Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 31 verk av Veloso Salgado i vår katalog
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Av alle originalverkene Veloso Salgado etterlot seg, er det mest kjente Girl with scroll (1883). Like bak følger Country landscape with female figure (1889) og Portrait of Teixeira Lopes (1889). Vår katalog inneholder 31 verk av Veloso Salgado; galleriet har bevart de 31 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
In the oil painting Girl with scroll, Veloso Salgado presents an intimate and tender portrait of a young woman. The composition is a close-up view that focuses on the subject's face and upper torso. Positioned at a direct, eye-level perspective, the figure is shown in close contact with a small bird. The girl holds the bird near her lips, creating a central point of contact between the human subject and…
In "Country landscape with female figure" by Veloso Salgado, a vertically oriented composition centers a solitary female figure in the foreground. To her right, a lush, dark green shrub or small tree provides a vertical counterweight, while a cluster of rustic houses recedes into the mid-ground on the left. The arrangement utilizes atmospheric perspective, allowing the distant buildings and sky to appear lighter and less detailed than the immediate foreground…
Veloso Salgado’s Portrait of Teixeira Lopes, painted about 1889, presents a vertical composition where the subject is positioned slightly off-center. A young man with dark hair and a beard occupies the frame, seated within a high-backed, gilded armchair. He is dressed in a light-colored jacket layered over a patterned waistcoat and brown trousers, holding a small object in his right hand. The arrangement creates an intimate, domestic atmosphere within a…
The "portrait of a African" by Veloso Salgado is a close-up profile view of an African man. The composition focuses on the subject's head and upper shoulders, set against a textured, luminous background. This arrangement directs the viewer's attention to the contours of the face and the specific details of the subject's features. The lighting originates from the upper left, casting subtle shadows that define the brow, nose, and jawline.…
The oil on canvas work titled Portrait of Adrien Demont was executed by the artist Veloso Salgado. This painting, which dates from about 1891, presents a single male figure as its primary subject. The composition focuses on the individual, capturing him in a three-quarter length view against a neutral, textured background.
The oil painting titled Jesus (study) emerges from the brush of Veloso Salgado, a master of naturalism. Created about 1897, this work captures a moment of profound spiritual presence. The central figure of Jesus Christ dominates the view, his arms outstretched in a gesture that seems to bridge the gap between the divine and the mortal. He wears a light-colored robe that catches the light, standing before a luminous, arched…
In Aleixo de Queiroz Ribeiro's portrait, Veloso Salgado centers the subject in a medium close-up, capturing him from the chest up. The man possesses dark hair and a well-groomed beard, his gaze fixed directly upon the viewer with a calm, serious expression. He is framed against a soft-focus backdrop of muted greens, ochres, and earthy browns, suggesting the quiet stillness of a wooded or garden setting. Soft, diffused natural light…
In this significant historical work, titled Vasco da Gama before the Samorim of Calicut, we encounter a pivotal moment of encounter between two distinct worlds. The painting, executed by the artist Veloso Salgado, captures the tension of this meeting through a carefully composed scene of diplomatic and cultural collision. It is a work that reflects the artist's deep engagement with the grand traditions of historical narrative.
Portrait of Virginie Demont-Breton, painted in 1894, features the subject Virginie Demont-Breton. The work was executed by Veloso Salgado, a Spanish-born Portuguese painter. Born in Melón, Spain, in 1864, the artist established a significant presence within the Portuguese art scene after moving to Portugal at the age of ten.
