Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 27 verk av Yasuo Kuniyoshi i vår katalog
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Still Life (1926) er maleriet av Yasuo Kuniyoshi som vekker mest oppmerksomhet. Deretter går blikket til Strong Woman and Child (1925) og Self-Portrait as a Photographer (1924). Blant de 27 verkene til Yasuo Kuniyoshi i vår katalog, er disse 21 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
A silver vase with a fluted top occupies the center of this 1926 composition, holding a bouquet of red and pink flowers. These blooms appear in various stages of opening, their petals catching the light against a warm beige background. The arrangement rests upon a wooden table, partially draped in a red cloth featuring a subtle pattern. The interplay of light and shadow creates a sense of three-dimensionality, giving the…
Painted in 1925, Strong Woman and Child is a significant work by Yasuo Kuniyoshi. This oil on canvas presents a figure group consisting of a female and a child, positioned within a setting that suggests a stage. The composition incorporates elements of a landscape and the presence of a circus performer, creating a specific, theatrical atmosphere.
In the quiet, contemplative depths of Self-Portrait as a Photographer, we encounter more than just a likeness; we enter the intimate psychological landscape of Yasuo Kuniyoshi. Created in 1924, this evocative oil on canvas serves as a profound window into the artist's inner world during a formative period of American Modernism. The portrait captures a man lost in thought, his features etched with a sense of quiet introspection that transcends…
In Yasuo Kuniyoshi's People at Roadside, about 1916, a quiet moment unfolds along a dusty path. The scene is horizontally oriented, stretching the viewer's gaze across a landscape that feels both vast and intimate. A group of people gathers by the roadside, caught in a pause of rest. One central figure stands upright, anchoring the group, while others settle into the earth, some seated and others crouching in the dirt.…
In "Dream" by Yasuo Kuniyoshi, the landscape refuses a single center. The composition is non-linear and deconstructed, a fragmented arrangement of botanical elements and quiet structures. A small white house sits in the upper right, anchored against a sky that offers no horizon. On the left, a red-faced bovine creature watches from the shadows. Between these points, a figure appears to float or fall, suspended in a space that defies…
In the black and white lithograph Semi Nude, Standing by Yasuo Kuniyoshi, the composition is vertically oriented. The subject, a semi-nude female figure, is positioned slightly off-center within an interior space. To the right of the figure, a curtained doorway or window is visible, providing a structural backdrop that adds a sense of depth to the scene. The figure's gaze is directed toward the viewer, establishing a direct line of…
Yasuo Kuniyoshi produced Self Portrait as a Golf Player about 1927. The work functions as a self-portrait, presenting the artist in golfing attire. He is depicted holding a golf club, positioned against an ambiguous landscape. A golf ball rests on the ground near his feet.
In "My Man" by Yasuo Kuniyoshi, a quiet intimacy takes hold as we find ourselves standing behind a couple locked in a deep embrace. These two central figures dominate the foreground, their presence anchoring the viewer's gaze. They look out together toward a vast coastal scene, their backs to us, as if we are sharing a private, stolen moment. The composition draws the eye from this close, emotional connection out…
In "Exit" by Yasuo Kuniyoshi, a dreamlike atmosphere takes hold as the viewer enters a fragmented, ambiguous space. Created about 1948, the scene unfolds through a series of overlapping planes that defy traditional spatial logic. A vertical element, resembling a pole or a staff, dominates the left side of the frame, anchoring a composition that feels both dynamic and deeply disorienting. There is no clear sense of foreground or background;…
In "Broken Objects" by Yasuo Kuniyoshi, we encounter a quiet, fragmented still life created about 1944. The work presents a collection of shattered items resting upon a draped surface. Rather than a traditional arrangement of intact vessels, Kuniyoshi focuses on the aftermath of disruption. The scene captures pieces of pottery and fabric scattered in a way that suggests a sudden, silent breakage. There is a sense of stillness in this…
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Yasuo Kuniyoshi | Malerier fra denne listen |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Strong Woman and Child, Landscape |
 Metropolitan Museum of Art |
New York | 1 | Self-Portrait as a Photographer |
 Artizon Museum |
Tokyo | 1 | Dream |
 Art Institute of Chicago |
Chicago | 1 | My Man |
Velg et tiår for å se originalverket som definerer det.
In Yasuo Kuniyoshi's People at Roadside, about 1916, a quiet moment unfolds along a dusty path. The scene is horizontally oriented, stretching the viewer's gaze across a landscape that feels both vast and intimate. A group of people gathers by the roadside, caught in a pause of rest. One central figure stands upright, anchoring the group, while others settle into the earth, some seated and others crouching in the dirt.…
A silver vase with a fluted top occupies the center of this 1926 composition, holding a bouquet of red and pink flowers. These blooms appear in various stages of opening, their petals catching the light against a warm beige background. The arrangement rests upon a wooden table, partially draped in a red cloth featuring a subtle pattern. The interplay of light and shadow creates a sense of three-dimensionality, giving the…
In "My Man" by Yasuo Kuniyoshi, a quiet intimacy takes hold as we find ourselves standing behind a couple locked in a deep embrace. These two central figures dominate the foreground, their presence anchoring the viewer's gaze. They look out together toward a vast coastal scene, their backs to us, as if we are sharing a private, stolen moment. The composition draws the eye from this close, emotional connection out…
Still Life (1926). Deretter følger Strong Woman and Child (1925) og Self-Portrait as a Photographer (1924).
33 år gammel: Still Life er fra 1926, og Yasuo Kuniyoshi ble født i 1893.
Still Life, Strong Woman and Child, Self-Portrait as a Photographer, People at Roadside, Dream, Semi Nude, Standing, Self Portrait as a Golf Player, My Man, Exit og Broken Objects. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 27 verk av Yasuo Kuniyoshi, datert fra 1916 til 1948.
Hovedsakelig i Smithsonian American Art Museum (Washington, D.C.), Metropolitan Museum of Art (New York) og Artizon Museum (Tokyo). Museumslisten ovenfor viser alle.
I 1920s: 14 av de 21 verkene på denne siden ble laget da, Still Life av dem.
På denne siden er det eldste People at Roadside (1916) og det nyeste Exit (1948).
Woman (4), Sky (3) og Landscape (3), fordelt på 21 verk på denne siden.
Oil On Canvas, for 5 av de 21 verkene på denne siden.
Strong Woman and Child og Landscape: Smithsonian American Art Museum, Washington, D.C. har 2 av verkene på denne siden.
