Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 128 verk av Anselm Feuerbach i vår katalog
Kort fortalt
I galleriets øyne er Anselm Feuerbachs mest kjente maleri Orpheus and Eurydike (1869). Portrait of an Older Gentleman (1852) og Kinderständchen (1860) fullfører trioen som alle kjenner igjen. Av de 128 verkene til Anselm Feuerbach i vår katalog, presenterer galleriet de 100 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
In this 1869 mythological painting, Orpheus and Eurydike appear caught in a moment of profound tension. The artist, Anselm Feuerbach, captures the figures as they navigate the heavy atmosphere of a tragic legend. Orpheus, the legendary musician, stands with his lyre, his presence defined by the weight of the myth that surrounds him. Beside him, Eurydike moves through the scene, her presence tied to the sorrow of her fate. The…
In Portrait of an Older Gentleman by Anselm Feuerbach, the subject is captured in a close-up, bust-length view. He sits centered against a dark, indistinct background that offers no distraction from his presence. The composition relies on a muted and earthy color palette, where deep blacks, browns, and ochres settle into the shadows. This somber arrangement focuses entirely on the weight of the man's character. The style is realistic, prioritizing…
We are looking at Kinderständchen, an oil on canvas painted by Anselm Feuerbach. This work dates to 1860, a period when the artist was refining his specific approach to form and color. It is a substantial piece, measuring 116 x 231 cm, which gives the composition a significant presence when viewed in person.
The salt spray hangs in the air as a woman sits alone upon the earth, her presence a quiet anchor against the rhythmic movement of the sea. She wears a white dress that spills around her, its folds catching the light in a way that suggests the stillness of carved stone. Her hands are clasped tightly against her chest, a gesture of inward focus that pulls the viewer into her…
The oil on canvas titled Self-portrait was painted by the artist Anselm Feuerbach in 1873. This work captures a specific moment in the life of a man born in 1829 and deceased in 1880. The image remains a quiet study of the individual, fixed in time through the medium of paint.
In this intimate oil on canvas, we encounter Self-portrait as a boy, a work painted by Anselm Feuerbach. It is a quiet, early reflection, capturing the artist, Anselm Feuerbach, in his youth. The painting offers a rare glimpse into the subject's own likeness, rendered with a sense of gravity that belies the age of the sitter.
Henriette Feuerbach sits in a three-quarter profile, her presence defined by a somber, steady gaze. The portrait, executed in 1878, captures the subject in her later years, presenting a face of pale, luminous skin against a dark, atmospheric background. Her attire, a heavy black mourning garment, is rendered with meticulous attention to the tactile quality of lace and fabric. The lighting, descending from the upper left, carves deep shadows into…
In the grand tapestry of nineteenth-century art, few works capture the ethereal tension between classical grace and Romantic passion as profoundly as Anselm Feuerbach’s The Judgement of Paris. Created in 1870, this breathtaking oil painting serves as a window into a world where gods and mortals intersect amidst a lush, idyllic landscape. The scene depicts the pivotal moment of mythological destiny: the selection of the most beautiful goddess. As Venus,…
The painting titled Selfportrait is a direct encounter with the artist Anselm Feuerbach. Created in 1878, this work belongs to the genre of self-portraiture. It captures a specific moment of the painter's own existence, rendered in oil on canvas. The image presents a man looking back at the viewer through a steady, unblinking gaze.
This black and white reproduction of a dramatic, high-contrast painting depicts the biblical scene of Samson and Delilah. The composition is dynamic and crowded, characterized by intense movement and emotional turmoil. The subject matter captures the moment of Samson's betrayal or capture, with a central muscular male figure (Samson) being restrained or attacked by several men, while a woman (Delilah) watches from a seated position on the left. The perspective…
Allegorie1847
12
Bacchuszug1847
13
Diana, Emerging from her Bath, Surrounded by Nymphs1854 · Bavarian State Painting Collections
14
Gypsy with Tambourine*1854 · Staatliche Kunsthalle Karlsruhe
15
Youthful Self-Portrait1852 · Staatliche Kunsthalle Karlsruhe
16
Portrait (of the author?)1854
17
Flower girl1854 · Staatliche Kunsthalle Karlsruhe
18
Drei weibliche Gestalten an einem kleinen See1855
19
Zigeuner1854
20
Rokokodamen am Wasser1854
21
Landschaft mit Wasserfall1855
22
Landschaft mit badenden Frauen1854
23
Blumenmädchen1854
24
Damenbildnis1854
25
Tänzerin (dekoratives Panneau)1854
26
Bildnis des Geheimrats Prof. Umbreit1853
27
Der Tod des Pietro Aretino1854
28
Bildnis des Prof. C. Cannstatt1850
29
Mädchen, um einen toten Vogel trauernd1854
30
Untitled (AQR3R6)1854
31
Versuchung des heiligen Antonius1854
32
Hafis in der Schenke1852
33
Pietà1854
34
The Golden Age1857 · Bavarian State Painting Collections
35
Portrait of the Photographer Reitmayer1860
36
Musical Poetry1856 · Staatliche Kunsthalle Karlsruhe
37
Nanna1861 · Alte Nationalgalerie
38
Iphigenie1862 · Hessisches Landesmuseum
