Portrett av Frédéric Bazille

De 88 mest kjente maleriene av Frédéric Bazille, et gallerivalg

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 88 verk av Frédéric Bazille i vår katalog

Kort fortalt

Av alle originalverkene Frédéric Bazille etterlot seg, er det mest kjente Bader (1869), som er en del av samlingen til Fogg Art Museum i Cambridge. Like bak følger Familieforening (1867) og The Pink Dress (1864). Vår katalog inneholder 88 verk av Frédéric Bazille; galleriet har bevart de 88 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1841 – 1870, Montpellier Impressionist landscape Flest verk: Musée Fabre

Frédéric Bazilles topp 10 malerier: galleriets utvalg

1
Bader (1869) av Frédéric Bazille

Bader

1869 · Olje på lerret · Fogg Art Museum, Cambridge

Jean Frédéric Bazille’s Celebration of Youthful Vitality Jean Frédéric Bazille’s “Bathers (Summer Scene),” completed in 1869, stands as a cornerstone of Impressionism – an artistic movement that irrevocably altered the landscape of European painting. More than just a depiction of nude figures enjoying a tranquil summer afternoon; it embodies Bazille's profound engagement with capturing fleeting moments and conveying the very essence of natural beauty. This canvas pulsates with energy, radiating…

2
Familieforening (1867) av Frédéric Bazille

Familieforening

1867 · Olje på lerret · Musée d'Orsay, Paris

En kort introduksjon til en tragisk kunstner Jean Frédéric Bazille er en kunstner hvis liv, dessverre, ble for kort. Han var født i Montpellier, Frankrike, i 1841, og hans historie er et bemerkende eksempel på et stort potensial som ble knust altfor tidlig. Bazilles oppvekst var preget av en spenning mellom hans ambisjoner innen kunst og familiens ønsker om en mer sikker fremtid gjennom medisinstudier. Denne dualiteten formet hans tidlige…

3
The Pink Dress (1864) av Frédéric Bazille

The Pink Dress

1864 · Acrylic On Canvas · Musée d'Orsay, Paris

Marilyn Monroe’s “Pink Dress,” designed by William Travilla for Howard Hawks’ 1953 film *Gentlemen Prefer Blondes*, transcends mere costume; it embodies an enduring symbol of glamour, ambition, and the seductive allure of Hollywood. The dress itself—a shocking pink silk satin gown adorned with black satin lining and a large bow—represents more than just fabric and embellishments; it encapsulates a pivotal moment in cinematic history and continues to fascinate audiences today.

4
La Toilette (1870) av Frédéric Bazille

La Toilette

1870 · Acrylic On Canvas · Musée Fabre, Montpellier

The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate moments. Created in 1869-1870, this painting is one of Bazille's last works before his untimely death in the Franco-Prussian War. Composition and Symbolism The painting depicts three women in a room, with one woman lying on a bed while the other two…

5
Landscape on the Shore of Lez (1870) av Frédéric Bazille

Landscape on the Shore of Lez

1870 · Oil

Landscape on the Shore of Lez is a significant work by Frédéric Bazille, an artist whose life was marked by a brief but intense period of creativity. Born in 1841, Bazille’s career was tragically cut short when he died in 1870. This particular painting, completed in June 1870, represents one of his final artistic statements. It is a large landscape that the artist himself described as an eclogue, a term…

6
The Family Gathering (1867) av Frédéric Bazille

The Family Gathering

1867 · Oil On Canvas · Musée d'Orsay, Paris

To stand before The Family Gathering is to step directly into a sun-dappled afternoon of pure, unscripted joy. This painting by Jean Frédéric Bazille captures more than just a social assembly; it arrests the very essence of conviviality. One feels the gentle warmth emanating from the canvas, as if the viewer has stumbled upon this private moment in time. The composition is masterfully arranged beneath the generous canopy of a…

7
The Scoter (1864) av Frédéric Bazille

The Scoter

1864 · Oil · Musée Fabre, Montpellier

The painting depicts a bird perched upon a wooden surface that possesses a yellowish hue. The central subject is a bird that appears to be dead or in the process of dying. This bird is positioned near the center of the frame and occupies most of the composition.

