Portrett av Uroš Predić

De 10 mest kjente maleriene av Uroš Predić, et gallerivalg

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 10 verk av Uroš Predić i vår katalog

Kort fortalt

Av alle originalverkene Uroš Predić etterlot seg, er det mest kjente Herzegovinian Refugees (1889), som er en del av samlingen til Museums of Serbia i Belgrade. Like bak følger Kosovo Maiden (1919) og Portrait of Aleksandar I Karađorđević (1923). Vår katalog inneholder 10 verk av Uroš Predić; galleriet har bevart de 10 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1857 – 1953, Orlovat Realism Flest verk: Museums of Serbia

Uroš Predićs topp 10 malerier: galleriets utvalg

1
Herzegovinian Refugees (1889) av Uroš Predić

Herzegovinian Refugees

1889 · Oil On Canvas · Museums of Serbia, Belgrade

In the vast tapestry of nineteenth-century Serbian realism, few works resonate with as much profound gravity and historical weight as Uroš Predić’s masterpiece, Herzegovinian Refugees. Painted in 1889, this monumental oil on canvas serves as more than just a visual record; it is a soulful window into a period of immense upheaval and national struggle. The painting captures the harrowing yet dignified exodus of families caught in the crossfire of…

3
Portrait of Aleksandar I Karađorđević (1923) av Uroš Predić

Portrait of Aleksandar I Karađorđević

1923 · Oil · Museums of Serbia, Belgrade

A man sits in a red chair, his body angled in a half-profile that suggests both stillness and readiness. He wears a blue military coat, the fabric heavy with the gravity of his station. Gold buttons catch the light, small points of brilliance against the deep pigment of the cloth. His mustache is groomed, a sharp line across a face shaped by the demands of leadership. The background is a…

7
St. Cyril and Methodius (1903) av Uroš Predić

St. Cyril and Methodius

1903 · Oil · Museums of Serbia, Belgrade

In the quiet sanctity of religious iconography, few works manage to bridge the gap between the celestial and the human as masterfully as St. Cyril and Methodius. Painted in 1903 by the venerable Serbian master Uroš Predić, this piece serves as a profound testament to the intersection of tradition and burgeoning realism. The painting presents two standing saints, figures deeply etched into the spiritual consciousness of the Orthodox world, yet…

Motivene som fanget Uroš Predićs blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Uroš Predićs originalverk

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Uroš Predić Malerier fra denne listen
Museums of Serbia, BelgradeMuseums of Serbia Belgrade 4 Herzegovinian Refugees, Kosovo Maiden, Portrait of Aleksandar I Karađorđević
National Museum of Serbia, BelgradNational Museum of Serbia Belgrad 1 Happy Brothers

Uroš Predić tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Uroš Predić

Hvilket verk er Uroš Predić mest kjent for?Avslør svaret

Herzegovinian Refugees (1889), Museums of Serbia, Belgrade. Deretter følger Kosovo Maiden (1919) og Portrait of Aleksandar I Karađorđević (1923).

Hvor gammel var Uroš Predić da Herzegovinian Refugees ble laget?Avslør svaret

32 år gammel: Herzegovinian Refugees er fra 1889, og Uroš Predić ble født i 1857.

Hva er de ti mest kjente maleriene til Uroš Predić?Avslør svaret

Herzegovinian Refugees, Kosovo Maiden, Portrait of Aleksandar I Karađorđević, Orphan on mother's grave, Saint Nicholas, St. Nikola and Patriarch Lukijan, St. Cyril and Methodius, Happy Brothers, Children under a mulberry (picture) og Queen Natalie of Serbia. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Uroš Predić?Avslør svaret

Vår katalog inneholder 10 verk av Uroš Predić, datert fra 1887 til 1923.

I hvilke museer henger mesterverkene til Uroš Predić?Avslør svaret

Hovedsakelig i Museums of Serbia (Belgrade) og National Museum of Serbia (Belgrad). Museumslisten ovenfor viser alle.

