Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 141 verk av Vladimir Makovskij i vår katalog
Kort fortalt
Av alle originalverkene Vladimir Makovskij etterlot seg, er det mest kjente I will not! (1892). Like bak følger Verdict (1882) og Goodbye, Papa (1894). Vår katalog inneholder 141 verk av Vladimir Makovskij; galleriet har bevart de 100 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
The scene unfolds within the oil painting titled "I will not!", a work that captures a fleeting moment of human interaction. This piece is the creation of Vladimir Makovsky, an artist who brought the realities of his era to the canvas. He lived from 1846 until 1920, leaving behind a body of work that reflects the shifting social landscapes of his time. Born in Moscow, Russia, Makovsky grew up immersed…
The oil painting depicts a group of figures gathered in a room characterized by heavy wooden furniture and architectural lines. A large, dark wooden table occupies the foreground, its surface reflecting a diffused light that illuminates the scene from an unseen source. At the center of the arrangement, a woman holds an infant. She wears garments of blue and white, which contrast against the darker, muted tones of the surrounding…
In this 1894 oil on canvas, a young woman and an older man are positioned in a close, physical connection. The woman wears a white dress and a veil that covers her head and shoulders. She holds the hand of the man, who is dressed in a dark suit. Their bodies are oriented toward one another, creating a central focus of contact amidst a quiet setting. To the left, a…
In this 1886 oil painting, two figures occupy the immediate foreground of a wide landscape. A woman and a young girl stand facing one another, positioned in a way that suggests a private conversation. The woman is dressed in a dark skirt paired with a lighter-colored blouse, while the girl wears a dress made of the same dark fabric as the woman's skirt. Their clothing is characteristic of traditional peasant…
The scene before us is titled From the rain, a work that emerges from the brush of the Russian painter Vladimir Makovsky. Created in 1887, this oil on canvas captures a specific, fleeting moment of life. The artist, born in Moscow, Russia, brings a sense of lived reality to this composition, grounding the viewer in a particular era of his homeland.
The air feels heavy with the scent of damp earth and decaying leaves. Sunlight filters through a dense canopy of intertwining branches, casting long, soft shadows across a forest floor carpeted in moss and fallen foliage. In this quiet, wooded clearing, two figures are caught in a private exchange. A man in a military uniform stands poised, his presence commanding yet still, facing a woman whose long dress flows around…
The canvas presents a study titled Study to ''January 9, 1905 on Vasilyevsky island'', a work that captures a specific, heavy moment in time. Created about 1907, the painting emerges from the hand of Vladimir Makovsky. He approaches the scene with the practiced eye of a man who understands the weight of a single, frozen instant. The brushwork holds a quiet tension, as if the air itself is waiting for…
In this oil painting from 1905-1906, a quiet domestic breakfast is suddenly fractured by an unexpected arrival. The scene unfolds around a dining table draped in a white tablecloth, set with the familiar items of a morning meal. The stillness of the room is broken by the presence of a woman who has just entered, her appearance marking her as a stranger to this well-to-do household. She wears a dark…
In this quiet genre painting, titled Grandma's Instruction, we encounter a private moment of domesticity captured by the Russian artist Vladimir Makovsky. Created in 1869, the work reflects the early period of a career that would eventually define much of the realist movement in Russia. Makovsky was a man of many roles—a painter, a teacher, and an art collector—whose life was deeply embedded in the artistic traditions of Moscow.
The artwork titled Lover of of antiquity was created by the Russian painter Vladimir Makovsky. This piece dates to about 1869, a year marking the conclusion of the artist's formal studies at the Moscow School of Painting, Sculpture, and Architecture. The work emerged during a period when Makovsky was establishing his presence within the Russian art scene, specifically through his involvement with the Association of Travelling Art Exhibitions.
