Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 223 dzieł Henri Le Sidaner w naszym katalogu
W skrócie
Według galerii najsłynniejszym obrazem Henri Le Sidaner jest A Beauvais Square by Moonlight (1900). Sunday (1898) i La Piazatta (1914) dopełniają trio, które zna każde oko. Z 223 dzieł Henri Le Sidaner w naszym katalogu, galeria prezentuje poniżej 100 najsłynniejszych prac – każda z nich jest oryginałem z podaniem roku powstania, muzeum oraz cech wyróżniających ją na tle innych.
A Beauvais Square by Moonlight1900 is a painting that captures a serene street scene under the soft glow of a moonlit atmosphere. The composition focuses on a grand building characterized by a large archway that serves as an entrance to a courtyard. The facade of this structure is detailed with numerous windows and doors, contributing to its imposing presence.
A Moment of Tranquility: Henri Le Sidaner's "Sunday" Henri Le Sidaner’s “Sunday,” painted in 1898, is more than just a depiction of women gathered in a park; it’s an invitation to pause and absorb the quiet beauty of a fleeting moment. The canvas breathes with a soft, diffused light that suggests either dawn or dusk, bathing the scene in an ethereal glow. This isn't a bustling social gathering captured mid-conversation,…
We are looking at La Piazatta, an oil on canvas painted by Henri Le Sidaner in 1914. This work captures a specific moment in the artist's career, rendered during his travels through Venice. It offers a view from inside St Mark's Square, looking out toward the architectural grandeur of the city. The scene is anchored by the presence of the Doge's Palace on the left and the Campanile of San…
A terrace waits in the soft light of 1927. Two plates sit upon the table, one toward the left and one toward the right, as if the diners have only just stepped away. Three wine glasses are positioned around the setting, catching the fading light. A single bowl rests near the center, a silent witness to the meal that was or is about to be. In the background, the silhouettes…
A house sits anchored against the light, its facade defined by shutters of deep green. Vines climb the walls, tracing slow, organic paths toward the eaves. The structure feels settled, a permanent fixture in a world of shifting shadows. Two large windows face the viewer, their glass reflecting a stillness that suggests the interior is a sanctuary of silence. A doorway remains centered, a dark threshold leading into a private,…
Canal in Bruges by Henri Le Sidaner presents a serene view of a Belgian waterway, centered around a bridge spanning the canal. The composition is anchored by two boats resting upon the water; one is positioned near the left foreground, while the second is situated further back toward the right. This arrangement directs the eye through the depth of the canal scene.
In "The Quay in Twilight" by Henri Le Sidaner, a lively harbor scene unfolds under a hazy, diffused sky. The composition is dominated by the expansive water, which acts as a mirror for the world above. Buildings line the waterfront, their facades rendered in shifting shades of pink, red, yellow, and blue. These structures create a rhythmic boundary against the sky, while several boats are scattered throughout the scene, adding…
The oil on canvas titled Little place by the river was painted by Henri Le Sidaner in 1902. This work captures a quiet winter scene where the river flows through a landscape of snow. The artist, Henri Le Sidaner, uses the medium to fix a specific moment of seasonal stillness. Cold air and white drifts define the setting.
A Beauvais Square by Moonlight is an oil on canvas painted by Henri Le Sidaner. Created about 1900, the work captures a quiet, nocturnal scene through the artist's specific approach to light and atmosphere. The piece measures 70.2 x 92.4cm.
