Portrett av Vasilij Perov

De 100 mest kjente maleriene av Vasilij Perov, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 170 verk av Vasilij Perov i vår katalog

Kort fortalt

Av alle originalverkene Vasilij Perov etterlot seg, er det mest kjente Last Journey (1865), som er en del av samlingen til Tretyakov-galleriet i Moskva. Like bak følger The farmer in the field (1876) og Boy-craftsman (1865). Vår katalog inneholder 170 verk av Vasilij Perov; galleriet har bevart de 100 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1833 – 1882, Tobolsk Realism Flest verk: Tretyakov-galleriet

Vasilij Perovs topp 10 malerier: galleriets utvalg

1
Last Journey (1865) av Vasilij Perov

Last Journey

1865 · Oil On Canvas · Tretyakov-galleriet, Moskva

Vasily Grigoryevich Perov's "Last Journey," painted in 1865, is a poignant masterpiece of Realism that offers a stark and unflinching portrayal of life for the peasantry in 19th-century Russia. Measuring 43 x 57 cm, this oil on canvas work transcends mere depiction; it serves as a social commentary and an emotional exploration of loss, resilience, and the burdens of rural existence.

2
The farmer in the field (1876) av Vasilij Perov

The farmer in the field

1876 · Oil

In the heart of a sprawling, sun-drenched landscape, Vasily Grigoryevich Perov captures a profound moment of stillness in his 1876 masterpiece, The Farmer in the Field. The painting presents us with an elderly man, a figure etched by time and toil, seated upon a weathered rock amidst the vastness of a rural expanse. His long, white beard flows like a river of silver, contrasting softly against the earthy tones of…

3
Boy-craftsman (1865) av Vasilij Perov

Boy-craftsman

1865 · Oil On Canvas

In Boy-craftsman, Vasily Perov presents a quiet, intimate moment centered on a young boy. The subject stands before a window framed by a striped awning, his gaze directed upward toward the glass. He is dressed in a dark jacket layered over a lighter-colored shirt, and his bare feet suggest a sense of unadorned reality. In one hand, he holds a plate, while the other cradles a small bird or animal,…

4
The conversation at the round table (1866) av Vasilij Perov

The conversation at the round table

1866 · Oil

The conversation at the round table is an oil painting by the Russian artist Vasily Perov. Created about 1866, the work belongs to the realist tradition, focusing on the meticulous rendering of figures and their immediate environment.

5
The funeral of a poor quarter of Paris (1863) av Vasilij Perov

The funeral of a poor quarter of Paris

1863 · Etching

Vasily Perov created The funeral of a poor quarter of Paris about 1863. The work captures a somber funeral procession moving through an impoverished neighborhood in Paris. It focuses on the harsh realities of life within a dilapidated urban setting, documenting the experiences of the marginalized and the forgotten.

6
Teatime in Mytischi near Moscow (1862) av Vasilij Perov

Teatime in Mytischi near Moscow

1862 · Charcoal

Teatime in Mytischi near Moscow is a work by Vasily Perov. The artist, born in 1833 in Tobolsk, Russia, captured this scene about 1862. His hand moved across the surface to document a specific moment of existence, a fragment of life caught in the quietude of the Russian landscape. Perov lived until 1882, leaving behind a record of the world as it was seen through his eyes.

7
Paris sharmanschitsa. Sketch (1863) av Vasilij Perov

Paris sharmanschitsa. Sketch

1863 · Charcoal

The artwork titled Paris sharmanschitsa. Sketch is a black and white sketch created by the artist Vasily Perov. This specific piece dates to 1863. The work is executed in a monochromatic palette, utilizing various shades of gray to define the forms within the composition.

8
Burglary at Easter Eve (1861) av Vasilij Perov

Burglary at Easter Eve

1861 · Oil On Canvas

In "Burglary at Easter Eve," Vasily Perov captures a moment of sudden, sharp intrusion. The scene unfolds within a modest room, where the sanctity of the holiday is fractured by a crime. Three figures occupy the space, caught in a frozen instant of domestic upheaval. Two figures remain standing, their presence looming over the quietude of the home, while a third figure is positioned kneeling on the floor. The air…

9
Procession on Easter. Sketch for the painting (1860) av Vasilij Perov

Procession on Easter. Sketch for the painting

1860 · Charcoal

The scene unfolds within the lines of Procession on Easter. Sketch for the painting, a work that captures a fleeting moment of communal gathering. This sketch, created by the artist Vasily Perov, offers a glimpse into a world of movement and shared purpose. The year 1860 marks this specific creation, a time when the artist's hand began to trace the intricate social textures of his surroundings.

