Portrait of Sassetta

The 56 Most Famous Sassetta Paintings, Each One of a Kind

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 56 works by Sassetta in our catalogue

In short

Madonna of Humility (1432) is the Sassetta painting that draws the most eyes; the original belongs to the Staatliche Museen zu Berlin, Berlin. After it, the eye goes to Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437). Among the 56 works of Sassetta in our catalog, these 56 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1392 – 1450, Siena Early renaissance Most works: National Gallery

Top 10 paintings by Sassetta, through the gallery's eye

1
Madonna of Humility (1432) by Sassetta

Madonna of Humility

1432 · Tempera On Panel · Staatliche Museen zu Berlin, Berlin

In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…

3
Saint Francis and the Poor Knight, and Francis's Vision (1437) by Sassetta

Saint Francis and the Poor Knight, and Francis's Vision

1437 · Tempera On Panel · National Gallery, London

The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.

4
The Funeral of Saint Francis (1440) by Sassetta

The Funeral of Saint Francis

1440 · Tempera On Panel · National Gallery, London

The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.

5
The Agony in the Garden (1437) by Sassetta

The Agony in the Garden

1437 · Tempera On Panel · Detroit Institute of Arts, Detroit

The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…

6
Saint Francis before the Sultan (1450) by Sassetta

Saint Francis before the Sultan

1450 · Tempera On Panel · National Gallery, London

The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…

7
Saint John the Evangelist (1412) by Sassetta

Saint John the Evangelist

1412 · Tempera On Panel

In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…

9
Saint Margaret (1435) by Sassetta

Saint Margaret

1435 · Tempera On Panel · National Gallery of Art, Washington

This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…

10
Saint Apollonia (1435) by Sassetta

Saint Apollonia

1435 · Tempera On Panel · National Gallery of Art, Washington

In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…

Sassetta's famous paintings, numbers 11 to 56

11St. Nicholas of Bari (1430) by SassettaSt. Nicholas of Bari1430 12Madonna of the Snow Altarpiece (1432) by SassettaMadonna of the Snow Altarpiece1432 13St Anthony the Hermit Tortured by the Devils (1423) by SassettaSt Anthony the Hermit Tortured by the Devils1423 14The Ecstasy of St Francis (detail) (1437) by SassettaThe Ecstasy of St Francis (detail)1437 · Villa i Tatti 15The Procession to Calvary (1441) by SassettaThe Procession to Calvary1441 · Detroit Institute of Arts 16The Betrayal of Christ (1437) by SassettaThe Betrayal of Christ1437 · Detroit Institute of Arts 17Madonna of Humility (1437) by SassettaMadonna of Humility1437 · National Gallery of Art 18St. Anthony of Padua (1450) by SassettaSt. Anthony of Padua1450 19Madonna and Child with Angels (1437) by SassettaMadonna and Child with Angels1437 20St Matthew (1437) by SassettaSt Matthew1437 · Collezione Vittorio Cini 21Assumption of Mary with Angel Choirs (1450) by SassettaAssumption of Mary with Angel Choirs1450 · Gemäldegalerie 22The Wolf of Gubbio (1450) by SassettaThe Wolf of Gubbio1450 · National Gallery 23Virgin of Humility (1440) by SassettaVirgin of Humility1440 · Collezione Vittorio Cini 24St Thomas Inspired by the Dove of the Holy Ghost (1423) by SassettaSt Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum 25Damnation of the Soul of the Miser of Citerna (1437) by SassettaDamnation of the Soul of the Miser of Citerna1437 · Louvre 26The Ecstasy of St Francis (1437) by SassettaThe Ecstasy of St Francis1437 · Villa i Tatti 27St Thomas Inspired by the Dove of the Holy Ghost (1423) by SassettaSt Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum 28St Thomas Inspired by the Dove of the Holy Ghost (detail) (1423) by SassettaSt Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum 29St Thomas Inspired by the Dove of the Holy Ghost (detail) (1423) by SassettaSt Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum 30Miracle of the Eucharist (1423) by SassettaMiracle of the Eucharist1423 · Bowes Museum 31Death of the Heretic on the Bonfire (1423) by SassettaDeath of the Heretic on the Bonfire1423 · National Gallery of Victoria 32St Jerome (detail) (1423) by SassettaSt Jerome (detail)1423 · Pinacoteca Nazionale 33Founding of Santa Maria Maggiore (1430) by SassettaFounding of Santa Maria Maggiore1430 34The mystical marriage of Saint Francis of Assisi (1444) by SassettaThe mystical marriage of Saint Francis of Assisi1444 35The Annunciation " (1435) by SassettaThe Annunciation "1435 · Metropolitan Museum of Art 36Virgin with Child and Four Saints (detail) (1435) by SassettaVirgin with Child and Four Saints (detail)1435 · Museo Diocesano 37The Stigmatisation of St Francis (1437) by SassettaThe Stigmatisation of St Francis1437 · National Gallery 38The Blessed Ranieri Frees the Poor from a Prison in Florence (1437) by SassettaThe Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Louvre 39Virgin with Child and Four Saints (detail) (1435) by SassettaVirgin with Child and Four Saints (detail)1435 · Museo Diocesano 40Virgin and Child with Saints (1437) by SassettaVirgin and Child with Saints1437 · Louvre 41The Blessed Ranieri Frees the Poor from a Jail in Florence (1444) by SassettaThe Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Louvre 42St Thomas Before the Cross (1423) by SassettaSt Thomas Before the Cross1423 · Vatican Pinacoteca 43The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream (1444) by SassettaThe Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Staatliche Museen zu Berlin 44St. Francis Kneeling before Christ on the Cross by SassettaSt. Francis Kneeling before Christ on the CrossCleveland Museum of Art 45The Last Supper (1423) by SassettaThe Last Supper1423 · Pinacoteca Nazionale 46St Anthony the Hermit Tortured by the Devils (1423) by SassettaSt Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale 47St Thomas Inspired by the Dove of the Holy Ghost (detail) (1423) by SassettaSt Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum 48Madonna and Child with Angels by SassettaMadonna and Child with AngelsMetropolitan Museum of Art 49The Annunciation by SassettaThe Annunciation 50The Meeting of St. Anthony and St. Paul by SassettaThe Meeting of St. Anthony and St. PaulNational Gallery of Art 51The Journey of the Magi (1435) by SassettaThe Journey of the Magi1435 · Metropolitan Museum of Art 52Marriage of St Francis to Lady Poverty (1437) by SassettaMarriage of St Francis to Lady Poverty1437 · Musée Condé 53Saint Francis renounces his Earthly Father (1437) by SassettaSaint Francis renounces his Earthly Father1437 · National Gallery 54St. Anthony Beaten by Devils (1423) by SassettaSt. Anthony Beaten by Devils1423 · Pinacoteca Nazionale 55Madonna of Humility with Four Saints (1435) by SassettaMadonna of Humility with Four Saints1435 · Museo Diocesano 56The Virgin and Child with Saints (1430) by SassettaThe Virgin and Child with Saints1430 · Galleria degli Uffizi