In The Orphan Walk, Berck, Henri Le Sidaner organizes a horizontal landscape centered on a group of women in traditional regional French folk costume. These figures are distributed across the middle ground, their movement along a sandy coastal path or dunes guiding the viewer's eye through the terrain. The perspective is set at eye level, establishing an intimate connection with the subjects as they navigate the dunes. Depth is achieved…
The Table in the Gerberoy Garden at Dusk1902 · Chimei Museum
12
Full Moon1909
13
The Lighted Window1906
14
The Italian Boutique1924
15
Landscape, Goose Girl1888 · musée Petiet de Limoux
16
The Bedroom (La Chambre à Coucher)1890 · Indianapolis Museum of Art
17
Blue River, Montreuil-Bellay1897 · Petit Palais
18
The Quay1898 · Groeningemuseum
19
Snowy Evening, Etaples1894
20
The Dessert1904 · Musée d'Orsay
21
Fountain in the Tuileries1900 · Wallraf-Richartz-Museum
22
The Stained Glass, Chartres1901 · Petit Palais
23
The Village, Twilight1902 · Dublin City Gallery The Hugh Lane
24
In the Garden1901 · Toledo Museum of Art
25
Gypsy Wagon in MoonlightThe Phillips Collection
26
Boat on the Canal (Morning)1905 · Groeningemuseum
27
The Table in the White Garden at Gerberoy1900 · Museum of Fine Arts Ghent (MSK)
28
Grand Trianon1905 · Museum of Fine Arts
29
The Tuileries1902
30
The Tunnel1902
31
The Cathedral at Beauvais1900
32
Gerberoy in the snow1902
33
Orpheus Realizing the Loss of Eurydice1900
34
Snow in the Moonlight1903
35
The Pillar1901
36
The Canal, Snow1901
37
The Cradle1905
38
The Tuilleries1900
39
Terrace in Gerberoy1903
40
The House1901
41
Small house by the Eau River at Chartres1902
42
Le banc1903
43
The Belfry at Bruges, Belgium1900
44
The Snow1901
45
Terrace in Springtime1904
46
The Jet of Water1905
47
Dinner in the Garden1903
48
Moonlight at Gerberoy (Clair de Lune à Gerberoy)1904
49
Boats, Heyst1900
50
Old Houses1903
51
Le gouter au jardin1903
52
The House with the Green Shutters (Beguinage. Maisons à contre jour, Bruges)1899
53
The Bridge of Sighs1906 · Petit Palais
54
Roses and Wisterias on the House1907
55
Window with Carnations, Gerberoy1908 · Museum Barberini
56
The Garden of the Gerberoy House1909 · Cantor Arts Center at Stanford University
57
L'île Madre Clair de Lune1909 · Walker Art Gallery
58
Village at Bellay1911
59
Summer Afternoon at the palace of Hampton Court1908
60
Full Moon on the River1910
61
The Small Shop1906
62
Sunflowers1909
63
The Rose Window1908
64
The Ducal Palace1906
65
Garden at Hampton Court1908
66
The Canal1906
67
House by the Quentin Canal1910
68
The Gray Palace1906
69
The Suburbs1909
70
Plaza under Snow, Gerberoy1910
71
Unknown1910
72
Fishing Boats1910
73
The Wall, Autumn1910
74
Courtyard from a Window1910
75
The Red Palace in Venice1908
76
Rooftops in Moonlight1910
77
Small Villa in Afternoon1910
78
Trafalgar Square1908
79
The Old Palace, Moonlight, Venice1907
80
Port at Villefranche1911
81
The Great Gate at Hampton Court1908
82
Roses of Trianon1917 · Petit Palais
83
Versailles: Cour d'Honneur1912 · National Gallery of Ireland
84
Country house among roses1913 · Muzeum Plantin-Moretus
85
Canal in Autumn (Gisors)1913 · Cleveland Museum of Art
86
The Window at Croisic1915
87
Departure of Tobie1915
88
Steps at Chartes1913
89
Grand Canal in Venice1914
90
Neptune Fountain at twilight1916
91
Garden at Gerberoy1917
92
Snow at Chartres1914
93
The Grey Mill, Montreuil-Bellay1914
94
The Red Palace1914
95
Still Life1917
96
Garden in the full moon1914
97
A Window, Gisors1912
98
Spring Sky1913
99
The House in the Snow1913
100
The Pavillion and the Alley1916
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Henri Le Sidaner | Obrazy z tej listy |
|---|---|---|---|
 Petit Palais |
Paryż | 4 | Blue River, Montreuil-Bellay, The Stained Glass, Chartres, The Bridge of Sighs |
 Groeningemuseum |
Brugia | 2 | The Quay, Boat on the Canal (Morning) |
 Musée des Beaux-Arts de Dunkerque |
Dunkirk | 2 | The Orphan Walk, Berck |
 Indianapolis Museum of Art |
Indianapolis | 2 | The Bedroom (La Chambre à Coucher) |
 Musée d'Orsay |
