Portrett av William Johnstone

De 22 mest kjente William Johnstone-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 22 verk av William Johnstone i vår katalog

Kort fortalt

Summer, Selkirk (1927) er maleriet av William Johnstone som vekker mest oppmerksomhet; originalen befinner seg i Scottish National Gallery of Modern Art, Edinburgh. Deretter går blikket til A Point in Time (1937) og Francis George Scott (1880–1958), Composer (1933). Blant de 22 verkene til William Johnstone i vår katalog, er disse 22 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1897 – 1981 Flest verk: Scottish National Gallery of Modern Art

Topp 10 malerier av William Johnstone, sett gjennom galleriets øyne

William Johnstones berømte malerier, nummer 11 til 22

Museene som har William Johnstones originalverk

De 6 museene som innehar flest av maleriene på denne siden.

Museum By Verker av William Johnstone Malerier fra denne listen
Scottish National Gallery of Modern Art, EdinburghScottish National Gallery of Modern Art Edinburgh 3 Summer, Selkirk, A Point in Time, Mrs J. E. Winand
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 Street Musicians (Post Cubist), Landscape with Trees (verso), Geometric Landscape (recto)
The Fleming Collection, LondonThe Fleming Collection London 2 Self Portrait, Entombment
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Francis George Scott (1880–1958), Composer
Government Art Collection, LondonGovernment Art Collection London 1 Surrey Landscape
Pallant House Gallery, ChichesterPallant House Gallery Chichester 1 Landscape (Scottish Landscape)

William Johnstone gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

William Johnstones malerier: spørsmål til galleriet

Hva er det mest kjente verket til William Johnstone?Avslør svaret

Summer, Selkirk (1927), Scottish National Gallery of Modern Art, Edinburgh. Deretter følger A Point in Time (1937) og Francis George Scott (1880–1958), Composer (1933).

Hvor gammel var William Johnstone da Summer, Selkirk ble skapt?Avslør svaret

30 år gammel: Summer, Selkirk er fra 1927, og William Johnstone ble født i 1897.

Hvilke ti malerier av William Johnstone er de mest kjente?Avslør svaret

Summer, Selkirk, A Point in Time, Francis George Scott (1880–1958), Composer, Self Portrait, Thomas Scott (1854–1927), Artist (after George Fiddes Watt), Street Musicians (Post Cubist), Ode to the North Wind, Francis George Scott, Richard Thomas Church og Border Landscape The Eildon Hills. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av William Johnstone er kjent?Avslør svaret

Vår katalog inneholder 22 verk av William Johnstone, datert fra 1918 til 1948.

Hvor kan de mest kjente originalverkene til William Johnstone ses?Avslør svaret

Hovedsakelig i Scottish National Gallery of Modern Art (Edinburgh), Abbot Hall Art Gallery (Kendal) og The Fleming Collection (London). Museumslisten ovenfor viser alle.

I hvilken periode malte William Johnstone sine mest kjente malerier?Avslør svaret

I 1930s: 5 av de 22 verkene på denne siden ble laget da, A Point in Time av dem.

Hvilket kjent maleri av William Johnstone er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Thomas Scott (1854–1927), Artist (after George Fiddes Watt) (1918) og det nyeste Golgotha (1948).

Hvilke originalverk av William Johnstone kan jeg se på Scottish National Gallery of Modern Art?Avslør svaret

Summer, Selkirk, A Point in Time og Mrs J. E. Winand: Scottish National Gallery of Modern Art, Edinburgh har 3 av verkene på denne siden.

William Johnstone: et portrett av kunstneren

A Life Bathed in Light: The Poetic Vision of William Johnstone

William Johnstone, born in 1897 and passing in 1981, remains a quietly compelling figure within the landscape of Scottish art. While not a household name, his work possesses a distinctive atmospheric quality that resonates with a deep sensitivity to place and mood. His life story, though somewhat elusive in detail, is inextricably linked to the poetic spirit that infuses his paintings – a spirit often described as Whistlerian in its subtle harmonies and evocative power. He also painted under the pseudonym Sholto Douglas. Johnstone’s artistic journey wasn't one of dramatic shifts or revolutionary pronouncements; rather, it was a gradual unfolding of a personal vision, rooted in observation and refined through dedicated practice.

Early Influences & Artistic Development

The early years of Johnstone’s life undoubtedly shaped his aesthetic inclinations. Scotland itself – its rugged highlands, misty lochs, and ever-changing skies – served as an enduring source of inspiration. While specific details regarding his formal training are scarce, the influence of James McNeill Whistler is readily apparent in his work. Whistler's emphasis on tonalism, a restrained palette, and the creation of atmosphere over precise representation clearly resonated with Johnstone. He wasn’t merely copying Whistler’s style; instead, he absorbed its principles and adapted them to his own unique sensibility, imbuing his landscapes with a distinctly Scottish character. This is not to say that Johnstone was solely beholden to Whistlerian aesthetics. A quiet realism, reminiscent of the Victorian portrait tradition – as exemplified by artists like William Herbert Johnston (a contemporary) – also subtly informs his depictions of figures and interiors.

Themes & Techniques: Capturing Ephemeral Beauty

Johnstone’s oeuvre primarily comprises landscapes and portraits, often interwoven with scenes of domestic life. His landscapes are not grand vistas designed to overwhelm the viewer; they are intimate studies of light and shadow, capturing fleeting moments of beauty in the natural world. He possessed a remarkable ability to convey atmosphere – the damp chill of a Scottish morning, the golden glow of late afternoon sunlight, the soft haze that hangs over rolling hills. His technique is characterized by delicate brushwork, subtle gradations of tone, and a masterful use of color to create mood. The colors are often muted, creating a sense of tranquility and introspection. In his portraits, Johnstone eschews flamboyant displays of virtuosity in favor of capturing the inner character of his sitters. He focuses on conveying personality through nuanced expressions and carefully observed details.

Historical Significance & Legacy

While Johnstone may not have achieved widespread fame during his lifetime, his work holds a significant place within the context of Scottish art history. He represents a continuation of the tonalist tradition, demonstrating its enduring appeal in the 20th century. His paintings offer a valuable glimpse into the social and cultural life of Scotland during this period, particularly through his portraits of local notables. More importantly, however, Johnstone’s legacy lies in his ability to evoke emotion and create atmosphere through subtle yet powerful means. He reminds us that true beauty often resides not in grand gestures but in quiet moments of observation and reflection. His work continues to captivate viewers with its poetic sensibility and masterful use of light, offering a timeless testament to the enduring power of artistic vision.