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Lost or Strayed

Imię i nazwisko Klasa Data

Briton Rivière, Lost or Strayed (1905), The Wilson: Cheltenham Art Gallery And Museum. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Briton Rivière originaluniqueart.com/pl/artists/briton-riviere_pl/
Daty życia artysty
1840 – 1920
Technika malarska
1905
Miejsce wystawy
The Wilson: Cheltenham Art Gallery And Museum originaluniqueart.com/pl/museums/the-wilson-cheltenham-art-gallery-and-museum-cheltenham/

W kontekście

Lost or Strayed — Briton Rivière

Kiedy powstało to dzieło?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 80 w chwili śmierci.

Namalowane, gdy artysta miał 65 lat. Artysta dożył 80 lat. 11 z 16 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Briton Rivière (1840–1920) ▲ to dzieło, 1905 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1876 Główne lata aktywności zawodowej: 1876–1905 Późne dzieła: od 1905

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/briton-riviere-lost-or-strayed-AQZDHR-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Gray #726c58

    Paleta w katalogu

    • #726C58
    • #3D3630
    • #C0D2CF
    • #959C8E

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Nazwa koloru głównego
    Gray
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Balanced W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Balanced Harmony Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Bright Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Briton Rivière z ostatnich dwunastu miesięcy — łącznie 25 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Japonia 12,1%
    2. 2 Kolumbia 9,1%
    3. 3 Argentyna 8,1%
    4. 4 Chiny 8,1%
    5. 5 Tajlandia 8,1%
    6. 6 Ukraina 8,1%
    7. 7 Chile 6,1%
    8. 8 Stany Zjednoczone Ameryki 6,1%
    9. 9 Białoruś 4,0%
    10. 10 Hiszpania 4,0%
    11. · 15 innych krajów 26,2%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Briton Rivière

    1. 1 Daniel In The Lions Den 36,5%
    2. 2 Jego Jedyny Przyjaciel, 1871 8,4%
    3. 3 Fidelity, 1869 8,4%
    4. 4 Sympathy 6,7%
    5. 5 The Last of the Garrison, 1875 6,2%
    6. 6 Mother Hubbard, 1882 5,6%
    7. 7 Wygnaniec z '45 5,1%
    8. 8 In Manus Tuas, Domine, 1879 3,4%
    9. 9 The Long Sleep 2,2%
    10. 10 Pride Of Place 2,2%
    11. 11 Requiescat 2,2%
    12. 12 war time 1,7%
    13. 13 Una And The Lion 1,7%
    14. 14 Lost or Strayed, 1905 ten obraz 1,1%
    15. 15 Jilted 1,1%
    16. 16 Stealing The Prize 1,1%
    17. 17 Old Playfellows 1,1%
    18. 18 Apollo Playing The Lute 1,1%
    19. 19 Michael and the Unfinished Sheepfold, 1920 0,6%
    20. 20 Lady Harriet Sarah Wantage, 1897 0,6%

    Razem dzieła te stanowią 97,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 37 dzieł tego artysty, z których 25 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 14 miejsce w zestawieniu, przyciągając 1,1% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    Artysta i muzeum

    Artysta

    Briton Rivière

    Urodzony w Londyn, Wielka Brytania

    Briton Rivière (1840–1920) - A Life Immersed in Nature and Narrative

    Briton Rivière, born in London on August 14, 1840, emerged as a pivotal figure in Victorian art, celebrated for his deeply emotive animal paintings and earlier explorations into historical and literary themes. He wasn’t simply a painter of animals; he was a storyteller who imbued his subjects with psychological depth and narrative resonance, capturing moments of vulnerability, loyalty, and the complex relationship between humanity and the natural world. Rivière's artistic journey was profoundly shaped by his family heritage – his father, William Rivière, served as an art teacher and drawing master, while his uncle, Henry Parsons Rivière, was a respected watercolourist. This familial foundation provided early encouragement and guidance, though Briton’s training remained largely within this intimate circle rather than formal academic institutions. He received his education at Cheltenham College and later Oxford University, completing his degree in 1867 – an unusual path for a dedicated artist but one that perhaps fostered a unique intellectual curiosity reflected in his work.

    Early Influences and Artistic Beginnings

    Rivière’s artistic inclinations began early, fueled by his father's passion for art and drawing instruction. From childhood, he possessed an unwavering fascination with animals, spending considerable time sketching them at the London Zoological Gardens – a formative experience that would profoundly influence his future oeuvre. Recognizing his talent, William Rivière encouraged Briton to pursue artistic endeavors diligently, fostering a connection to visual arts that would endure throughout his life. Simultaneously, Henry Parsons Rivière’s watercolour skills instilled in Briton a meticulous attention to detail and an appreciation for capturing subtle nuances of light and colour – techniques he would later master with remarkable precision. His formal education at Cheltenham College honed his observational abilities and broadened his intellectual horizons, preparing him for the challenges of pursuing higher learning at Oxford University where he earned his BA in 1866, MA in 1873, and an honorary DCL in 1891 – achievements that underscored his dedication to scholarship alongside his artistic pursuits.