The air in the room feels heavy, thick with the scent of antiseptic and the quiet stillness of a laboratory. An elderly man, distinguished by a shock of white hair and a prominent, well-groomed mustache, gazes out from the canvas. He wears a dark, formal suit that absorbs the light, anchoring him firmly in this somber space. He does not merely sit for a portrait; he occupies a moment of…
King D. Dinis practicing Justice1899
12
The Motherland Crowning Her Heroes1904 · Museu Militar de Lisboa
13
Acclamation of King John IV of Portugal by Veloso Salgado1908 · Museu Militar de Lisboa
14
Portrait of Miguel Ventura Terra1910
15
Portrait of Candido dos Reis1911
16
Portrait of a Lady (1908)1908
17
Coronation of King João IV1908 · Museu Militar de Lisboa
18
Portuguese Medicine1906
19
Portrait of a Lady1917
20
The Suffrage1913 · Lisboa Municipal Archive
21
Gerês, 19151915
22
Physical and Natural Sciences1917
23
The Constitutional Cortes of 18211921
24
Youth1923 · José Malhoa Museum
25
Self Portrait1931
26
Malestroit main Street. Bretagne1888 · Machado de Castro National Museum
27
Cupid and Psyche1891 · National Museum of Contemporary Art - Museu do Chiado
28
In the cemetery1890 · National Museum of Contemporary Art - Museu do Chiado
29
Girl with mandolin
30
Female figure in the garden1917
31
Looking at the sea
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 6 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Veloso Salgado | Malerier fra denne listen |
|---|---|---|---|
 Museu Militar de Lisboa |
Lisbon | 3 | The Motherland Crowning Her Heroes, Acclamation of King John IV of Portugal by Veloso Salgado, Coronation of King João IV |
 National Museum of Contemporary Art - Museu do Chiado |
Lisboa | 2 | Cupid and Psyche, In the cemetery |
 Casa-Museu Dr. Anastácio Gonçalves |
Lisboa | 1 | portrait of a African |
 Lisboa Municipal Archive |
Lisboa | 1 | The Suffrage |
 José Malhoa Museum |
Caldas da Rainha | 1 | Youth |
 Machado de Castro National Museum |
Coimbra | 1 | Malestroit main Street. Bretagne |
Velg et tiår for å se originalverket som definerer det.
In the oil painting Girl with scroll, Veloso Salgado presents an intimate and tender portrait of a young woman. The composition is a close-up view that focuses on the subject's face and upper torso. Positioned at a direct, eye-level perspective, the figure is shown in close contact with a small bird. The girl holds the bird near her lips, creating a central point of contact between the human subject and…
The oil on canvas work titled Portrait of Adrien Demont was executed by the artist Veloso Salgado. This painting, which dates from about 1891, presents a single male figure as its primary subject. The composition focuses on the individual, capturing him in a three-quarter length view against a neutral, textured background.
The air in the room feels heavy, thick with the scent of antiseptic and the quiet stillness of a laboratory. An elderly man, distinguished by a shock of white hair and a prominent, well-groomed mustache, gazes out from the canvas. He wears a dark, formal suit that absorbs the light, anchoring him firmly in this somber space. He does not merely sit for a portrait; he occupies a moment of…
In the Portrait of Miguel Ventura Terra by Veloso Salgado, the subject is presented in a three-quarter length pose. Positioned slightly off-center, he faces the viewer directly. The composition is anchored by the subject's attire: a dark hat, a dark coat, a waistcoat, and a light-colored tie. In his right hand, he holds a writing instrument over a document or map, while his left hand rests near a cane. This…
The painting titled The Constitutional Cortes of 1821 is a large-scale historical mural by the artist Veloso Salgado. Created about 1921, this work occupies a wide, panoramic format. It is rendered in oil on a surface that appears to be plaster or canvas, integrated into the architectural lunette of a building. The subject matter focuses on a formal assembly of men gathered within a grand, neoclassical legislative chamber.
In this 1931 oil-on-canvas, Veloso Salgado presents a direct gaze from the perspective of the creator. The subject is a self-representation of the artist himself, captured in a medium close-up that focuses on the man from the chest up. He is positioned slightly off-center, meeting the viewer's eyes with a steady, unblinking stare. The man's form is defined by deep blacks and blues in his suit, which anchors the composition…
Girl with scroll (1883). Deretter følger Country landscape with female figure (1889) og Portrait of Teixeira Lopes (1889).
19 år gammel: Girl with scroll er fra 1883, og Veloso Salgado ble født i 1864.