Paryż | 2 | The Dessert |
 Wallraf-Richartz-Museum |
Kolonia | 2 | Fountain in the Tuileries |
 Walker Art Gallery |
Liverpool | 2 | L'île Madre Clair de Lune |
 Musée de la Chartreuse |
Duffel | 1 | Sunday |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
In The Orphan Walk, Berck, Henri Le Sidaner organizes a horizontal landscape centered on a group of women in traditional regional French folk costume. These figures are distributed across the middle ground, their movement along a sandy coastal path or dunes guiding the viewer's eye through the terrain. The perspective is set at eye level, establishing an intimate connection with the subjects as they navigate the dunes. Depth is achieved…
A Moment of Tranquility: Henri Le Sidaner's "Sunday" Henri Le Sidaner’s “Sunday,” painted in 1898, is more than just a depiction of women gathered in a park; it’s an invitation to pause and absorb the quiet beauty of a fleeting moment. The canvas breathes with a soft, diffused light that suggests either dawn or dusk, bathing the scene in an ethereal glow. This isn't a bustling social gathering captured mid-conversation,…
A Beauvais Square by Moonlight1900 is a painting that captures a serene street scene under the soft glow of a moonlit atmosphere. The composition focuses on a grand building characterized by a large archway that serves as an entrance to a courtyard. The facade of this structure is detailed with numerous windows and doors, contributing to its imposing presence.
We are looking at La Piazatta, an oil on canvas painted by Henri Le Sidaner in 1914. This work captures a specific moment in the artist's career, rendered during his travels through Venice. It offers a view from inside St Mark's Square, looking out toward the architectural grandeur of the city. The scene is anchored by the presence of the Doge's Palace on the left and the Campanile of San…
A terrace waits in the soft light of 1927. Two plates sit upon the table, one toward the left and one toward the right, as if the diners have only just stepped away. Three wine glasses are positioned around the setting, catching the fading light. A single bowl rests near the center, a silent witness to the meal that was or is about to be. In the background, the silhouettes…
A Beauvais Square by Moonlight (1900). Następne są Sunday (1898) oraz La Piazatta (1914).
38 lat: A Beauvais Square by Moonlight pochodzi z 1900, a Henri Le Sidaner urodził(a) się w 1862.
A Beauvais Square by Moonlight, Sunday, La Piazatta, Table on the Terrace, The House in Summer, Canal in Bruges, The Quay in Twilight, Little place by the river, A Beauvais Square by Moonlight i The Orphan Walk, Berck. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 223 dzieł artysty Henri Le Sidaner, datowanych od 1888 do 1927.
W większości znajdują się w Petit Palais (Paryż), Groeningemuseum (Brugia) i Musée des Beaux-Arts de Dunkerque (Dunkirk). Powyższa tabela muzeów zawiera ich pełną listę.
W 1900s: 56 z 100 dzieł na tej stronie powstało w tym czasie, w tym A Beauvais Square by Moonlight.
Na tej stronie najwcześniejszy to The Orphan Walk, Berck (1888), a najpóźniejszy Table on the Terrace (1927).
Buildings (14), Sky (6) i Winter (6), w ramach 100 dzieł na tej stronie.
Oil On Canvas, dla 7 z 100 dzieł na tej stronie.
Impressionism, sądząc po oryginałach na tej stronie.
Blue River, Montreuil-Bellay, The Stained Glass, Chartres i The Bridge of Sighs: Petit Palais, Paryż posiada 4 dzieł widocznych na tej stronie.
Henri Eugène Augustin Le Sidaner, a name synonymous with the quiet beauty of French interiors and twilight landscapes, was born on August 7th, 1862, in the bustling port city of Port Louis, Mauritius. His origins were deeply rooted in Breton heritage – his father, Jean Marie Le Sidaner, worked as a ship inspector for Lloyd’s, a position that necessitated frequent travels and exposed young Henri to diverse cultures and landscapes. The family's life took an important turn in 1872 when they relocated to Dunkerque, France, establishing a new home amidst the northern French coast.