8
Le petit jardinier, ca Museum of Fine Arts, (1867) av Frédéric Bazille

Le petit jardinier, ca Museum of Fine Arts,

1867 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

A woman in a pink dress occupies the center of this 1867 composition, her form integrated into a lush, verdant landscape. She holds a watering can, a quiet gesture of tending to the earth. Around her, the garden is alive with color and movement. A large bush erupts with red flowers, providing a sharp contrast to the deep greens of the foliage. In the distance, another figure walks away, adding…

10
Portrait of an Unknown Sitter as a Troubadour (1875) av Frédéric Bazille

Portrait of an Unknown Sitter as a Troubadour

1875 · Oil On Canvas · Dallas Museum of Art, Dallas

In this intimate oil portrait, we find ourselves drawn into a quiet, private moment with a young man. The composition is a close-up, bust-length study that pushes the subject toward the viewer through a dramatic use of chiaroscuro. A deep, nearly black background provides a void from which the sitter emerges, illuminated by a highly directional light source. This light catches the contours of his face, leaving the other side…

Utvalget av Frédéric Bazille fortsetter, fra 11 til 88

11Petite Italienne chanteuse des rues (1866) av Frédéric BazillePetite Italienne chanteuse des rues1866 · Musée Fabre 12Portrait of Alphonse Tissie (1868) av Frédéric BazillePortrait of Alphonse Tissie1868 · Musée Fabre 13Two Herrings (1867) av Frédéric BazilleTwo Herrings1867 14Mystic marriage of Saint Catherine (1859) av Frédéric BazilleMystic marriage of Saint Catherine1859 15Two Figures in a Railroad Car (1870) av Frédéric BazilleTwo Figures in a Railroad Car1870 · Hood Museum of Art 16Jeune homme nu couché sur l'herbe (1870) av Frédéric BazilleJeune homme nu couché sur l'herbe1870 · Musée Fabre 17Portrait of Pierre-Auguste Renoir, Oil on canv (1867) av Frédéric BazillePortrait of Pierre-Auguste Renoir, Oil on canv1867 18View of the Village (1868) av Frédéric BazilleView of the Village1868 · Musée Fabre 19View of the Village of Castelnau-le-Lez (1868) av Frédéric BazilleView of the Village of Castelnau-le-Lez1868 · Musée Fabre 20Portrait of Renoir (1867) av Frédéric BazillePortrait of Renoir1867 · Musée d'Orsay 21The Studio on the Rue La Condamine (1870) av Frédéric BazilleThe Studio on the Rue La Condamine1870 · Musée d'Orsay 22Portrait of Edmond Maitre (1869) av Frédéric BazillePortrait of Edmond Maitre1869 · National Gallery of Art 23Reclining Nude (1864) av Frédéric BazilleReclining Nude1864 · Musée Fabre 24Fontainebleau forest (1865) av Frédéric BazilleFontainebleau forest1865 · Musée d'Orsay 25Portrait of Edouard Blau (1866) av Frédéric BazillePortrait of Edouard Blau1866 · National Gallery of Art 26Self Portrait (1870) av Frédéric BazilleSelf Portrait1870 27Portrait of a Man (1867) av Frédéric BazillePortrait of a Man1867 28Self-Portrait (1867) av Frédéric BazilleSelf-Portrait1867 · Minneapolis Institute of Art 29The Studio on the Rue de Furstenberg (1865) av Frédéric BazilleThe Studio on the Rue de Furstenberg1865 · Musée Fabre 30Chailly - White Horse Inn (1863) av Frédéric BazilleChailly - White Horse Inn1863 31Study of Trees (1863) av Frédéric BazilleStudy of Trees1863 32Nude Woman from the Back (1864) av Frédéric BazilleNude Woman from the Back1864 33In the Garden (1864) av Frédéric BazilleIn the Garden1864 34Rue de village, Chailly (1865) av Frédéric BazilleRue de village, Chailly1865 · Musée Fabre 35Fleurs (1869) av Frédéric BazilleFleurs1869 · Musée Fabre 36Étude pour une vendange (1868) av Frédéric BazilleÉtude pour une vendange1868 · Musée Fabre 37Étude pour une vendange (1868) av Frédéric BazilleÉtude pour une vendange1868 · Musée Fabre 38Edmond Maître (1869) av Frédéric BazilleEdmond Maître1869 · National Gallery of Art 39Village Street (also known as Chailly) (1865) av Frédéric BazilleVillage Street (also known as Chailly)1865 · Musée Fabre 40The Little Gardener (1867) av Frédéric BazilleThe Little Gardener1867 41Soup Bowl Covers (1864) av Frédéric BazilleSoup Bowl Covers1864 · Musée Fabre 42Louis Auriol Fishing (1870) av Frédéric BazilleLouis