Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 69 verk av Aristide Maillol i vår katalog
Kort fortalt
Etter galleriets vurdering er Aristide Maillols mest kjente maleri La Mediterranee (1902), hvis original henger i Song Art Museum, Beijing. The Summer (Torso) (1911) og Vénus au collier (1828) fullfører trioen som alle kjenner igjen. Av de 69 verkene til Aristide Maillol i vår katalog, presenterer galleriet de 65 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
La Méditerranée av Aristide Maillol – En Symfonisk Ode til Stillhet og Energi Aristide Maillol, født i Banyuls-sur-Mer i 1861, var ikke bare en skulptør; han var en mann som omfavnet klassiske idealer samtidig som han søkte nye uttrykk for åndelighet og estetikk. Hans kunstneriske utvikling var långsom och målmedveten, vilket ledde till att han blev en av sina tids mest betydelsefulla röster inom skulpturkonsten – en konstnär som förmådde…
In the quiet realm of classical sculpture, few works capture the essence of tranquil vitality quite like Aristide Maillol’s The Summer (Torso). Created in 1911, this bronze masterpiece serves as a profound meditation on form and stability, standing as a pivotal bridge between the emotive depths of Symbolism and the emerging clarity of modern sculpture. Rather than merely replicating the human anatomy, Maillol sought to distill the very soul of…
The Serene Power of Maillol’s *Vénus au Collier* Aristide Maillol's *Vénus au Collier*, sculpted between 1918 and 1928, isn’t merely a depiction of a woman; it’s an embodiment of timeless grace and a profound meditation on the relationship between form, stillness, and the subtle poetry of gesture. Emerging from the fertile ground of early 20th-century French sculpture, this work represents a pivotal moment in Maillol's artistic evolution – a deliberate…
Aristide Maillol’s bronze sculpture, Venus sans collier, presents a seated female nude that prioritizes structural harmony over decorative detail. The figure rests upon a pedestal, her hands placed firmly on her hips in a pose of quiet composure. Through a process of simplification, the artist reduces the human anatomy to its essential contours, creating a sense of weight and presence. The polished bronze surface catches the light to emphasize the…
In the painting French, ) by Aristide Maillol, a woman is positioned on a beach near the edge of the ocean. She is depicted wearing a pink dress and a hat. The figure is oriented toward the water, looking out at the expanse of the ocean that occupies the background. She holds a parasol over her shoulder, which she carries while standing on the sand.
In Young Peasant Girl in Bust, Aristide Maillol presents a profile portrait of a young woman that invites a quiet, close-up observation. The composition is intentionally asymmetrical, positioning the subject on the right side of the frame. She gazes toward the left, her posture creating a sense of calm contemplation. This arrangement allows for a balanced tension between the figure and the space she occupies. The perspective is a tight,…
In Mediterranean, Aristide Maillol presents a serene scene that captures a quiet moment within a coastal landscape. Created about 1895, the work focuses on a nude female figure standing amidst the natural elements of the shore. The subject matter draws upon themes of classical beauty and nature, presenting a sense of tranquility that settles over the entire composition. There is a stillness here, a pause in time that allows the…
In "The Bather (view 1)" by Aristide Maillol, we encounter a study of quietude and form. The sculpture presents a standing nude woman, her hands resting upon her head in a gesture of repose. While the overall composition is centered and symmetrical, providing a sense of stability, the figure's stance is slightly angled. This subtle shift introduces a gentle dynamism to the silhouette, preventing the stillness from becoming static. It…
The sculpture is organized around a centered and symmetrical composition. The figure is positioned with arms raised above the head, creating a verticality that directs the viewer's eye upward from the grounded, rectangular base toward the face. This upward movement emphasizes the elongated proportions of the body and the stability of the pose.