10
Organ Grinder (1863) av Vasilij Perov

Organ Grinder

1863 · Oil

The oil painting titled Organ Grinder is a work by the Russian artist Vasily Perov. Created around 1863, this piece captures a quiet, introspective moment through the medium of oil on canvas. It reflects a period in Perov's career when he was developing the realist sensibilities that would eventually define his legacy.

Utvalget av Vasilij Perov fortsetter, fra 11 til 100

11Portrait of an Elderly Woman in a Cap (1870) av Vasilij PerovPortrait of an Elderly Woman in a Cap1870 · Jekaterinburg museum for skjønnkunst 12The Market in Moscow (1868) av Vasilij PerovThe Market in Moscow1868 13Celebration in the outskirts of Paris (1864) av Vasilij PerovCelebration in the outskirts of Paris1864 14Pilgrims. On a pilgrimage (1867) av Vasilij PerovPilgrims. On a pilgrimage1867 15Repast (1865) av Vasilij PerovRepast1865 16In the pawnshop (1867) av Vasilij PerovIn the pawnshop1867 17The arrival of a governess in a merchant's house (1866) av Vasilij PerovThe arrival of a governess in a merchant's house1866 18Repast (1865) av Vasilij PerovRepast1865 19Lent Monday (1866) av Vasilij PerovLent Monday1866 20Head of a Man (1870) av Vasilij PerovHead of a Man1870 · Metropolitan Museum of Art 21Celebration in the outskirts of Paris (in Montmartre) (1864) av Vasilij PerovCelebration in the outskirts of Paris (in Montmartre)1864 22Portrait of A. A. Borisov (1869) av Vasilij PerovPortrait of A. A. Borisov1869 23Savoyard (1864) av Vasilij PerovSavoyard1864 24To the Holy Trinity (1870) av Vasilij PerovTo the Holy Trinity1870 25Arrival schoolgirl to a blind father (1870) av Vasilij PerovArrival schoolgirl to a blind father1870 26Grandfather and grandson (1871) av Vasilij PerovGrandfather and grandson1871 27Sad Father (1874) av Vasilij PerovSad Father1874 28Fedot and Arina (1873) av Vasilij PerovFedot and Arina1873 29Mother with sick child (1878) av Vasilij PerovMother with sick child1878 30Naushnitsa. Before the storm (1874) av Vasilij PerovNaushnitsa. Before the storm1874 31Joyful Father (1874) av Vasilij PerovJoyful Father1874 32Out under (1879) av Vasilij PerovOut under1879 33By train (1879) av Vasilij PerovBy train1879 34Nikita Pustosvyat. The dispute about the faith (1880) av Vasilij PerovNikita Pustosvyat. The dispute about the faith1880 35Modern Idyll (1880) av Vasilij PerovModern Idyll1880 36Walkers-seeking (1880) av Vasilij PerovWalkers-seeking1880 37Blessed One (1879) av Vasilij PerovBlessed One1879 38The girl, thrown into the water (1879) av Vasilij PerovThe girl, thrown into the water1879 39Portrait of a Man (1861) av Vasilij PerovPortrait of a Man1861 · Eremitasjen 40Self-portrait (1870) av Vasilij PerovSelf-portrait1870 41Incorrigible One (1873) av Vasilij PerovIncorrigible One1873 42Self-Educating Caretaker (1868) av Vasilij PerovSelf-Educating Caretaker1868 43Self-portrait (1851) av Vasilij PerovSelf-portrait1851 · Kiev National Picture Gallery 44Courting an official to his daughter tailor (1862) av Vasilij PerovCourting an official to his daughter tailor1862 45Wanderer (1859) av Vasilij PerovWanderer1859 46Sermon in a Village (1861) av Vasilij PerovSermon in a Village1861 · Tretyakov-galleriet 47Portrait of an unknown (1860) av Vasilij PerovPortrait of an unknown1860 48Art teacher (1863) av Vasilij PerovArt teacher1863 49Portrait of the Artist Illarion Prianishnikov (1862) av Vasilij PerovPortrait of the Artist Illarion Prianishnikov1862 50Parisian promenade (1863) av Vasilij PerovParisian promenade1863 51Portrait of Nikolai Kridener, the Artist s Brother (1856) av Vasilij PerovPortrait of Nikolai Kridener, the Artist s Brother1856 52Procession on Easter (1862) av Vasilij PerovProcession on Easter1862 53Street musicians in Paris (1863) av