Auriol Fishing1870 43The Terrace at Méric (Oleander) (1867) av Frédéric BazilleThe Terrace at Méric (Oleander)1867 · Cincinnati Art Museum 44Seascape: The Beach at Sainte-Adresse (1865) av Frédéric BazilleSeascape: The Beach at Sainte-Adresse1865 · High Museum of Art 45Jean Frederic Bazille's studio at 9 rue de la Condamine, Oil (1870) av Frédéric BazilleJean Frederic Bazille's studio at 9 rue de la Condamine, Oil1870 46The Dog Rita Asleep (1864) av Frédéric BazilleThe Dog Rita Asleep1864 47The Artist's Studio, Rue de la Condamine (1870) av Frédéric BazilleThe Artist's Studio, Rue de la Condamine1870 48Studio of The Rue Visconti (1867) av Frédéric BazilleStudio of The Rue Visconti1867 · Virginia Museum of Fine Arts 49Self-Portrait (1868) av Frédéric BazilleSelf-Portrait1868 50Still Life with Fish (1866) av Frédéric BazilleStill Life with Fish1866 · Detroit Institute of Arts 51Flowers (1868) av Frédéric BazilleFlowers1868 52Study of Flowers (1866) av Frédéric BazilleStudy of Flowers1866 53Portrait d'homme barbu av Frédéric BazillePortrait d'homme barbu 54Grape Picker in a Cap av Frédéric BazilleGrape Picker in a Cap 55Grape Picker in a Cap 1 av Frédéric BazilleGrape Picker in a Cap 1 56Young Woman with Lowered Eyes av Frédéric BazilleYoung Woman with Lowered Eyes 57Family Reunion on the terrace of the Château de Meric av Frédéric BazilleFamily Reunion on the terrace of the Château de Meric 58La robe rose ou Vue de Castelnau le Lez av Frédéric BazilleLa robe rose ou Vue de Castelnau le Lez 59Man with a Pipe av Frédéric BazilleMan with a Pipe 60Réunion de famille av Frédéric BazilleRéunion de famille 61Grape Picker in a Yellow Hat av Frédéric BazilleGrape Picker in a Yellow Hat 62L'AMBULANCE IMPROVISEE av Frédéric BazilleL'AMBULANCE IMPROVISEE 63Queens Gate at Aigues-Mortes (1867) av Frédéric BazilleQueens Gate at Aigues-Mortes1867 · Metropolitan Museum of Art 64Self Portrait at Saint-Sauveur (1867) av Frédéric BazilleSelf Portrait at Saint-Sauveur1867 · Musée Fabre 65Landscape at Chailly (1865) av Frédéric BazilleLandscape at Chailly1865 · Art Institute of Chicago 66Deux harengs av Frédéric BazilleDeux harengsMusée Fabre 67Self Portrait av Frédéric BazilleSelf Portrait 68The Pink Dress av Frédéric BazilleThe Pink Dress 69Forêt de Fontainebleau av Frédéric BazilleForêt de Fontainebleau 70Toilet (1870) av Frédéric BazilleToilet1870 · Musée Fabre 71The Fisherman with a Net (1868) av Frédéric BazilleThe Fisherman with a Net1868 · Arp Museum Bahnhof Rolandseck 72Summer Scene (Bathers) av Frédéric BazilleSummer Scene (Bathers)Fogg Museum 73The Improvised Field Hospital (also known as Monet after His Accident at the Inn of Chailly) (1865) av Frédéric BazilleThe Improvised Field Hospital (also known as Monet after His Accident at the Inn of Chailly)1865 · Musée d'Orsay 74Negress with Peonies (1870) av Frédéric BazilleNegress with Peonies1870 · Musée Fabre 75Studio in the rue de Furstenberg (1865) av Frédéric BazilleStudio in the rue de Furstenberg1865 · Musée Fabre 76The Banks of the Lez av Frédéric BazilleThe Banks of the LezMinneapolis Institute of Art 77Ruth et Booz (1870) av Frédéric BazilleRuth et Booz1870 · Musée Fabre 78Woman in Moorish Costume (1869) av Frédéric BazilleWoman in Moorish Costume1869 · Norton Simon Museum 79Portrait of Auguste Renoir (1867) av Frédéric BazillePortrait of Auguste Renoir1867 · Musée d'Orsay 80Self Portrait with Palette (1865) av Frédéric BazilleSelf Portrait with Palette1865 · Art Institute of Chicago 81The Fortune Teller (1869) av Frédéric BazilleThe Fortune Teller1869 82Portrait of Renoir (1867) av Frédéric BazillePortrait of Renoir1867 · Cleveland Museum of Art 83Edouard Blau (1869) av Frédéric BazilleEdouard Blau1869 · National Gallery of Art 84Fleurs av Frédéric BazilleFleursMusée de Grenoble 85Aigues-Mortes av Frédéric BazilleAigues-MortesMusée Fabre 86The Heron (1867) av Frédéric BazilleThe Heron1867 · Musée Fabre 87The Western Ramparts at Aigues-Mortes (1867) av Frédéric BazilleThe Western Ramparts at Aigues-Mortes1867 · National Gallery of Art 88Young Woman with Peonies (1870) av Frédéric BazilleYoung Woman with Peonies1870 · National Gallery of Art

