyj się uważnie

    Title in Swedish: Midvinterblot — Carl Larsson

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: swedish history, pagan sacrifice, ancient uppsala. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła A studio idyll. The artist's wife with daughter Suzanne, wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne dla obu prac oraz jedną różnicę.
    5. Art Nouveau: Flowing, plant-like curves running through everything from paintings to lamps and doorways. Gdzie można to dostrzec w tym dziele?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    Title in Swedish: Midvinterblot — Carl Larsson

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What is the primary subject depicted in Carl Larsson’s ‘Midvinterblot’?

      • A A depiction of a royal wedding ceremony.
      • B A pagan sacrifice scene inspired by Icelandic mythology.
      • C A modern-day battle between warring factions.
    2. 2. The painting ‘Midvinterblot’ is notable for its influence from which artistic movement?

      • A Cubism
      • B Art Nouveau
      • C Renaissance realism
    3. 3. What was a significant reason for the initial rejection of ‘Midvinterblot’ by Swedish authorities?

      • A Its overly simplistic style.
      • B Its historical inaccuracies and perceived offensive subject matter.
      • C The use of expensive materials.
    4. 4. What architectural element is prominently featured in the composition of ‘Midvinterblot’?

      • A A Gothic cathedral
      • B A Roman temple
      • C A medieval castle
    5. 5. Approximately what are the dimensions of ‘Midvinterblot’?

      • A 6.5 by 13.5 meters
      • B 10 by 20 centimeters
      • C 3 feet by 5 feet

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1B · 2B · 3B · 4B · 5A

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Jak mogę pobrać obraz „Title in Swedish: Midvinterblot” – Carl Larsson?

    Obraz „Title in Swedish: Midvinterblot” – Carl Larsson można pobrać na stronie Pobierz plik cyfrowy dzieła: wysokiej rozdzielczości cyfrowe zdjęcie do pobrania.

    Jaki rozmiar "Title in Swedish: Midvinterblot" jest sugerowany do Living Room?

    Dla Living Room zalecany rozmiar wydruku dzieła „Title in Swedish: Midvinterblot” – Carl Larsson to Large.

    Czy "Title in Swedish: Midvinterblot" charakteryzuje się silnym kontrastem światłocienia?

    Poziom kontrastu dzieła „Title in Swedish: Midvinterblot” – Carl Larsson wynosi Bold.