Vasilij PerovStreet musicians in Paris1863 54Seller singers. Sketch (1863) av Vasilij PerovSeller singers. Sketch1863 55Tea Party at Mytishchi near Moscow (1862) av Vasilij PerovTea Party at Mytishchi near Moscow1862 56Portrait of E.E. Perov (1860) av Vasilij PerovPortrait of E.E. Perov1860 57Amateur (1862) av Vasilij PerovAmateur1862 58Arriving at an the inquiry (1857) av Vasilij PerovArriving at an the inquiry1857 59Scene on a Grave (1859) av Vasilij PerovScene on a Grave1859 60Art teacher (1867) av Vasilij PerovArt teacher1867 61Boy with raised hands, reaching out to the public (1864) av Vasilij PerovBoy with raised hands, reaching out to the public1864 62Merrymaking-in-Paris (1864) av Vasilij PerovMerrymaking-in-Paris1864 63Portrait of A.F. Pysems'kogo (1869) av Vasilij PerovPortrait of A.F. Pysems'kogo1869 64The boy, preparing for a fight (1866) av Vasilij PerovThe boy, preparing for a fight1866 65Drowned (1867) av Vasilij PerovDrowned1867 66Parisian rag-picker (1864) av Vasilij PerovParisian rag-picker1864 67Drowned (1867) av Vasilij PerovDrowned1867 68Small seventeen (baker) (1869) av Vasilij PerovSmall seventeen (baker)1869 69Christ and the Virgin at the sea (1867) av Vasilij PerovChrist and the Virgin at the sea1867 70Solitary Guitarist (1865) av Vasilij PerovSolitary Guitarist1865 71Wanderer (1870) av Vasilij PerovWanderer1870 72Portrait of N.F. Rezanov (1868) av Vasilij PerovPortrait of N.F. Rezanov1868 73Triple (1865) av Vasilij PerovTriple1865 74Fowler (1870) av Vasilij PerovFowler1870 75A Drowned Woman (Found Drowned) (1867) av Vasilij PerovA Drowned Woman (Found Drowned)1867 76Journey of the quarterly family on a pilgrimage. Sketch (1868) av Vasilij PerovJourney of the quarterly family on a pilgrimage. Sketch1868 77Portrait of F.F. Rezanov (1868) av Vasilij PerovPortrait of F.F. Rezanov1868 78Portrait of Feodosya Resanova (1868) av Vasilij PerovPortrait of Feodosya Resanova1868 79Fomushka-owl (1868) av Vasilij PerovFomushka-owl1868 80Portrait of Nikolai Rubinstein (1870) av Vasilij PerovPortrait of Nikolai Rubinstein1870 81Portrait Avdotya Kuznetsova (1870) av Vasilij PerovPortrait Avdotya Kuznetsova1870 82Blind Musician (1864) av Vasilij PerovBlind Musician1864 83Wanderer (1869) av Vasilij PerovWanderer1869 84On the railroad (1868) av Vasilij PerovOn the railroad1868 85Portrait of the Composer Anton Rubinstein (1870) av Vasilij PerovPortrait of the Composer Anton Rubinstein1870 86Portrait of Nikolai Lanin (1869) av Vasilij PerovPortrait of Nikolai Lanin1869 87Portrait of Unknown Man (1870) av Vasilij PerovPortrait of Unknown Man1870 88Going to the Bath House (1866) av Vasilij PerovGoing to the Bath House1866 89Orphans in the cemetery (1864) av Vasilij PerovOrphans in the cemetery1864 90Portrait of the Playwright Alexander Ostrovsky (1871) av Vasilij PerovPortrait of the Playwright Alexander Ostrovsky1871 91Children Sleeping (1870) av Vasilij PerovChildren Sleeping1870 92Organ Grinder in Paris (1864) av Vasilij PerovOrgan Grinder in Paris1864 93Portrait of Vasily Bezsonov (1869) av Vasilij PerovPortrait of Vasily Bezsonov1869 94A Drowned Woman (also known as Found Drowned) (1867) av Vasilij PerovA Drowned Woman (also known as Found Drowned)1867 95Vendor of Song Books (1864) av Vasilij PerovVendor of Song Books1864 96Arrival of a New Governess in a Merchant House (1866) av Vasilij PerovArrival of a New Governess in a Merchant House1866 97Students talk with the monk (1871) av Vasilij PerovStudents talk with the monk1871 98Fisherman (1871) av Vasilij PerovFisherman1871 99Pugachev escort convoys of prisoners (1875) av Vasilij PerovPugachev escort convoys of prisoners1875 100Portrait of a merchant S.T. Kuznetsov (1873) av Vasilij PerovPortrait of a merchant S.T. Kuznetsov1873