Frédéric Bazilles berømte malerier, periode for periode

Motivene som fanget Frédéric Bazilles blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Frédéric Bazilles originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Frédéric Bazille Malerier fra denne listen
Musée Fabre, MontpellierMusée Fabre Montpellier 23 La Toilette, The Scoter, Petite Italienne chanteuse des rues
Musée d'Orsay, ParisMusée d'Orsay Paris 8 Familieforening, The Pink Dress, The Family Gathering
National Gallery of Art, WashingtonNational Gallery of Art Washington 6 Portrait of Edmond Maitre, Portrait of Edouard Blau, Edmond Maître
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Self-Portrait, The Banks of the Lez
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Landscape at Chailly, Self Portrait with Palette
Fogg Art Museum, CambridgeFogg Art Museum Cambridge 1 Bader
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 1 Le petit jardinier, ca Museum of Fine Arts,
Dallas Museum of Art, DallasDallas Museum of Art Dallas 1 Portrait of an Unknown Sitter as a Troubadour

Frédéric Bazille tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Frédéric Bazille

Hvilket verk er Frédéric Bazille mest kjent for?Avslør svaret

Bader (1869), Fogg Art Museum, Cambridge. Deretter følger Familieforening (1867) og The Pink Dress (1864).

Hvor gammel var Frédéric Bazille da Bader ble laget?Avslør svaret

28 år gammel: Bader er fra 1869, og Frédéric Bazille ble født i 1841.