Literary reading1866
12
Buddies1878
13
Study of the Head of an Old Man1883 · Cleveland Museum of Art
14
Maid with children1883 · Jekaterinburg museum for skjønnkunst
15
Ukrainian girl1882
16
The Peddler1880 · Metropolitan Museum of Art
17
The secret1884
18
Two pilgrims1885
19
A letter1883
20
The Prisoner1882
21
A portrait of E. I. Makovsky1880
22
In the hall1884
23
Date1883
24
Portrait of I. E. Tsvetkov1890
25
A portrait of E. S. Sorokin1891
26
Dilettante1896 · Zimmerli Art Museum at Rutgers University
27
Painter's family1893 · National Art Museum of Azerbaijan
28
Jesus Christ1894
29
An optimist and a pessimist1893
30
Arrival of a School Mistress in the Countryside1897
31
In the birch forest.1905 · Nasjonalmuseet i Warszawa
32
Ukrainian peasant girl1902
33
A conversation.1910 · Nasjonalmuseet i Warszawa
34
Portrait of a boy1908
35
Violinist1908
36
At the sexton1915 · Jekaterinburg museum for skjønnkunst
37
At the kitchen1913
38
At the Boulevard1887
39
Guitar player1879
40
Declaration of Love1891
41
A boy selling brew1861
42
A deacon1871
43
Knuckles1870
44
A gypsy lady1875
45
Waiting1875
46
Dinner (Farmer's Market in Moscow)1875
47
A Private Conversation1878
48
Making Jam1876
49
Making Jam1876
50
Visiting a poor people1874
51
The Meal1875
52
Fans of nightingales1873
53
Congratulations1878
54
A girl with geese1875 · Nizhniy Tagil State Museum of Fine Arts
55
Brew seller1879
56
Fishing1884
57
Moscow types1879
58
Peasant boys1880
59
Reprimand1883
60
Two ukrainians1882
61
Organ grinder1879
62
Fair1882
63
At the village school1883
64
Old man with a pipe1881
65
Politicians1884
66
The Collapse of a Bank (study)1880
67
At Noon1879
68
The Condemned1879
69
The Collapse of a Bank1881
70
In Search of Medicine1884
71
In a Country School1883
72
The Village Children1880
73
Midday Sun1881
74
Sergey Korovin1892 · Nasjonalmuseet i Warszawa
75
Old couple1889 · Nikanor Onatsky Regional Art Museum in Sumy
76
Crimean seashore1889
77
Wandering fiddler1886
78
Over the chips1892
79
The first coat1892
80
His First Suit1892
81
Prayer service at the farm in Ukraine1886
82
Miracle at Cana1887
83
Easter Te Deum1888
84
Easter Mass1888
85
The Doss House1889
86
Hunters at Rest1887
87
Fisherwomen1886
88
Don't Go!1892
89
Morning tea1891
90
Portrait of Alexei Ivanovitch Strelkovsky1889
91
Peasant children1890
92
Grandmother and granddaughter1895
93
Summer1896
94
Summer1896
95
Summer1896
96
Summer1896
97
At Volga1897
98
Two sisters1893
99
At the porter's room1893
100
To crown (Farewell)1894
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Vladimir Makovskij | Malerier fra denne listen |
|---|---|---|---|
 Jekaterinburg museum for skjønnkunst |
Jekaterinburg | 3 | Grandma's Instruction, Maid with children, At the sexton |
 Nasjonalmuseet i Warszawa |
Warszawa | 3 | In the birch forest., A conversation., Sergey Korovin |
 Cleveland Museum of Art |
Cleveland | 1 | Study of the Head of an Old Man |
 Metropolitan Museum of Art |
New York | 1 | The Peddler |
 Zimmerli Art Museum at Rutgers University |
New Brunswick | 1 | Dilettante |
 National Art Museum of Azerbaijan |
Baku | 1 | Painter's family |
 Nizhniy Tagil State Museum of Fine Arts |
Nizhny Tagil | 1 | A girl with geese |
 Nikanor Onatsky Regional Art Museum in Sumy |
Sumy | 1 | Old couple |
Velg et tiår for å se originalverket som definerer det.
In this quiet genre painting, titled Grandma's Instruction, we encounter a private moment of domesticity captured by the Russian artist Vladimir Makovsky. Created in 1869, the work reflects the early period of a career that would eventually define much of the realist movement in Russia. Makovsky was a man of many roles—a painter, a teacher, and an art collector—whose life was deeply embedded in the artistic traditions of Moscow.
The oil painting titled Buddies by Vladimir Makovsky depicts a domestic scene within a modestly furnished room. The work, created about 1878, portrays four men gathered around a table. One man in the group plays an acoustic guitar and sings, while the others sit as his audience. In the background, a young woman stands near an open doorway, observing the interaction from the threshold. The scene captures a moment of…
The oil painting depicts a group of figures gathered in a room characterized by heavy wooden furniture and architectural lines. A large, dark wooden table occupies the foreground, its surface reflecting a diffused light that illuminates the scene from an unseen source. At the center of the arrangement, a woman holds an infant. She wears garments of blue and white, which contrast against the darker, muted tones of the surrounding…
The scene unfolds within the oil painting titled "I will not!", a work that captures a fleeting moment of human interaction. This piece is the creation of Vladimir Makovsky, an artist who brought the realities of his era to the canvas. He lived from 1846 until 1920, leaving behind a body of work that reflects the shifting social landscapes of his time. Born in Moscow, Russia, Makovsky grew up immersed…
The air feels heavy with the scent of damp earth and decaying leaves. Sunlight filters through a dense canopy of intertwining branches, casting long, soft shadows across a forest floor carpeted in moss and fallen foliage. In this quiet, wooded clearing, two figures are caught in a private exchange. A man in a military uniform stands poised, his presence commanding yet still, facing a woman whose long dress flows around…
is an oil painting by the Russian artist Vladimir Makovsky. Created about 1910, the work captures a quiet social interaction within a dimly lit interior. The composition focuses on the intimate dialogue between two seated figures positioned across a small, cloth-covered table.
I will not! (1892). Deretter følger Verdict (1882) og Goodbye, Papa (1894).
46 år gammel: I will not! er fra 1892, og Vladimir Makovskij ble født i 1846.
