Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 55 dzieł Frank Stella w naszym katalogu
W skrócie
Hyena Stomp (1962) to obraz autorstwa Frank Stella, który przyciąga najwięcej spojrzeń. Następnie wzrok kieruje się na Die Fahne Hoch! (1959) i Gran Cairo (1962). Spośród 55 dzieł Frank Stella w naszym katalogu, tych 51 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
In the vast landscape of twentieth-century abstraction, few works capture the electric pulse of innovation quite like Frank Stella’s 1962 masterpiece, Hyena Stomp. This painting serves as a breathtaking testament to a pivotal moment in art history when the boundaries of the canvas were being radically redefined. At first glance, the viewer is met with an explosion of color—a rhythmic dance of concentric squares that seem to pulse with their…
Frank Stella’s 1959 painting, *Die Fahne Hoch!*, isn't merely a composition of black lines on white canvas; it’s an arresting declaration of form and a subtle provocation. Emerging from the vibrant, emotionally charged world of Abstract Expressionism, Stella deliberately distanced himself from its subjective gestures, seeking instead to establish art as an object in itself – a flat surface with paint on it, as he famously stated. This painting embodies…
In the vast landscape of twentieth-century abstraction, few works capture the hypnotic allure of pure form as effectively as Frank Stella’s Gran Cairo. Created in 1962, this masterpiece serves as a profound exploration of visual perception, where the boundaries between color and shape begin to dissolve into a mesmerizing dance. At first glance, the viewer is met with a striking interplay of concentric squares, each layer pulsating with a spectrum…
In 1958, Frank Stella entered his first year of independent work. This period marked a departure from his studies, as he moved to New York City to establish a singular practice. During this pivotal year, he produced a series of monumental abstract canvases. Composition (S/1) emerged from this intense period of production, a time when the artist began to assert a new visual language through scale and form.
To stand before Basra Gate III is to encounter a moment of pure, structured contemplation. This large-scale composition does not whisper; it declares with the confident precision of mathematical certainty. It presents itself as a magnificent semi-circular expanse, immediately drawing the eye into its vibrant, organized complexity. The dominant field of deep purple acts less as a background and more as a resonant void against which color can finally breathe…
Manteneia II – A Dialogue Between Geometry and Memory Frank Stella’s *Manteneia II*, completed in 1968, stands as a cornerstone of Minimalism and a testament to the artist's profound engagement with architectural history. More than just pigment on canvas; it embodies a deliberate rejection of expressive gesture and embraces instead the austere beauty of geometric precision—a stylistic choice that simultaneously echoes the monumental structures of ancient Persia and challenges conventional…
This painting is part of Stella’s Morocco series (1964–65), which was inspired in part by Arabic tiles. Using fluorescent paint to disrupt the picture plane, Stella creates not only an illusion of depth but also a pulsating effect that belies the work’s simple, geometric lines.
The Darabjerd III painting by Frank Stella is a seminal work in the realm of geometric abstraction. Created in 1967, this acrylic on canvas piece measures 305 x 458 cm and is housed at the National Portrait Gallery in the United States. As a prominent artist of his time, Frank Stella was known for pushing the boundaries of traditional art forms, and Darabjerd III is a testament to his innovative…
Coxuria from The Geldzahler Portfolio1997
12
Harran II1967 · Solomon R. Guggenheim Museum
13
Six Mile Bottom1960
14
Them Apples1958
15
Arundel Castle1959
16
Pagosa Springs1960
17
Haines City1963 · Metropolitan Museum of Art
18
Haines City1963
19
Line Up1962
20
