Portrett av Constant Permeke

De 36 mest kjente maleriene av Constant Permeke, et gallerivalg

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 36 verk av Constant Permeke i vår katalog

Kort fortalt

Av alle originalverkene Constant Permeke etterlot seg, er det mest kjente Maternité ('Femme Ostendaise') (1913), som er en del av samlingen til Museum Boijmans Van Beuningen i Rotterdam. Like bak følger The Stationer (1922) og Fisherman's Wife (1920). Vår katalog inneholder 36 verk av Constant Permeke; galleriet har bevart de 36 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1886 – 1952, Antwerpen Expressionism Flest verk: Koninklijk Museum voor Schone Kunsten Antwerpen

Constant Permekes topp 10 malerier: galleriets utvalg

Utvalget av Constant Permeke fortsetter, fra 11 til 36

Museene som har Constant Permekes originalverk

De 4 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Constant Permeke Malerier fra denne listen
Koninklijk Museum voor Schone Kunsten Antwerpen, AntwerpenKoninklijk Museum voor Schone Kunsten Antwerpen Antwerpen 19 Fisherman's Wife, Pastry Stall, Fair
Museum of Fine Arts Ghent (MSK), GentMuseum of Fine Arts Ghent (MSK) Gent 8 Saint Francis of Assisi, Recumbent Nude, Dunes
Groeningemuseum, BruggeGroeningemuseum Brugge 2 The Stationer, Hay Harvest in Jabbeke
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 Maternité ('Femme Ostendaise')

Constant Permeke tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Constant Permeke

Hvilket verk er Constant Permeke mest kjent for?Avslør svaret

Maternité ('Femme Ostendaise') (1913), Museum Boijmans Van Beuningen, Rotterdam. Deretter følger The Stationer (1922) og Fisherman's Wife (1920).

Hvor gammel var Constant Permeke da Maternité ('Femme Ostendaise') ble laget?Avslør svaret

27 år gammel: Maternité ('Femme Ostendaise') er fra 1913, og Constant Permeke ble født i 1886.

Hva er de ti mest kjente maleriene til Constant Permeke?Avslør svaret

Maternité ('Femme Ostendaise'), The Stationer, Fisherman's Wife, Pastry Stall, Fair, The Man with the Jacket, Woman at Prayers, Coffee Drinkers, Gezicht op Aartrijke og Snow Landscape. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Constant Permeke?Avslør svaret

Vår katalog inneholder 36 verk av Constant Permeke, datert fra 1912 til 1948.

I hvilke museer henger mesterverkene til Constant Permeke?Avslør svaret

Hovedsakelig i Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen), Museum of Fine Arts Ghent (MSK) (Gent) og Groeningemuseum (Brugge). Museumslisten ovenfor viser alle.

I hvilke år malte Constant Permeke sine mest kjente verk?Avslør svaret

I 1920s: 13 av de 36 verkene på denne siden ble laget da, The Stationer av dem.

Hva er de første og de siste kjente originalverkene til Constant Permeke?Avslør svaret

På denne siden er det eldste Winter Landscape (1912) og det nyeste Young Girl (1948).

Hvilken kunstretning tilhører Constant Permeke?Avslør svaret

Expressionism, basert på originalene på denne siden.

Hvilke verk av Constant Permeke stilles ut på Koninklijk Museum voor Schone Kunsten Antwerpen?Avslør svaret

Fisherman's Wife, Pastry Stall og Fair: Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen har 19 av verkene på denne siden.

Kan jeg bestille en reproduksjon av et maleri av Constant Permeke?Avslør svaret

Ja, som reproduksjon: originalen forblir i museet, men ethvert maleri på denne siden kan males for hånd til deg, spesiallaget ett og ett, fra maleriets egen side.

Constant Permeke: liv og virke

Constant Permeke: The Soul of Flemish Expressionism

Constant Permeke (1886 – 1952) stands as a monumental figure in Belgian art history, recognized primarily for his contribution to Flemish Expressionism—a movement that sought to convey raw emotion and psychological depth through distorted forms and muted colors. His oeuvre transcends mere visual representation; it embodies the anxieties and complexities of the early twentieth century, reflecting both personal turmoil and broader societal shifts. Born in Antwerp, Permeke’s formative years were steeped in artistic influence thanks to his father's role as curator of the Municipal Museum of Arts—a position that exposed him to groundbreaking European avant-garde movements. This exposure profoundly shaped his artistic sensibilities, propelling him toward a style characterized by uncompromising honesty and an unflinching gaze at human suffering. He pursued formal training at Bruges and Ghent Academies, forging connections with fellow artists like Frits van den Berghe and the Smets brothers—a collaborative spirit that fueled experimentation and innovation. The Great War irrevocably altered Permeke’s trajectory. Drafted into the army, he endured harrowing experiences including injury during the defense of Antwerp, necessitating hospitalization in London. Amidst the upheaval of wartime Britain, he rediscovered his artistic passion, channeling his emotions into evocative landscapes imbued with a melancholic beauty—a stark contrast to the bleak realities faced by ordinary Belgians. His family relocated to Devonshire, where his son John was born, offering a brief respite from the hardships of war but not shielding him from its pervasive impact. Returning to Antwerp in 1919, Permeke confronted the disillusionment of postwar life, translating this emotional landscape into paintings that captured the grim conditions endured by working-class communities—particularly fishermen—a subject he revisited repeatedly throughout his career. His artistic output gained momentum during the interwar years, marked by exhibitions in Antwerp and Paris and fruitful collaborations with Van den Berghe. He ventured into Switzerland, exploring mountainous vistas and honing his technique. Permeke’s artistic evolution mirrored broader cultural currents. The Nazi occupation disrupted his creative process, silencing his voice as a symbol of “degenerate art.” Despite personal tragedies—the arrest of his son and the passing of his wife—he persevered, continuing to produce powerful works that explored themes of grief, loss, and resilience. His later paintings retained a refined aesthetic while retaining an underlying sensitivity to human experience. Notable pieces include "Niobe," a monumental sculpture reflecting the profound impact of familial sorrow, and “Gouden Oogst,” which captures the poignant beauty of autumn’s decline. His legacy extends beyond his artistic achievements. In 1997, Belgium honored Permeke's contribution to Belgian culture by featuring his portrait and one of his paintings on the €1,000 franc banknote—a testament to his enduring influence on the nation’s visual heritage. Constant Permeke remains an artist whose work continues to resonate with audiences today, embodying the spirit of Expressionism and cementing his place as a cornerstone of Belgian artistic identity.

Alle 36 verk av Constant Permeke →