I will not!, Verdict, Goodbye, Papa, Mother and daughter, From the rain, Before explaining the (Date), Study to ''January 9, 1905 on Vasilyevsky island'', Two mothers. Native mother and stepmother., Grandma's Instruction og Lover of of antiquity. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 141 verk av Vladimir Makovskij, datert fra 1861 til 1915.
Hovedsakelig i Jekaterinburg museum for skjønnkunst (Jekaterinburg), Nasjonalmuseet i Warszawa (Warszawa) og Cleveland Museum of Art (Cleveland). Museumslisten ovenfor viser alle.
I 1880s: 40 av de 100 verkene på denne siden ble laget da, Verdict av dem.
På denne siden er det eldste A boy selling brew (1861) og det nyeste At the sexton (1915).
Man (16), Woman (13) og Children (11), fordelt på 100 verk på denne siden.
Oil On Canvas, for 29 av de 100 verkene på denne siden.
Realism, basert på originalene på denne siden.
Grandma's Instruction, Maid with children og At the sexton: Jekaterinburg museum for skjønnkunst, Jekaterinburg har 3 av verkene på denne siden.
Vladimir Yegorovich Makovsky (1846-1920) står som en sentral skikkelse i den russiske realistiske malerkunstens historie, og fungerte som en dypsindig stemme for Peredvizhniki-bevegelsen. Han ble født inn i en familie der kunst ikke bare var et yrke, men en livsstil, og hans tidlige år i Moskva var gjennomsyret av kreative tradisjoner. Som sønn av Jgor Ivanovich Makovsky, en anerkjent samler og grunnlegger av Moskvas kunstskole, vokste Vladimir opp i et miljø som prioriterte kunstnerisk ekspertise og sosialt ansvar. Sammen med sine brødre, Nikolai og Konstantin, ble han en del av en formidabel kunstnerisk dynasti som fundamentalt skulle omforme det russiske billedkunstlandskapet ved å bevege seg bort fra akademisk idealisme mot en mer ærlig og usminket skildring av virkeligheten.
Hans formelle reise begynte ved den prestisjetunge Moskvas skole for maleri, skulptur og arkitektur, hvor hans tekniske mesterskap ble smidd. Da han uteksaminerte i 1869, søkte ikke Makovsky den hule komforten i de keiserlige akademiene; i stedet sluttet han seg til Foreningen av vandrende kunstutstillinger. Denne beslutningen var transformativ, da den plasserte ham i hjertet av en bevegelse dedikert til å bringe kunsten ut til folket og bruke lerretet som et speil for samfunnets utfordringer. Hans arbeid ble karakterisert av en unik evne til å forene rustikk humor med dype, ofte gripende, sosiale observasjoner. Gjennom hans øyne blir betrakteren transportert inn i de intime hjørnene av 1800-tallets Russland, og vitner både bondestandens stille verdighet og storbylivets subtile ironi.
Makovskys virke er en mesterklasse i sjangermaleriet, hvor hvert penselstrøk tjener til å belyse menneskets tilstand. Han besatt et unikt talent for å fange flyktige øyeblikk—et delt blikk, et øyeblikks hvile fra arbeidet, eller den stille spenningen i et sosialt møte. I verk som «Drueselgeren» og «Fruktkonservering», benytter han en delikat balanse mellom lys og tekstur for å fremkalle atmosfæren i det rurale livet, og infuserer scenene med en mild ironi som hindrer dem fra å bli ren sentimentalitet. Hans teknikk gjorde det mulig for ham å navigere mellom de brede, ekspressive strøkene som kreves for atmosfæriske landskap, og den nitidige detaljrikdommen som er nødvendig for psykologisk portrettering.
Utover sjarmen i hans mer lystige scener, var Makovsky en modig kronikør av sosial urettferdighet. Han brukte kunsten sin som et kraftfullt verktøy for samfunnskritikk, og konfronterte betrakteren med de ubehagelige realitetene i sin egen tid. Hans malerier utforsket ofte temaer som:
Den historiske tyngden av Vladimir Makovskys bidrag kan ikke overvurderes. Som et ledende medlem av Vandrerne, bidro han til å demontere monopolet til den akademiske kunsten, og banet vei for en mer demokratisk og sosialt engasjert uttrykksform. Hans evne til å veve sammen det hverdagslige og det monumentale gjorde det mulig for ham å skape et visuelt språk som resonnerte med både intelligentsiaen og allmuen. Selv i hans mest personlige verk, slik som hans selvportrett, finnes en følelse av at den større verden presser seg mot individet—en refleksjon av de turbulente historiske skiftene som fant sted i Russland i løpet av hans levetid.
I dag lever Makovskys arv videre gjennom den vedvarende kraften i hans bildespråk. Han forblir en mester av det «sannferdige» blikket, og minner oss om at kunsten er på sitt mest potente når den nekter å se bort fra livets kompleksitet. Hans verk fortsetter å bli studert og beundret, ikke bare for sin tekniske briljans, men for sin dype empati og sin evne til å fange selve sjelen i en svunnen æra.