Two nudes in a landscape (recto), Ladies with a hat and landscape study (verso)1890 · Petit Palais
12
The Wave1898 · Petit Palais
13
Hero and Leander1893
14
The Wave (La Vague)1898
15
Two Nude Bathers Under a Tree at the Water's Edge (Deux baigneuses nues sous un arbre au bord de l'eau)1895
16
Woman studyMusée Toulouse-Lautrec
17
Naked woman from behindMusée Toulouse-Lautrec
18
Untitled (138)
19
The River
20
Untitled (599)
21
Untitled (695)
22
Untitled (458)
23
Le pauvre pêcheur (d'après Puvis de Chavannes)
24
Desire1906
25
L1962 · Kimbell Art Museum
26
Le coureur cycliste (Young Cyclist)Museum Folkwang
27
The Bather (view 2)2000
28
Venus1928 · Kunsthalle Bremen
29
_le-de-France
30
Untitled (971)
31
Untitled (210)
32
Untitled (353)
33
Untitled (169)
34
Untitled (940)
35
Untitled (265)
36
Untitled (409)
37
Untitled (772)
38
Untitled (215)
39
Untitled (618)
40
Untitled (975)
41
Untitled (194)
42
Untitled (996)
43
Untitled (766)
44
Untitled (451)
45
P.76.14Museum Gouda
46
Untitled (872)
47
Untitled (684)
48
Untitled (455)
49
Untitled (813)
50
Untitled (631)
51
Untitled (407)
52
Untitled (456)
53
Maison en RoussillonMusée d'Orsay
54
Untitled (639)
55
Untitled (954)
56
Untitled (107)
57
La chaumière aux cinq arbresMusée d'Orsay
58
Untitled (129)
59
Untitled (958)
60
Untitled (434)
61
Untitled (554)
62
The RiverShimane Art Museum
63
Jeune fille debout (Young Woman Afoot)Museum Folkwang
64
Untitled (961)Musée d'Orsay
65
La femme à l'ombrelleMusée d'Orsay
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Aristide Maillol | Malerier fra denne listen |
|---|---|---|---|
 Musée d'Orsay |
Paris | 4 | Maison en Roussillon, La chaumière aux cinq arbres, Untitled (961) |
 Petit Palais |
Paris | 3 | Mediterranean, Two nudes in a landscape (recto), Ladies with a hat and landscape study (verso), The Wave |
 Musée des Beaux-Arts de Lyon |
Lyon | 2 | Vénus au collier, Venus sans collier |
 Musée Toulouse-Lautrec |
Albi | 2 | Woman study, Naked woman from behind |
 Museum Folkwang |
Essen | 2 | Le coureur cycliste (Young Cyclist), Jeune fille debout (Young Woman Afoot) |
 Song Art Museum |
Beijing | 1 | La Mediterranee |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | The Summer (Torso) |
 Musée des Beaux-Arts |
Reims | 1 | Young Peasant Girl in Bust |
Velg et tiår for å se originalverket som definerer det.
In Young Peasant Girl in Bust, Aristide Maillol presents a profile portrait of a young woman that invites a quiet, close-up observation. The composition is intentionally asymmetrical, positioning the subject on the right side of the frame. She gazes toward the left, her posture creating a sense of calm contemplation. This arrangement allows for a balanced tension between the figure and the space she occupies. The perspective is a tight,…
La Méditerranée av Aristide Maillol – En Symfonisk Ode til Stillhet og Energi Aristide Maillol, født i Banyuls-sur-Mer i 1861, var ikke bare en skulptør; han var en mann som omfavnet klassiske idealer samtidig som han søkte nye uttrykk for åndelighet og estetikk. Hans kunstneriske utvikling var långsom och målmedveten, vilket ledde till att han blev en av sina tids mest betydelsefulla röster inom skulpturkonsten – en konstnär som förmådde…
In the quiet realm of classical sculpture, few works capture the essence of tranquil vitality quite like Aristide Maillol’s The Summer (Torso). Created in 1911, this bronze masterpiece serves as a profound meditation on form and stability, standing as a pivotal bridge between the emotive depths of Symbolism and the emerging clarity of modern sculpture. Rather than merely replicating the human anatomy, Maillol sought to distill the very soul of…
Aristide Maillol's "Venus," sculpted in 1928, isn’t merely a depiction of the Roman goddess; it’s an embodiment of timeless beauty and a profound meditation on form and stillness. Emerging from the post-World War I artistic landscape—a period marked by both disillusionment and a fervent return to classical ideals—Maillol sought to distill the essence of the female nude, stripping away extraneous detail in favor of a powerfully reductive aesthetic. This particular…
La Mediterranee (1902), Song Art Museum, Beijing. Deretter følger The Summer (Torso) (1911) og Vénus au collier (1828).
41 år gammel: La Mediterranee er fra 1902, og Aristide Maillol ble født i 1861.
La Mediterranee, The Summer (Torso), Vénus au collier, Venus sans collier, French, ), Young Peasant Girl in Bust, Mediterranean, The Bather (view 1), Baigneuse Aux Bras Leves (view 1) og Untitled (540). Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 69 verk av Aristide Maillol, datert fra 1890 til 1928.
Hovedsakelig i Musée d'Orsay (Paris), Petit Palais (Paris) og Musée des Beaux-Arts de Lyon (Lyon). Museumslisten ovenfor viser alle.
I 1890s: 7 av de 65 verkene på denne siden ble laget da, Young Peasant Girl in Bust av dem.
På denne siden er det eldste Two nudes in a landscape (recto), Ladies with a hat and landscape study (verso) (1890) og det nyeste Venus (1928).
Woman (11), Sculpture (7) og Bronze (6), fordelt på 65 verk på denne siden.
Bronze, for 7 av de 65 verkene på denne siden.
Maison en Roussillon, La chaumière aux cinq arbres og Untitled (961): Musée d'Orsay, Paris har 4 av verkene på denne siden.
