Portrett av Hiroshige I

De 8 mest kjente Hiroshige I-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 8 verk av Hiroshige I i vår katalog

Kort fortalt

The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51 (1852) er maleriet av Hiroshige I som vekker mest oppmerksomhet; originalen befinner seg i Bujalance Collection, Bujalance. Deretter går blikket til Processional Tōkaidō, station 17 (1863) og Processional Tōkaidō, station 5 (1863). Blant de 8 verkene til Hiroshige I i vår katalog, er disse 8 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1797 – 1858, Tokyo Ukiyo-e Flest verk: Bujalance Collection

Topp 10 malerier av Hiroshige I, sett gjennom galleriets øyne

1
The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51 (1852) av Hiroshige I

The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51

1852 · Woodblock Print · Bujalance Collection, Bujalance

In the delicate interplay of line and color found within The Fifty-three Stations of the Tōkaidō by Two Brushes, station 51, we witness a rare moment of artistic synergy. This exquisite woodblock print, dating from 1852, represents a profound collaboration between two titans of the Ukiyo-e era: the landscape master Hiroshige I and the character specialist Kunisada. As part of the celebrated series Tōkaidō Sohitsu gojusan tsugi, this work transcends…

2
Processional Tōkaidō, station 17 (1863) av Hiroshige I

Processional Tōkaidō, station 17

1863 · Woodblock Print · Bujalance Collection, Bujalance

In the delicate dance of lines and colors found within Processional Tōkaidō, station 17, we are transported to a vanished era of Japanese history. Created in 1863, this exquisite work captures a fleeting moment of movement along one of Japan's most legendary travel routes. The scene unfolds with a rhythmic grace, as a procession of travelers winds through the landscape, their lives momentarily intertwined with the natural world. Through the…

3
Processional Tōkaidō, station 5 (1863) av Hiroshige I

Processional Tōkaidō, station 5

1863 · Woodblock Print · Bujalance Collection, Bujalance

The streetscape before the Zōjō-ji Temple in Shiba breathes with a rhythmic, restless energy. In this 1863 woodblock print, the air feels thick with the movement of a society in transition. Travelers and locals navigate a thoroughfare where the heavy presence of a horse breaks the flow of pedestrians. Traditional attire marks the figures, grounding the scene in the specific customs of the Edo period. There is a tension here…

5
Kanadeon Chushingura, act 1 (1855) av Hiroshige I

Kanadeon Chushingura, act 1

1855 · Bujalance Collection, Bujalance

Hiroshige II realizó este grabado imitando los de su maestro Hiroshige I sobre el tema. Representa el acto primero de la obra de teatro Chushingura en la que se puede ver Kaoyo, la esposa de Hangan con un precioso kimono y un elaborado tocado, tratando de identificar un casco muy especial depositado en el lugar. También aparece Wakasanosuke vestido de rojo y el malvado Morono, de negro. Todos los grabados…

6
Fifty-three Stations of the Tōkaidō, station 53 (1865) av Hiroshige I

Fifty-three Stations of the Tōkaidō, station 53

1865 · Bujalance Collection, Bujalance

Este grabado representa la estación 53, Otsu, del Tōkaidō gojūsan eki (Cincuenta y tres estaciones del camino del Tōkaidō) que es la tercera serie sobre el Tōkaidō realizada por Hiroshige II, en 1865 cuatro años antes de su muerte. El primer grabado de la serie se sitúa en Nihonbashi y el último representa el Palacio Imperial de Kioto, como final del recorrido. La serie contiene las 53 estaciones de la…

8
Picture of the Emperor av Hiroshige I

Picture of the Emperor

During June and July of 1876, Emperor Meiji traveled to survey the Tōhoku (northeast) region and Hokkaido. On his way there, he passed through Gamō Village (present-day Koshigaya City, Saitama Prefecture), where he saw around 200 men and women planting rice and singing a song about hope for a fruitful year. This is the scene depicted in this nishiki-e, a multicolored woodblock print. This print was created based off news…

Motivene som fanget Hiroshige Is blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Hiroshige Is originalverk

De 3 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Hiroshige I Malerier fra denne listen
Bujalance Collection, BujalanceBujalance Collection Bujalance 5 The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51, Processional Tōkaidō, station 17, Processional Tōkaidō, station 5
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Okabe: Utsu Mountain
Saitama Prefectural Museum of History and Folklore, SaitamaSaitama Prefectural Museum of History and Folklore Saitama 1 Picture of the Emperor

Hiroshige I gjennom årene: de unike originalene fra hvert verk

En lang karriere på 22 år, fra 1834 til 1855: Hiroshige Is mest kjente originalverk, vist år for år.