Girl with scroll, Country landscape with female figure, Portrait of Teixeira Lopes, portrait of a African, Portrait of Adrien Demont, Jesus (study), Aleixo de Queiroz Ribeiro's portrait, Vasco da Gama before the Samorim of Calicut, Portrait of Virginie Demont-Breton og Portrait of Manuel Bento de Sousa. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 31 verk av Veloso Salgado, datert fra 1883 til 1931.
Hovedsakelig i Museu Militar de Lisboa (Lisbon), National Museum of Contemporary Art - Museu do Chiado (Lisboa) og Casa-Museu Dr. Anastácio Gonçalves (Lisboa). Museumslisten ovenfor viser alle.
I 1890s: 8 av de 31 verkene på denne siden ble laget da, Portrait of Adrien Demont av dem.
På denne siden er det eldste Girl with scroll (1883) og det nyeste Self Portrait (1931).
Man (13), Woman (11) og People (6), fordelt på 31 verk på denne siden.
Oil On Canvas, for 19 av de 31 verkene på denne siden.
The Motherland Crowning Her Heroes, Acclamation of King John IV of Portugal by Veloso Salgado og Coronation of King João IV: Museu Militar de Lisboa, Lisbon har 3 av verkene på denne siden.
To encounter the art of José Maria Veloso Salgado is to step into a world rendered with profound fidelity to light and life. This Galician-born artist, who ultimately found his artistic home in Portugal, established himself as one of the nation's foremost masters of naturalism. His journey through the academies and ateliers of Europe speaks to an intense dedication to mastering the visual arts, culminating in a body of work that breathes realism into historical narratives, sweeping landscapes, and intimate portraits alike.
Born in Melón, Spain, in 1864, his early life set the stage for a prodigious talent. Upon arriving in Portugal at the tender age of ten, he began his formal tutelage at the Académie des Beaux-Arts de Lisbon. This foundational training was rigorous, preparing him for the grand traditions of European painting. His ambition led him to Paris, where he continued his studies under the guidance of titans such as Alexandre Cabanel, Jules-Élie Delaunay, and Jean-Joseph Benjamin-Constant. These influences are palpable in his technique—a sophisticated blend of academic rigor tempered by a keen eye for natural observation.
Veloso Salgado’s burgeoning career was marked not only by the sheer quality of his output but also by significant recognition from the art world. His achievements garnered him numerous accolades, including prestigious gold medals awarded in Rio de Janeiro and San Francisco. Furthermore, receiving the honor medal from the Société Nationale des Beaux-Arts de Lisbon in 1911 stands as a testament to his established mastery during his prime years.
His artistic output is remarkably diverse, yet always anchored by that signature naturalism. Whether depicting the grandeur of a historical scene or capturing the subtle nuances of a sitter's expression, his commitment remained unwavering: to paint what the eye truly sees, imbued with emotional depth. Among his most celebrated pieces are works such as Rua de Leça from 1893 and a compelling Autoportrait dating from 1931, both serving as touchstones for understanding his evolving genius.
The hallmark of Veloso Salgado’s style is its unwavering commitment to realism. It is not merely a stylistic choice but a philosophical approach to art—a belief in the inherent beauty and structure present in the observable world. His landscapes breathe with atmospheric detail, suggesting the very breath of the Portuguese countryside, while his portraits possess an almost startling psychological penetration. One feels they are looking not just at paint on canvas, but into the soul of the subject.
His dedication to naturalism allowed him to bridge academic tradition with a deeply personal vision. His works continue to resonate today because they speak a universal language: the eloquent truth found in careful observation and skilled execution. The enduring presence of his art in esteemed collections, such as those housed in the Museu Nacional de Arte Contemporânea and the Museu José Malhoa, solidifies his place among Portugal's artistic pantheon.
José Maria Veloso Salgado passed away in Lisbon in 1945, leaving behind a legacy that continues to inspire. His contribution was pivotal in maintaining and elevating the standards of naturalistic painting within Portuguese art history. To study his oeuvre is to trace a masterful journey from rigorous European training to the confident articulation of a unique national voice.
His paintings remain vibrant testaments to skill, dedication, and an unparalleled eye for detail. They invite every viewer to pause, look closely, and appreciate the subtle interplay of light, shadow, and form that defined this remarkable artist's career.
