Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 27 dzieł Gaspare Diziani w naszym katalogu
W skrócie
Spośród wszystkich dzieł oryginalnych, które pozostawił Gaspare Diziani, najsłynniejszym jest Dawn (1738), znajdujący się w kolekcji Metropolitan Museum of Art w Nowy Jork. Tuż za nimi znajdują się Laying Venus (1714) oraz The Family of Darius before Alexander the Great (1728). Nasz katalog zawiera 27 dzieł autorstwa Gaspare Diziani; galeria zachowała 27 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.
Gaspare Diziani’s Dawn is an oil on canvas ceiling decoration created in 1738. The work functions as an allegorical representation of the morning, designed to crown the interior of a room. In this composition, the central figure of Dawn is surrounded by several cherubic putti. To the left, three putti engage in playful activities, including the carrying of a basket overflowing with flowers and foliage. On the right, a single…
Christ before Pilate1757 · Gemäldegalerie
12
The Assumption of the Virgin1737 · Los Angeles County Museum of Art
13
Adoration of the Magi1718 · Szépművészeti Múzeum
14
The arming of Erminia1738 · National Museum of Art, Architecture and Design
15
Adoration of the Shepherds1755
16
Adoration of the Magi1755 · Szépművészeti Múzeum
17
The Adoration of the Lamb. StudyNationalmuseum
18
Allegory with Apollo, Chronos and four ContinentsNational Gallery Prague
19
Girl holding flowersCa' Rezzonico – Museum of the 18th Century Venice
20
DanaéMusée de Grenoble
21
The martyrdom of sts felix and fortunatus
22
Interior with MonkeysMuzeum Sztuki Johna i Mable Ringlingów
23
Finding of Moses
24
The Family of Darius before Alexander the Great
25
Abraham and Three AngelsMuzeum Narodowe w Krakowie
26
The Adoration of the MagiRijksmuseum
27
Olympus (plafond)1750 · Ermitaż
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Gaspare Diziani | Obrazy z tej listy |
|---|---|---|---|
 Bawarskie Państwowe Zbiory Malarstwa |
Monachium | 3 | The Family of Darius before Alexander the Great, Joseph Is Sold by His Brothers, Joseph Interprets the Dreams of Pharaoh |
 Statens Museum for Kunst |
Kopenhaga | 2 | Monk, Praying Monk |
 Nationalmuseum |
Stockholm | 2 | The Family of Darius Pleading to Alexander, The Adoration of the Lamb. Study |
 Szépművészeti Múzeum |
Budapeszt | 2 | Adoration of the Magi, Adoration of the Magi |
 Metropolitan Museum of Art |
Nowy Jork | 1 | Dawn |
 Muzeum Narodowe w Warszawie |
Warszawa | 1 | Moses trampling on the Pharaoh’s crown |
 Gemäldegalerie |
Berlin | 1 | Christ before Pilate |
 Los Angeles County Museum of Art |
Los Angeles | 1 | The Assumption of the Virgin |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
Gaspare Diziani’s Dawn is an oil on canvas ceiling decoration created in 1738. The work functions as an allegorical representation of the morning, designed to crown the interior of a room. In this composition, the central figure of Dawn is surrounded by several cherubic putti. To the left, three putti engage in playful activities, including the carrying of a basket overflowing with flowers and foliage. On the right, a single…
Dawn (1738), Metropolitan Museum of Art, Nowy Jork. Następne są Laying Venus (1714) oraz The Family of Darius before Alexander the Great (1728).
49 lat: Dawn pochodzi z 1738, a Gaspare Diziani urodził(a) się w 1689.
Dawn, Laying Venus, The Family of Darius before Alexander the Great, Monk, Praying Monk, Moses trampling on the Pharaoh’s crown, Joseph Is Sold by His Brothers, Joseph Interprets the Dreams of Pharaoh, The Family of Darius Pleading to Alexander i sketch for a plafond - painting. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 27 dzieł artysty Gaspare Diziani, datowanych od 1714 do 1757.
W większości znajdują się w Bawarskie Państwowe Zbiory Malarstwa (Monachium), Statens Museum for Kunst (Kopenhaga) i Nationalmuseum (Stockholm). Powyższa tabela muzeów zawiera ich pełną listę.
W 1750s: 7 z 27 dzieł na tej stronie powstało w tym czasie, w tym Joseph Is Sold by His Brothers.
Na tej stronie najwcześniejszy to Laying Venus (1714), a najpóźniejszy Christ before Pilate (1757).
Religious (4), Woman (2) i Clouds (2), w ramach 27 dzieł na tej stronie.
Oil, dla 2 z 27 dzieł na tej stronie.
The Family of Darius before Alexander the Great, Joseph Is Sold by His Brothers i Joseph Interprets the Dreams of Pharaoh: Bawarskie Państwowe Zbiory Malarstwa, Monachium posiada 3 dzieł widocznych na tej stronie.
In the luminous era of the late Baroque and the burgeoning Rococo, Gaspare Diziani emerged as a painter of profound technical assurance and dramatic flair. Born in the serene town of Belluno, Italy, his artistic journey began under the guidance of Antonio Lazzarini, a foundation that would eventually lead him to the heart of the Venetian art world. As he moved toward Venice, Diziani immersed himself in the prestigious studios of Gregorio Lazzarini and the influential Sebastiano Ricci. These early mentors provided him with the tools to master the sweeping movements and emotional depth characteristic of his era, allowing him to develop a style that resonated with both religious fervor and aristocratic elegance.
Diziani’s career was marked by a remarkable ability to navigate the shifting tides of 18th-century aesthetics. While his work shared the stage with contemporaries like Giambattista Tiepolo, Diziani carved out a unique space through his versatility and command over both canvas and fresco. His early period, spanning roughly between 1710 and 1720, saw him contributing significant works to sacred spaces, such as the Mary Magdalene for the church of Santo Stefano in Belluno and the Entry into Jerusalem for San Teodoro in Venice. These religious commissions allowed him to explore the interplay of light and shadow, a hallmark of the late Baroque that would later soften into the more delicate, ornamental textures of the Rococo.
The breadth of Diziani’s influence extended far beyond the borders of the Republic of Venice. His reputation for excellence carried him to the courts of Dresden and Munich, demonstrating a reach that transcended local boundaries and touched the great cultural centers of Europe. This international presence is perhaps best exemplified by the sheer scale of his ambition; one of his most monumental achievements remains the largest painting housed within the Hermitage Museum in St. Petersburg, a testament to his ability to command vast, immersive spaces.
Beyond his grand canvases, Diziani’s artistry was deeply rooted in the decorative traditions of his time. His skill in fresco painting is evident in his work on the Life of Saint Helena at the Scuola del Vin, where he transformed architectural surfaces into narrative windows of spiritual intensity. Whether working on a small-scale preparatory sketch or a massive ceiling piece, his hand was characterized by a certain celerity and technical confidence that captured the very essence of the Rococo spirit—a blend of grace, movement, and light.
The enduring significance of Gaspare Diziani lies in his role as a bridge between eras. He successfully synthesized the dramatic tension of the Baroque with the airy, ornamental beauty of the Rococo, leaving behind a body of work that continues to fascinate scholars and art lovers alike. Through his mastery of color and composition, he helped define the visual language of an age of splendor.