Vasilij Perovs berømte malerier, periode for periode

Motivene som fanget Vasilij Perovs blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Vasilij Perovs originalverk

De 5 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Vasilij Perov Malerier fra denne listen
Tretyakov-galleriet, MoskvaTretyakov-galleriet Moskva 9 Last Journey, Sermon in a Village
Jekaterinburg museum for skjønnkunst, JekaterinburgJekaterinburg museum for skjønnkunst Jekaterinburg 1 Portrait of an Elderly Woman in a Cap
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Head of a Man
Eremitasjen, St. PetersburgEremitasjen St. Petersburg 1 Portrait of a Man
Kiev National Picture Gallery, KyivKiev National Picture Gallery Kyiv 1 Self-portrait

Vasilij Perov tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Vasilij Perov

Hvilket verk er Vasilij Perov mest kjent for?Avslør svaret

Last Journey (1865), Tretyakov-galleriet, Moskva. Deretter følger The farmer in the field (1876) og Boy-craftsman (1865).

Hvor gammel var Vasilij Perov da Last Journey ble laget?Avslør svaret

32 år gammel: Last Journey er fra 1865, og Vasilij Perov ble født i 1833.

Hva er de ti mest kjente maleriene til Vasilij Perov?Avslør svaret

Last Journey, The farmer in the field, Boy-craftsman, The conversation at the round table, The funeral of a poor quarter of Paris, Teatime in Mytischi near Moscow, Paris sharmanschitsa. Sketch, Burglary at Easter Eve, Procession on Easter. Sketch for the painting og Organ Grinder. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Vasilij Perov?Avslør svaret

Vår katalog inneholder 170 verk av Vasilij Perov, datert fra 1851 til 1880.

I hvilke museer henger mesterverkene til Vasilij Perov?Avslør svaret

Hovedsakelig i Tretyakov-galleriet (Moskva), Jekaterinburg museum for skjønnkunst (Jekaterinburg) og Metropolitan Museum of Art (New York). Museumslisten ovenfor viser alle.

I hvilke år malte Vasilij Perov sine mest kjente verk?Avslør svaret

I 1860s: 63 av de 100 verkene på denne siden ble laget da, Last Journey av dem.

Hva er de første og de siste kjente originalverkene til Vasilij Perov?Avslør svaret

På denne siden er det eldste Self-portrait (1851) og det nyeste Nikita Pustosvyat. The dispute about the faith (1880).

Hvilke motiver valgte Vasilij Perov oftest?Avslør svaret

Men (27), Portraits (19) og People (10), fordelt på 100 verk på denne siden.

Hvilken teknikk brukte Vasilij Perov mest?Avslør svaret

Oil On Canvas, for 15 av de 100 verkene på denne siden.

Hvilken kunstretning tilhører Vasilij Perov?Avslør svaret

Realism, basert på originalene på denne siden.

Hvilke verk av Vasilij Perov stilles ut på Tretyakov-galleriet?Avslør svaret

Last Journey og Sermon in a Village: Tretyakov-galleriet, Moskva har 2 av verkene på denne siden.

Vasilij Perov: liv og virke

A Life Etched in Realism: Vasily Perov and the Soul of Russia

Vasily Grigoryevich Perov, born Vasily Vasiliev in 1834 in the remote Siberian town of Tobolsk, emerged as a pivotal figure in Russian art – a painter whose work became synonymous with critical realism. His life story is itself imbued with the social complexities he would later portray on canvas, a testament to an upbringing shaped by unconventional circumstances and a profound sensitivity to societal inequalities. Born out of wedlock to Baron Grigory Kridener and Akulina Ivanova, Perov’s early years were marked not by privilege but by a sense of displacement and observation – experiences that profoundly influenced his artistic vision. The adoption of the surname “Perov,” derived from the Russian word for ‘feather,’ a nod to his early skill in calligraphy, foreshadowed his dedication to meticulously detailing the world around him—a world often overlooked or deliberately obscured by the established art circles. His formal artistic journey began at the Alexander Stupin Art School in Arzamas, where he honed fundamental skills before progressing to the Moscow School of Painting, Sculpture and Architecture in 1853. This period was crucial in shaping his technical abilities and exposing him to a broader range of artistic influences, laying the groundwork for his distinctive style. Early recognition came with silver and gold medals awarded by the Imperial Academy of Arts for works like “Commissary of Rural Police Investigating” and, most notably, "Sermon in a Village" in 1861—a painting that would catapult him into the national spotlight and earn him the opportunity to study abroad.