Verk per år

Velg et år for å se originalverkene.

Hiroshige Is malerier: spørsmål til galleriet

Hva er det mest kjente verket til Hiroshige I?Avslør svaret

The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51 (1852), Bujalance Collection, Bujalance. Deretter følger Processional Tōkaidō, station 17 (1863) og Processional Tōkaidō, station 5 (1863).

Hvor gammel var Hiroshige I da The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51 ble skapt?Avslør svaret

55 år gammel: The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51 er fra 1852, og Hiroshige I ble født i 1797.

Hvor mange verk av Hiroshige I er kjent?Avslør svaret

Vår katalog inneholder 8 verk av Hiroshige I, datert fra 1834 til 1855.

Hvor kan de mest kjente originalverkene til Hiroshige I ses?Avslør svaret

Hovedsakelig i Bujalance Collection (Bujalance), Bristol Museum - Art Gallery (Bristol) og Saitama Prefectural Museum of History and Folklore (Saitama). Museumslisten ovenfor viser alle.

Hvilket kjent maleri av Hiroshige I er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Okabe: Utsu Mountain (1834) og det nyeste Kanadeon Chushingura, act 1 (1855).

Hvilke motiver foretrakk Hiroshige I?Avslør svaret

Landscape (2), Japanese print (2) og Tōkaidō road (2), fordelt på 8 verk på denne siden.

Hvilke materialer brukte Hiroshige I mest av?Avslør svaret

Woodblock Print, for 3 av de 8 verkene på denne siden.

Hvilken kunstretning tilhører verkene til Hiroshige I?Avslør svaret

Ukiyo-e, basert på originalene på denne siden.

Hvilke originalverk av Hiroshige I kan jeg se på Bujalance Collection?Avslør svaret

The Fifty-three Stations of the Tôkaidô by Two Brushes, station 51, Processional Tōkaidō, station 17 og Processional Tōkaidō, station 5: Bujalance Collection, Bujalance har 5 av verkene på denne siden.

Hiroshige I: et portrett av kunstneren

introduction to the artist

hiroshige i, utagawa & kiemon, tsuruya, a renowned japanese ukiyo-e artist, is best known for his landscapes, such as the fifty-three stations of the tōkaidō and the sixty-nine stations of the kiso kaidō. born in 1797, he was considered one of the last great artists in the ukiyo-e tradition. his collaboration with tsuruya kiemon, a japanese publisher and printer, resulted in some of the most iconic prints of the era.

artistic style and techniques

hiroshige i, utagawa & kiemon, tsuruya's artistic style is characterized by his use of vibrant colors and detailed depictions of landscapes. his woodblock prints are highly prized for their beauty and historical significance. the artist's collaboration with tsuruya kiemon led to the creation of several notable works, including processional tōkaidō, station 17, which is part of the bujalance collection in spain.

notable works and collaborations

some of hiroshige i, utagawa & kiemon, tsuruya's most notable works include:

legacy and impact

hiroshige i, utagawa & kiemon, tsuruya's legacy can be seen in his influence on western art. his landscapes have been widely admired and studied by artists around the world. the artist's page on OriginalUniqueArt.com provides a comprehensive overview of his life and work, including his notable collaborations with tsuruya kiemon. the saitama prefectural museum of history and folklore in japan is home to several of the artist's works, including picture of the emperor.

conclusion

hiroshige i, utagawa & kiemon, tsuruya's biography serves as a testament to his enduring legacy in the world of japanese art. his collaboration with tsuruya kiemon resulted in some of the most iconic prints of the era, and his influence can be seen in western art to this day. as a renowned ukiyo-e artist, hiroshige i, utagawa & kiemon, tsuruya's work continues to inspire artists and art enthusiasts around the world.