Hva er de ti mest kjente maleriene til Frédéric Bazille?Avslør svaret

Bader, Familieforening, The Pink Dress, La Toilette, Landscape on the Shore of Lez, The Family Gathering, The Scoter, Le petit jardinier, ca Museum of Fine Arts,, Saint-Saveur og Portrait of an Unknown Sitter as a Troubadour. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Frédéric Bazille?Avslør svaret

Vår katalog inneholder 88 verk av Frédéric Bazille, datert fra 1859 til 1870.

I hvilke museer henger mesterverkene til Frédéric Bazille?Avslør svaret

Hovedsakelig i Musée Fabre (Montpellier), Musée d'Orsay (Paris) og National Gallery of Art (Washington). Museumslisten ovenfor viser alle.

I hvilke år malte Frédéric Bazille sine mest kjente verk?Avslør svaret

I 1860s: 54 av de 88 verkene på denne siden ble laget da, Bader av dem.

Hva er de første og de siste kjente originalverkene til Frédéric Bazille?Avslør svaret

På denne siden er det eldste Mystic marriage of Saint Catherine (1859) og det nyeste La Toilette (1870).

Hvilke motiver valgte Frédéric Bazille oftest?Avslør svaret

Portraits (6), Men (6) og French painting (5), fordelt på 88 verk på denne siden.

Hvilken teknikk brukte Frédéric Bazille mest?Avslør svaret

Oil On Canvas, for 23 av de 88 verkene på denne siden.

Hvilken kunstretning tilhører Frédéric Bazille?Avslør svaret

Impressionist landscape, basert på originalene på denne siden.

Hvilke verk av Frédéric Bazille stilles ut på Musée Fabre?Avslør svaret

La Toilette, The Scoter og Petite Italienne chanteuse des rues: Musée Fabre, Montpellier har 23 av verkene på denne siden.

Kan jeg bestille en reproduksjon av et maleri av Frédéric Bazille?Avslør svaret

Ja, som reproduksjon: originalen forblir i museet, men ethvert maleri på denne siden kan males for hånd til deg, spesiallaget ett og ett, fra maleriets egen side.

Frédéric Bazille: liv og virke

The Brief Radiance of Jean Frédéric Bazille

Jean Frédéric Bazille’s story is one of immense promise tragically cut short, a fleeting yet significant contribution to the burgeoning Impressionist movement. Born in Montpellier, France, on December 6, 1841, into a prosperous Protestant family involved in wine production, Bazille initially seemed destined for a life far removed from the world of art. His parents, while supportive, insisted he pursue medical studies alongside his artistic inclinations – a compromise reflecting the societal expectations of the time and their desire for his financial security. This duality would shape his early years, dividing his attention between anatomical dissection and the captivating allure of color and light. However, it was within the vibrant atmosphere of Paris, where he relocated in 1862 to continue his medical training, that Bazille’s artistic path truly began to unfold.

Forging a Path Amongst Giants

Paris proved to be a crucible for young Bazille. He quickly fell in with a circle of artists who would become synonymous with Impressionism: Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Studying under Charles Gleyre provided him with formal training, but it was the shared passion and radical ideas exchanged amongst these friends that truly ignited his artistic vision. Bazille’s financial stability – a fortunate contrast to the often precarious existence of his companions – allowed him to generously support them, offering studio space and materials. This generosity wasn't merely practical; it stemmed from a deep camaraderie and belief in their collective potential. He became a vital hub for this emerging group, fostering an environment of experimentation and mutual encouragement. His early works, like *The Pink Dress* (c. 1864), already demonstrate a keen eye for capturing fleeting moments and the effects of light – hallmarks that would define Impressionism. He wasn’t simply mimicking established styles; he was actively participating in the creation of something entirely new. Bazille's work often depicted scenes of Parisian life, infused with an intimate understanding of his friends and their shared experiences.