    From Historical Scenes to the Animal Kingdom

    Rivière’s initial artistic endeavors leaned heavily towards grand historical and literary subjects, evident in early works like “The Eve of the Spanish Armada” and scenes inspired by Shakespeare's "Romeo and Juliet." However, a significant shift occurred around 1865. Recognizing the burgeoning Pre-Raphaelite movement and its emphasis on meticulous detail, naturalism, and narrative storytelling – influences subtly woven into his distinctive style – he began to increasingly concentrate on animal paintings. This wasn’t merely a change in subject matter; it was a deepening of artistic intent. Rivière didn't simply depict animals; he sought to portray their inner lives, their emotions, and their interactions with the world around them. He possessed an exceptional ability to capture not just physical likeness but also character and feeling, often presenting his animal subjects in dramatic or poignant situations that resonated deeply with Victorian sensibilities.

    The Pre-Raphaelite Legacy and Artistic Style

    Rivière’s artistic style bore unmistakable marks of the Pre-Raphaelites' aesthetic principles. Like fellow artists such as Dante Gabriel Rossetti and John Everett Millais, Rivière championed a return to idealized beauty and an uncompromising commitment to realism – albeit tempered by Romantic emotion. He meticulously rendered animal anatomy with astonishing accuracy, paying particular attention to textures and colours, striving for a profound understanding of his subjects that allowed him to convey their essence with compelling realism. Furthermore, Rivière’s paintings frequently evoked a sense of narrative, inviting viewers to contemplate the stories unfolding within the canvas and connecting with the emotions portrayed – mirroring the Pre-Raphaelite tradition of elevating visual art as a vehicle for conveying moral and psychological truths.

    Recognition and Enduring Legacy

    Rivière's talent was widely recognized during his lifetime. He began exhibiting at the British Institution in 1857 and became a regular contributor to Royal Academy exhibitions from 1863 onwards, solidifying his position within the established art world. In 1878 he was elected an Associate of the Royal Academy, followed by full membership in 1881 – significant achievements that underscored his artistic merit. He even received an honorary Doctor of Civil Law degree from Oxford University in 1891, a testament to his broader intellectual contributions. A bid for the presidency of the Royal Academy in 1896, though narrowly unsuccessful, further demonstrated his standing within the art community. Today, Rivière’s paintings are held in prominent public collections worldwide, including the Tate, the Metropolitan Museum of Art, and Royal Holloway, University of London – ensuring that his work continues to inspire and captivate audiences. His contribution to elevating animal painting as a respected genre within Victorian art is undeniable, and his legacy extends beyond his own artistic achievements – his son, Hugh Goldwin Rivière, also became a portrait painter, while another son’s wife, Joan Riviere, distinguished herself as an eminent psychoanalyst and translator of Sigmund Freud. Briton Rivière remains a celebrated artist whose work continues to be admired for its technical skill, emotional depth, and evocative portrayal of the animal world – a testament to his enduring artistic vision.

    Muzeum

    The Wilson: Cheltenham Art Gallery And Museum

    Prezentowane w Cheltenham, United Kingdom

    The Wilson: A Tapestry of Cheltenham’s Soul

    Nestled within a Regency gem on Clarence Street in Cheltenham, The Wilson stands as more than just a museum; it's a vibrant chronicle of the town’s evolution and a testament to artistic vision. Originally conceived as the Cheltenham Public Library in 1899 by the esteemed architect William Hill Knight – the same visionary who gifted Cheltenham with its Synagogue and Montpellier Walk – the building itself is a masterpiece, a harmonious blend of Victorian elegance and understated grandeur. The Wilson’s story truly begins with Edward Wilson, a local boy born into a family deeply rooted in Cheltenham's history, whose extraordinary life as a polar explorer, artist, and scientist forms the heart of the museum’s narrative. The 2012 extension, masterfully designed by Berman Guedes Stretton, seamlessly integrates modern functionality with the building’s original character, creating a space that feels both timeless and inviting – a perfect stage for showcasing its remarkable collection.

    The museum's core strength lies in its extraordinary Arts & Crafts movement holdings. It boasts one of the most significant collections of this influential aesthetic in the nation, a veritable treasure trove of furniture, textiles, ceramics, carvings, silver, and jewellery. These aren’t merely objects; they represent a profound shift in artistic philosophy – a rejection of mass production in favor of handcrafted beauty, emphasizing natural materials and intricate detail. The collection's international importance is underscored by its breadth, encompassing works from leading British artisans alongside pieces reflecting influences from across Europe. Beyond the Arts & Crafts movement, The Wilson’s walls are adorned with paintings spanning four centuries, offering a captivating journey through artistic styles and techniques. From early portraits to landscapes capturing the Cotswolds’ idyllic beauty, these artworks provide a rich context for understanding Cheltenham's cultural landscape.