Sassetta's famous paintings, period by period

The subjects that held Sassetta's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Sassetta's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Sassetta Paintings from this list
National Gallery, LondonNational Gallery London 6 Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan
Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 5 St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail)
Museo Diocesano, CortonaMuseo Diocesano Cortona 4 Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail)
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Saint Margaret, Saint Apollonia, Madonna of Humility
Louvre, ParisLouvre Paris 4 Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints
Pinacoteca Nazionale, SienaPinacoteca Nazionale Siena 4 St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 3 The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 The Annunciation ", Madonna and Child with Angels, The Journey of the Magi

Sassetta across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Sassetta's paintings: questions for the gallery

What is the single most famous work of Sassetta?Reveal the answer

Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlin. Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437) come next.

At what age did Sassetta create Madonna of Humility?Reveal the answer

40 years old: Madonna of Humility dates from 1432, and Sassetta was born in 1392.

Which ten paintings by Sassetta are the most famous?Reveal the answer

Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret and Saint Apollonia. The ranking above gives each one's year and museum.

How many works by Sassetta are known?Reveal the answer

Our catalog holds 56 works by Sassetta, dated from 1412 to 1450.

Where can the most famous Sassetta originals be seen?Reveal the answer

Mostly in National Gallery (London), Szépművészeti Múzeum (Budapest) and Museo Diocesano (Cortona). The museum table above lists them all.

During which period did Sassetta create the best-known paintings?Reveal the answer

In 1430s: 27 of the 56 works on this page were made then, Madonna of Humility among them.

Which famous Sassetta painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Saint John the Evangelist (1412) and the latest Saint Francis before the Sultan (1450).

What subjects did Sassetta favour?Reveal the answer

People (7), Saints (6) and Religious scene (6), across the 56 works on this page.

What materials did Sassetta paint with most?Reveal the answer

Tempera On Panel, for 17 of the 56 works on this page.