I hvilke år malte Uroš Predić sine mest kjente verk?Avslør svaret

I 1880s: 5 av de 10 verkene på denne siden ble laget da, Herzegovinian Refugees av dem.

Hva er de første og de siste kjente originalverkene til Uroš Predić?Avslør svaret

På denne siden er det eldste Happy Brothers (1887) og det nyeste Portrait of Aleksandar I Karađorđević (1923).

Hvilke motiver valgte Uroš Predić oftest?Avslør svaret

Serbian history (2) og Man (2), fordelt på 10 verk på denne siden.

Hvilken teknikk brukte Uroš Predić mest?Avslør svaret

Oil, for 3 av de 10 verkene på denne siden.

Hvilken kunstretning tilhører Uroš Predić?Avslør svaret

Realism, basert på originalene på denne siden.

Hvilke verk av Uroš Predić stilles ut på Museums of Serbia?Avslør svaret

Herzegovinian Refugees, Kosovo Maiden og Portrait of Aleksandar I Karađorđević: Museums of Serbia, Belgrade har 4 av verkene på denne siden.

Kan jeg bestille en reproduksjon av et maleri av Uroš Predić?Avslør svaret

Ja, som reproduksjon: originalen forblir i museet, men ethvert maleri på denne siden kan males for hånd til deg, spesiallaget ett og ett, fra maleriets egen side.

Uroš Predić: liv og virke

The Soul of Serbian Realism: The Life and Legacy of Uroš Predić

In the grand tapestry of European art history, few painters have captured the profound essence of a nation’s spirit as intimately as Uroš Predić. Born in 1857 in Paraćin, Serbia, Predić emerged during a transformative era defined by the shifting borders and cultural tensions of the Austro-Hungarian influence. His life, spanning nearly a century until his death in 1953, served as a living bridge between the traditionalist roots of the Balkans and the rigorous academic standards of the Western art world. To study Predić is to witness a master dedicated to the truth of the human condition, rendered through a lens of unflinching realism that sought not just to depict, but to preserve the dignity of the Serbian people.

Predić’s artistic journey was forged in the prestigious halls of the Vienna Academy of Fine Arts. It was here that he mastered the demanding techniques of academic realism, learning to manipulate light, shadow, and texture with a precision that bordered on the miraculous. This period of intense formal training instilled in him a lifelong commitment to compositional structure and tonal harmony. However, while his technique was shaped by the cosmopolitan influences of Vienna, his heart remained anchored to the soil of his homeland. He did not seek the fleeting trends of Impressionism or the ethereal abstractions of Symbolism; instead, he turned his gaze toward the rugged landscapes, the sacred icons, and the everyday struggles of the Serbian peasantry.

A Canvas of History and Folklore

The true brilliance of Predić lies in his ability to transform historical documentation into deeply moving emotional narratives. His canvases act as windows into a bygone era, breathing life into the customs, tragedies, and triumphs of the Serbian identity. Through his brush, the viewer is transported to scenes of profound cultural significance, where every fold of traditional clothing and every weary expression tells a story of resilience. His work often explores themes of national struggle and the enduring strength of the human spirit amidst the tides of war and migration.

Among his most celebrated contributions to the art world are works that resonate with both historical weight and psychological depth:

An Enduring Artistic Significance

Beyond the technical mastery of his portraits and landscapes, Predić’s significance lies in his role as a visual chronicler of a nation. He possessed a rare ability to elevate the mundane—a wedding custom, a moment of rest, or the simple act of migration—into the realm of high art. By focusing on the unflinching honesty of daily life, he provided a sense of permanence to a culture that was often subject to the whims of imperial politics. His work remains a vital touchstone for understanding the social fabric of the 19th and early 20th centuries in the Balkans.

Today, the legacy of Uroš Predić continues to inspire awe in those who seek art that is both technically superlative and emotionally resonant. He remains a monumental figure whose paintings do more than merely occupy space in a gallery; they hold the memory of a people. Through his dedication to realism, he ensured that the faces, the traditions, and the very soul of Serbia would remain vibrantly alive for generations to come.

Alle 10 verk av Uroš Predić →