    The Edward Wilson Gallery: A Journey to the Antarctic

    Dedicated entirely to the life and legacy of Edward Wilson, this gallery is arguably the museum’s most compelling space. It’s not simply a display of artifacts; it’s an immersive experience that transports visitors to the frigid landscapes of Antarctica. Here, you'll find meticulously researched exhibits detailing Wilson’s scientific expeditions, his artistic endeavors – stunning watercolor paintings capturing the stark beauty of the ice – and his tragic fate alongside Captain Robert Falcon Scott during the 1912 Terra Nova expedition. The gallery thoughtfully incorporates original documents, photographs, and personal belongings, offering intimate glimpses into the man behind the legend. The exhibit powerfully conveys both Wilson’s unwavering determination and the immense risks he faced in pursuit of scientific discovery.

    A Local Heritage Unveiled

    While the story of Edward Wilson dominates much of the attention, The Wilson also serves as a vital custodian of Cheltenham's rich local history. The museum’s collection of archaeological treasures from the Cotswolds provides tangible links to the region’s ancient past, while exhibits detailing Cheltenham’s transformation from a quiet spa town to a thriving cultural center illuminate its evolution over centuries. Furthermore, the museum showcases the legacy of Baron de Ferrieres, a prominent figure in Cheltenham's history who generously donated 43 important paintings – primarily from Belgium and the Netherlands – to the town. These works offer a window into European artistic traditions and reflect Cheltenham’s role as a center for cultural exchange.

    Beyond the Exhibits: A Community Hub

    What truly distinguishes The Wilson is its commitment to community engagement. The museum isn't merely a repository of artifacts; it’s a dynamic space that hosts a diverse program of temporary exhibitions, events, and workshops throughout the year. These initiatives cater to audiences of all ages and interests, fostering a sense of connection between the museum and the local community. The museum’s management by The Cheltenham Trust underscores its dedication to inclusivity and accessibility, ensuring that everyone has the opportunity to experience art, history, and culture. Regularly check their website for current exhibitions and events – you're sure to find something that sparks your curiosity.

    Architectural Significance & Visitor Information

    The building itself is a significant architectural landmark, designed by William Hill Knight in the Regency style. The 2012 extension, by Berman Guedes Stretton, maintains a respectful dialogue with the original structure, creating a harmonious blend of old and new. Admission to The Wilson is free, making it an accessible cultural destination for all. Located at Clarence Street, Cheltenham GL50 3SD, the museum’s opening hours vary; please visit

    https://www.cheltenhammuseum.org.uk/

    for the most up-to-date information. Don't miss the opportunity to explore this remarkable institution and discover the captivating story of Cheltenham.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Lost or Strayed

    originaluniqueart.com/pl/art/download/briton-riviere-lost-or-strayed-AQZDHR-en/

    Jak cytować to dzieło

    MLA
    Rivière, Briton. Lost or Strayed. 1905, The Wilson: Cheltenham Art Gallery And Museum. https://originaluniqueart.com/pl/art/briton-riviere-lost-or-strayed-AQZDHR-en/
    APA
    Rivière, Briton (1905). Lost or Strayed [Painting]. The Wilson: Cheltenham Art Gallery And Museum. https://originaluniqueart.com/pl/art/briton-riviere-lost-or-strayed-AQZDHR-en/
    Chicago
    Briton Rivière. Lost or Strayed. 1905. The Wilson: Cheltenham Art Gallery And Museum. https://originaluniqueart.com/pl/art/briton-riviere-lost-or-strayed-AQZDHR-en/
    Harvard
    Rivière, Briton (1905) Lost or Strayed. The Wilson: Cheltenham Art Gallery And Museum. Available at: https://originaluniqueart.com/pl/art/briton-riviere-lost-or-strayed-AQZDHR-en/

    Przyjrzyj się uważnie

    Lost or Strayed — Briton Rivière

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła Wygnaniec z '45, wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne dla obu prac oraz jedną różnicę.
    4. Briton Rivière miał około 65 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?
    5. Co artysta mógł chcieć, abyś poczuł?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Jaki poziom luminancji ma „Lost or Strayed” – Briton Rivière?

    Jasność zarejestrowana dla „Lost or Strayed” – Briton Rivière wynosi Gentle Luminance.

    Skąd pochodzą odwiedzający „Lost or Strayed” – Briton Rivière?

    Statystyki dotyczące „Lost or Strayed” – Briton Rivière znajdują się na stronie Statystyki wyświetleń dzieła: obejmują one miesięczną liczbę odwiedzin danego dzieła, wizyty przy pracach artysty oraz podział ostatnich odwiedzających według krajów i języków.

    Czy dzieło „Lost or Strayed” – Briton Rivière znajduje się w kraju pochodzenia artysty?

    Nie – dzieło znajduje się poza granicami kraju artysty. Briton Rivière urodził(a) się w Wielka Brytania, a oryginał dzieła „Lost or Strayed” znajduje się w muzeum w United Kingdom.