Which movement does the work of Sassetta belong to?Reveal the answer

Early renaissance, judging by the originals on this page.

What Sassetta originals can I see at the National Gallery?Reveal the answer

Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis and Saint Francis before the Sultan: the National Gallery, London holds 6 of the works on this page.

Where can I order a hand-painted Sassetta reproduction?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Sassetta: a portrait of the artist

Mesteren av sienesisk eleganse

I den lysende eraen av den italienske Quattrocento er det få navn som fremmaner den delikate overgangen fra middelalderen til det moderne så gripende som Stefano di Giovanni, av historien mer kjærlig kjent som Sassetta. Som en sentral skikkelse i den sienesiske skolen representerer hans kunstnerskap en dyp bro mellom den dekorative elegansen i sengotikken og den fremvoksende realismen i renessansen. Selv om de nøyaktige opprinnelsene til hans liv forblir innhyllet i tidens tåke—der lærde debatterende om han ble født i Siena eller kanskje Cortona—er hans nærvær i det toskanske landskapet ubestridelig. Hans verk bærer Sienas rytmiske, lyriske sjel, men puster samtidig med en ny, observasjonell vitalitet som antyder en kunstner dypt engasjert i sin tids skiftende vinder.

Sassettas kreative reise var preget av en sofistikert syntese. Han besatt en sjelden evne til å ære den tradisjonelle sienesiske stilen—karakterisert ved sine intrikate detaljer og åndelige dybde—samtidig som han absorberte de revolusjonerende innovasjonene som sprang ut fra Firenze. Innflytelsen fra mestere som Masaccio, Masolino og Gentile da Fabriano kan merkes i hans utviklende beherskelse av romlige relasjoner og bruk av lys. Han kopierte ikke bare disse nye teknikkene; snarere integrerte han dem for å gi sine figurer en naturalistisk glød, slik at lyset overbevisende kunne forme deres skikkelser og skape en følelse av et sammenhengende, pustende rom i hans komposisjoner.

En vev av hengivenhet og fortelling

Sassettas samlede verker er et vitnesbyrd om hans mesterskap innen narrativt maleri, der hvert penselstrøk tjener et høyere åndelig formål. Hans verk fungerer ofte som vinduer inn i det guddommelige, ved bruk av en sofistikert fargepalett og rytmiske komposisjoner for å lede betrakteren gjennom hellige historier. I mesterverk som Nattverden demonstrerer han en ekstraordinær ferdighet i å fange komplekse emosjonelle tilstander, ved å bruke jordtoner og nøyaktig perspektiv for å forankre det dype religiøse narrativet i en merkbar, alvorlig virkelighet. Hans evne til å balansere den ornamentale skjønnheten i gotisk tradisjon med en spirende følelse av menneskelig drama gjør hans paneler unikt fengslende.

Utover den intime skalaen i hans mindre paneler, oppnådde Sassetta stor berømmelse gjennom betydelige altertavler og polyptykoner som definerte sin tids religiøse landskap. Noen av hans mest bemerkelsesverdige kunstneriske bragder inkluderer:

  • Madonna della Neve (Vår Frue av snø): Et prestisjefylt oppdrag for katedralen i Siena som står som et kjennetegn på hans evne til å forene dekorativ ynde med monumental tilstedeværelse.
  • Sankt Frans' ekstase: En dyp utforskning av åndelig henrykkelse, hvor han benytter en rik palett av blått, rødt og gult for å skildre troens transformative kraft.
  • Arte della Lana-altertavlen: Et av hans tidligste sikre verk, som viser den tekniske raffinementet som skulle bli hans signatur.
  • San Domenico-polyptykonet: Et verk sentrert rundt legendene om Sankt Antonius den store, som illustrerer hans dyktighet i kompleks historiefortelling over flere scener.

Arven fra den sienesiske renessansen

Sassettas historiske betydning ligger i hans rolle som både vokter og innovatør. Han sørget for at den unike identiteten til den sienesiske skolen ikke forsvant i møte med florentinsk dominans, men i stedet utviklet seg til å inkludere det nye språket av realisme og dybde. Hans malerier er ikke bare relikvier fra en svunnen tid; de er levende dialoger mellom den gamle og den nye verden. Gjennom sin delikate håndtering av lys, sin mestring av symbolsk ikonografi og sin dype empati for sine motiver, etterlot Sassetta et uutslettelig merke på den italienske kunsthistorien og sikret sin plass som en av de viktigste representantene for den sienesiske renessansen.

All 56 works by Sassetta →