A Style Defined by Light and Friendship

Bazille's artistic style, though developing rapidly, possessed a unique character within the broader Impressionist aesthetic. While sharing their fascination with *plein air* painting – working outdoors to directly capture the nuances of natural light – his compositions often exhibited a more structured quality than Monet’s or Renoir’s. He frequently combined figure painting with landscape, placing his subjects thoughtfully within their environment, as seen in masterpieces like *Family Reunion* (1867-1868). This work is not merely a depiction of familial gathering; it's an exploration of light filtering through the trees, animating the scene and imbuing it with a sense of warmth and intimacy. His paintings weren’t just about *what* he saw, but *how* he saw it – the emotional resonance evoked by color, form, and light. He was deeply influenced by Eugène Delacroix, whose vibrant use of color resonated with his own artistic sensibilities, yet he moved beyond academic conventions to embrace a more modern sensibility. Bazille’s palette often featured rich, warm tones, reflecting the southern French landscapes that held such significance for him.

A Life Interrupted: Legacy and Remembrance

The blossoming career of Jean Frédéric Bazille was brutally interrupted by the Franco-Prussian War in 1870. Driven by a sense of patriotic duty, he joined a Zouave regiment just months after the conflict erupted. Tragically, he was killed in action on November 28, 1870, at the young age of 28, near Beaune-la-Rolande. His death sent shockwaves through the artistic community, robbing them of a talented friend and generous benefactor. His premature demise meant his work remained relatively unknown for many years. However, in recent decades, Bazille’s contributions have been increasingly recognized and celebrated. Today, his paintings are held in prestigious museums like the Musée d'Orsay in Paris, and reproductions allow art lovers worldwide to experience the beauty and innovation of his vision. Bazille’s legacy extends beyond his artistic output; he embodies the spirit of youthful idealism, unwavering dedication, and the power of friendship that defined the early days of Impressionism. He remains a poignant reminder of the potential lost, yet also a testament to the enduring impact of a brief but brilliant career.

Family Background and Early Influences

Born into a prominent Protestant family in Montpellier, Bazille’s upbringing was markedly different from many of his artistic peers. His parents, Gaston Bazille (a respected agronomist and senator) and Camille Vialars (descended from a wealthy Toulouse family), instilled in him a strong sense of responsibility and a deep appreciation for the arts. This privileged background provided him with financial stability, allowing him to pursue both medicine and painting without the constant worry of poverty that plagued many artists of the time. The family’s connection to the cultural life of Montpellier – including its museum and artistic society – undoubtedly shaped his early exposure to art and influenced his aesthetic sensibilities. His ancestry included goldsmiths and merchants, reflecting a history of entrepreneurialism and craftsmanship that may have subtly informed his approach to painting.

Key Works and Artistic Development

Bazille’s oeuvre, though limited in size due to his tragically short life, showcases a remarkable evolution in style. Early works like *The Pink Dress* demonstrate his nascent talent for capturing fleeting moments and experimenting with color and light – hallmarks of the Impressionist movement. However, it was in *Family Reunion* (1867-1868) that he truly established his unique voice, blending figure painting with landscape to create a harmonious composition imbued with warmth and intimacy. This work exemplifies his ability to capture not just the visual appearance of a scene but also its emotional atmosphere. Other notable paintings include *Studio in Rue de Furstenberg* (c. 1867), which offers a glimpse into the social life of Parisian artists, and *Bathers (Summer Scene)* (c. 1869), showcasing his interest in depicting figures within natural settings. Throughout his career, Bazille consistently sought to integrate modern compositional strategies – such as unusual cropping and dynamic perspectives – with traditional painting techniques.

A Tragic End and Lasting Impact

Bazille’s promising artistic career was abruptly cut short by the Franco-Prussian War. Driven by a sense of patriotic duty, he enlisted in the army just months before the conflict erupted and perished in action on November 28, 1870. His untimely death robbed the art world of a talented and visionary artist, but his legacy has endured through the recognition of his paintings and the inspiration he provided to later generations of Impressionists. Today, Bazille is increasingly appreciated as a key figure in the development of modern painting, celebrated for his innovative approach to composition, his masterful use of color, and his profound understanding of light and atmosphere. His story serves as a poignant reminder of the fragility of artistic genius and the enduring power of friendship and dedication.

Alle 88 verk av Frédéric Bazille →