Concentric Squares1966
21
Damascus Gate1969 · Muzeum Izraela
22
Lac Laronge IV1969 · Toledo Museum of Art
23
Untitled (AQZTY3)1967
24
Tahkt-I-Sulayman Variation II1969 · Minneapolis Institute of Art
25
Flin Flon IV1969
26
Uzlany II1973 · Muzeum Kunstmuseum Den Haag
27
Jablonow I1971 · Muzeum Sztuki Johna i Mable Ringlingów
28
Cieszowa III1973 · Städel Museum
29
Firuzabad (Variation) I1970 · Narodowa Galeria Kanady
30
Flin Flon VI1970 · Birmingham Museum of Art
31
Michapol I1971
32
Chyrow II1972
33
Chodorow II1971
34
Maquette for Sāt bhāi1977
35
Maquette for Shoubeegi1977
36
Maquette for Thirthira1977
37
Maquette for Pachanak1977
38
Maquette for Jungli kowwa, Maquette for Jungli kowwa1977
39
Sacramento Mall Proposal #41978
40
Giufà, la luna, i ladri e le guardie1984
41
Quaqua Attaccati La1985
42
Prinz Friedrich von Homburg, Ein Schauspiel, 3X2001
43
The Marriage of Reason and Squalor1959 · MoMA - Museum of Modern Art
44
Untitled (Kufa Gate Shape)1967
45
Empress of India
46
Pergusa Three from Circuits
47
Double gray scramble
48
Fez
49
Shoubeegi1978 · San Francisco Museum of Modern Art
50
Louisiana Lottery Co1962
51
Wolfeboro IV1966
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Frank Stella | Obrazy z tej listy |
|---|---|---|---|
 Whitney Museum of American Art |
Nowy Jork | 2 | Die Fahne Hoch!, Gran Cairo |
 Narodowa Galeria Kanady |
Ottawa | 2 | Maquette for the Mural in the Orchestra Level Lobby, Princess of Wales Theatre, Toronto, Firuzabad (Variation) I |
 Bawarskie Państwowe Zbiory Malarstwa |
Monachium | 1 | Composition (S/1) |
 Museum Folkwang |
Essen | 1 | Basra Gate III |
 Chrysler Museum of Art |
Norfolk | 1 | Manteneia II – Frank Stella |
 National Gallery of Australia |
Canberra | 1 | The Fountain |
 Solomon R. Guggenheim Museum |
Nowy Jork | 1 | Harran II |
 Metropolitan Museum of Art |
Nowy Jork | 1 | Haines City |
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Frank Stella’s 1959 painting, *Die Fahne Hoch!*, isn't merely a composition of black lines on white canvas; it’s an arresting declaration of form and a subtle provocation. Emerging from the vibrant, emotionally charged world of Abstract Expressionism, Stella deliberately distanced himself from its subjective gestures, seeking instead to establish art as an object in itself – a flat surface with paint on it, as he famously stated. This painting embodies…
In the vast landscape of twentieth-century abstraction, few works capture the electric pulse of innovation quite like Frank Stella’s 1962 masterpiece, Hyena Stomp. This painting serves as a breathtaking testament to a pivotal moment in art history when the boundaries of the canvas were being radically redefined. At first glance, the viewer is met with an explosion of color—a rhythmic dance of concentric squares that seem to pulse with their…
Hyena Stomp (1962). Następne są Die Fahne Hoch! (1959) oraz Gran Cairo (1962).
26 lat: Hyena Stomp pochodzi z 1962, a Frank Stella urodził(a) się w 1936.
Hyena Stomp, Die Fahne Hoch!, Gran Cairo, Composition (S/1), Basra Gate III, Manteneia II – Frank Stella, Marrakech, The Fountain, Darabjerd III i Maquette for the Mural in the Orchestra Level Lobby, Princess of Wales Theatre, Toronto. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 55 dzieł artysty Frank Stella, datowanych od 1958 do 2001.
W większości znajdują się w Whitney Museum of American Art (Nowy Jork), Narodowa Galeria Kanady (Ottawa) i Bawarskie Państwowe Zbiory Malarstwa (Monachium). Powyższa tabela muzeów zawiera ich pełną listę.
W 1960s: 19 z 51 dzieł na tej stronie powstało w tym czasie, w tym Hyena Stomp.
Na tej stronie najwcześniejszy to Composition (S/1) (1958), a najpóźniejszy Prinz Friedrich von Homburg, Ein Schauspiel, 3X (2001).
Abstract (4), Geometric (4) i Abstract art (4), w ramach 51 dzieł na tej stronie.
Acrylic On Canvas, dla 4 z 51 dzieł na tej stronie.
Post-painterly abstraction, sądząc po oryginałach na tej stronie.
Die Fahne Hoch! i Gran Cairo: Whitney Museum of American Art, Nowy Jork posiada 2 dzieł widocznych na tej stronie.