From a tender age, Henri displayed a remarkable sensitivity to art and a keen eye for detail. His parents, recognizing his artistic inclinations, provided him with early support and encouragement, fostering a passion that would shape his entire life’s work. He began his formal artistic training at the Collège et Lycée Notre Dame des Dunes in Dunkerque, where he honed his skills and developed a foundational understanding of art principles.
A pivotal moment arrived through a prestigious scholarship – a generous award from the city of Dunkerque that afforded him the opportunity to pursue his artistic ambitions in Paris. This move marked a significant step towards realizing his potential, allowing him access to the vibrant artistic community and renowned institutions of the capital.
Paris proved to be a crucible for Le Sidaner’s artistic development. He enrolled at the École nationale supérieure des beaux-arts, one of France's most prestigious art schools, where he studied under Alexandre Cabanel, a prominent figure in Belle Époque French painting. However, their artistic philosophies ultimately diverged, leading to a respectful but firm separation – Le Sidaner sought a more personal and expressive approach than Cabanel’s academic style offered.
Despite this departure, his early years were profoundly influenced by the groundbreaking movements of the time. He was deeply captivated by the Impressionists, particularly Édouard Manet and Claude Monet, drawn to their innovative use of light, color, and brushwork. Equally significant was his engagement with the Pointillist movement, admiring its systematic approach to creating visual effects through small dots of pure color.
Seeking further artistic growth and collaboration, Le Sidaner joined the Colonie artistique d’Étaples, a collective of artists based in Étaples. This association proved invaluable, providing him with a supportive environment, shared experiences, and opportunities to refine his skills under the guidance of fellow artists.
Le Sidaner's artistic style is instantly recognizable for its distinctive atmosphere and evocative quality. He favored subdued colors – predominantly greys, blues, and ochres – skillfully blended with subtle opals to create a sense of depth and luminosity. His technique involved applying paint with uneven, dappled brushstrokes, a deliberate choice that resulted in a textured surface and a unique visual effect.
He is particularly celebrated for his nocturnes—paintings capturing the ethereal beauty of twilight hours. Le Sidaner possessed an extraordinary ability to translate the subtle nuances of light and shadow into compelling imagery, evoking feelings of tranquility, mystery, and introspection. His work evolved over time, moving away from purely imitative approaches and developing a more personal style that blended Impressionistic techniques with elements of Symbolism.
In 1905, Le Sidaner sought refuge in Gerberoy, a small village in the Picardy countryside, where he spent over thirty years. This period marked a significant shift in his artistic focus, as he became renowned for his captivating views of the gardens surrounding the ruins of a medieval fortress. These paintings, often featuring dappled sunlight and delicate roses, solidified his reputation as a master of atmospheric landscapes.
Throughout his career, Le Sidaner produced a remarkable body of work, including iconic paintings such as “Still Life and a Window, Gisors” and “A Beauvais Square by Moonlight.” His works are held in prestigious collections, notably at the Musée des Beaux-Arts Tournai in Belgium. His artistic talent was widely recognized during his lifetime, earning him accolades and exhibitions across France and internationally.
In 1913, Le Sidaner received a distinguished honor – he was named a Chevalier of the Legion of Honor, a testament to his significant contributions to French art and culture. His Venice paintings garnered considerable acclaim in 1905, attracting attention from both London and Paris.
Henri Le Sidaner is often considered a pivotal figure bridging the gap between Impressionism and Post-Impressionism. While deeply influenced by the Impressionist movement, he developed a unique style characterized by a heightened sense of atmosphere, subtle color harmonies, and an exploration of emotional depth. He stands apart from his contemporaries due to his distinctive approach to capturing light, shadow, and the essence of everyday life.
His legacy continues to inspire artists today, as evidenced by ongoing exhibitions showcasing his work and its enduring appeal. Le Sidaner’s paintings offer a glimpse into intimate moments, tranquil landscapes, and the quiet beauty of the French countryside – a testament to his artistic vision and lasting contribution to the world of art.