The Voice of the Voiceless: Themes and Techniques

Perov’s artistic vision was deeply rooted in a commitment to portraying Russian society with unflinching honesty, rejecting the idealized depictions favored by many of his contemporaries. He chose instead to focus on the lives of ordinary people – peasants, laborers, the marginalized, and those often forgotten by official narratives. His paintings are not merely representations of reality; they are powerful social commentaries that expose the hardships, injustices, and spiritual emptiness prevalent in 19th-century Russia. “Sermon in a Village,” for example, subtly critiques religious hypocrisy by depicting a disengaged congregation during a church service, while "The Queue at the Fountain" starkly illustrates the daily struggles of rural life – the long wait for water, a symbol of both necessity and social inequality. His technique was characterized by meticulous detail, somber color palettes—often dominated by browns, grays, and muted greens—and a masterful use of light and shadow to create dramatic effect. He wasn’t interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. Works like “The Last Journey,” depicting a peasant funeral procession, and "Troika: Apprentice Workmen Carrying Water" are poignant examples of his ability to evoke profound emotional responses through realistic portrayals of everyday life. Perov’s skill extended beyond oil painting; he also excelled in etching, as demonstrated by the powerful monochromatic work “Naushnitsa. Before the storm,” which showcases his mastery of chiaroscuro and intricate detail – a testament to his versatility and observational acuity.

Founding a Movement: The Peredvizhniki

Perov’s dedication to realism aligned perfectly with the burgeoning spirit of artistic rebellion that led to the formation of the Peredvizhniki (Wanderers) in 1870. This collective of Russian realist painters broke away from the constraints of the Academy, establishing an independent society dedicated to exhibiting art throughout Russia—reaching audiences beyond the confines of St. Petersburg and Moscow. The Peredvizhniki aimed to bring art directly to the people, to address social issues through their work, and to promote a uniquely Russian artistic identity. Perov was not merely a member; he was a founding force, instrumental in shaping the movement’s ideals and advocating for its principles. His commitment to portraying the lives of ordinary Russians resonated deeply with the Peredvizhniki's mission, solidifying his position as a leading figure within the group. The Wanderers’ exhibitions became immensely popular, attracting large crowds and sparking important conversations about art, society, and national identity.

Major Achievements and Notable Works

Perov’s career was marked by a prolific output of powerful and emotionally resonant paintings. Some of his most celebrated works include:
  • Sermon in a Village (1861): A seminal painting that exposed the superficiality of religious observance.
  • The Queue at the Fountain (1865): A stark depiction of rural poverty and social inequality.
  • The Last Journey (1865): A poignant portrayal of a peasant funeral, capturing grief and dignity.
  • Troika: Apprentice Workmen Carrying Water (1866): An intimate scene depicting the arduous labor of ordinary workers.
  • Drowned Girl (1867): A haunting image of a policeman discovering a drowned body, raising questions about morality and justice.
Beyond these iconic works, Perov created numerous other paintings that explored themes of poverty, social injustice, and human suffering with remarkable sensitivity and insight. His ability to capture the essence of his subjects—their struggles, their hopes, and their vulnerabilities—earned him both critical acclaim and a devoted following.

Legacy and Enduring Influence

Vasily Perov’s untimely death from tuberculosis in 1882 at the age of 48 marked a significant loss for Russian art. However, his legacy continued to inspire generations of artists who followed in his footsteps. He is often considered alongside Ilya Repin and Vasily Surikov as one of the most important figures in Russian realism. Perov’s influence can be seen in their works, which similarly focused on portraying the lives of ordinary Russians with honesty and empathy. His paintings remain relevant today not only for their artistic merit but also for their enduring social commentary – a reminder of the hardships faced by countless individuals throughout history and a call to consider the plight of those often overlooked. Perov’s works are now housed in prominent collections, including the Tropinin and Contemporary Moscow Artists Museum, ensuring that his vision continues to resonate with audiences worldwide. *Perov's contribution extends beyond mere artistic skill; he was a social conscience etched onto canvas, a voice for the voiceless, and a pioneer of Russian realism.* He left behind a body of work that not only documented his time but also challenged it, forever changing the landscape of Russian art.