39
Pietà1863 · Bavarian State Painting Collections
40
Madonna1863 · Bavarian State Painting Collections
41
Portrait of a Roman Woman (Nanna)1862 · Schackgalerie
42
Nanna1862
43
Portrait of Nanna Risi1861 · Staatliche Kunsthalle Karlsruhe
44
Kinder am Wasser1859
45
Bildnis Allgeyers1857 · Bavarian State Painting Collections
46
Kinder am Springbrunnen1859
47
Dantes Tod1858
48
Maria mit dem Kind1860
49
Der Herbst (Balgende Buben mit Früchten)1860
50
Die Schauspielszene aus Hamlet1858
51
Dante mit Virgil in der Unterwelt1857 · Bavarian State Painting Collections
52
Laura in the Church1865 · Bavarian State Painting Collections
53
Henriette Feuerbach, the Stepmother of the Artist1871
54
Lucrezia Borgia; Portrait of a Roman woman in white tunic and red robe1864 · Städel Museum
55
Two ladies in a landscape1867 · Alte Nationalgalerie
56
Musizierende Kinder, von einer Nymphe belauscht1864 · Bavarian State Painting Collections
57
Self-portrait with cigarette1871
58
The Symposium1871 · Alte Nationalgalerie
59
Sleeping Nymph1870 · Germanisches Nationalmuseum
60
Spring Scene1868 · Alte Nationalgalerie
61
Mutter mit Kind1867
62
Lesbia mit dem Vogel1868
63
Ricordo di Tivoli1867
64
Das Urteil des Paris1870
65
Untitled (AQR3NQ)1864 · Bavarian State Painting Collections
66
Orpheus1869
67
Bildnis der Stiefmutter des Künstlers1867
68
Im Frühling. (Sechs Damen im Freien.)1868
69
Self-Portrait with Cigarette1875
70
Self-Portrait1878 · Staatliche Kunsthalle Karlsruhe
71
Sturz der Titanen1874
72
Landschaft mit Ziegen1873
73
Deutsch Zigeunertanz1853 · Hamburger Kunsthalle
74
Untitled (AQR3NN)1852 · Kunsthalle Mannheim
75
German Titanensturz
76
The Judgment of Paris1870 · Hamburger Kunsthalle
77
Mythologische Szene (Siegfrieds Tod )1846
78
Rock cleft with cows1855 · Alte Nationalgalerie
79
girls bathing in the evening1854
80
Untitled (AQR3QJ)1854
81
Untitled (AQR3P4)1851
82
Männlicher Halbakt1851
83
Young witch who is led to the stake1851 · Germanisches Nationalmuseum
84
Hafis vor der Schenke1852 · Kunsthalle Mannheim
85
Untitled (AQR3SW)1856
86
Deutsch Garten des Ariost1863 · Schackgalerie
87
Landscape with Waterfall1865 · Bavarian State Painting Collections
88
Coast near Porto d'Anzio1866 · Staatliche Kunsthalle Karlsruhe
89
Landschaft1871
90
Untitled (AQR3R4)1864 · Schackgalerie
91
Medea1870
92
Untitled (AQR3S8)1866 · Schackgalerie
93
Kinder am Strande1867 · Museum Georg Schäfer
94
Italiano Paolo e Francesca1864 · Schackgalerie
95
Francesca da Rimini1864 · Bavarian State Painting Collections
96
Musizierende Kinder1864 · Kunstmuseum Moritzburg
97
Gastmahl des Plato1869 · Staatliche Kunsthalle Karlsruhe
98
German Pfingstrosen (Päonien) Peonies1871 · Neue Pinakothek
99
Untitled (AQR3Q6)1875
100
Untitled (AQR3PA)1880
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Anselm Feuerbach | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 12 | Diana, Emerging from her Bath, Surrounded by Nymphs, The Golden Age, Pietà |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 10 | Portrait of an Older Gentleman, Gypsy with Tambourine*, Youthful Self-Portrait |
 Alte Nationalgalerie |
Berlin | 8 | Self-portrait, Self-portrait as a boy, The Artist's Step-mother, Henriette Feuerbach |
 Schackgalerie |
München | 15 | Portrait of a Roman Woman (Nanna), Deutsch Garten des Ariost, Untitled (AQR3R4) |
 Hamburger Kunsthalle |
Hamburg | 3 | English The Judgement of Paris Deutsch Das Urteil des Paris Русский Суд Париса, Deutsch Zigeunertanz, The Judgment of Paris |
 Germanisches Nationalmuseum |
Nürnberg | 2 | Sleeping Nymph, Young witch who is led to the stake |
 Niedersächsisches Landesmuseum Hannover |
Hannover | 3 | Kinderständchen |
 Staatsgalerie Stuttgart |
Stuttgart | 1 | Iphigenie II |
Velg et tiår for å se originalverket som definerer det.
In this intimate oil on canvas, we encounter Self-portrait as a boy, a work painted by Anselm Feuerbach. It is a quiet, early reflection, capturing the artist, Anselm Feuerbach, in his youth. The painting offers a rare glimpse into the subject's own likeness, rendered with a sense of gravity that belies the age of the sitter.
In Portrait of an Older Gentleman by Anselm Feuerbach, the subject is captured in a close-up, bust-length view. He sits centered against a dark, indistinct background that offers no distraction from his presence. The composition relies on a muted and earthy color palette, where deep blacks, browns, and ochres settle into the shadows. This somber arrangement focuses entirely on the weight of the man's character. The style is realistic, prioritizing…
In this 1869 mythological painting, Orpheus and Eurydike appear caught in a moment of profound tension. The artist, Anselm Feuerbach, captures the figures as they navigate the heavy atmosphere of a tragic legend. Orpheus, the legendary musician, stands with his lyre, his presence defined by the weight of the myth that surrounds him. Beside him, Eurydike moves through the scene, her presence tied to the sorrow of her fate. The…
The salt spray hangs in the air as a woman sits alone upon the earth, her presence a quiet anchor against the rhythmic movement of the sea. She wears a white dress that spills around her, its folds catching the light in a way that suggests the stillness of carved stone. Her hands are clasped tightly against her chest, a gesture of inward focus that pulls the viewer into her…
Orpheus and Eurydike (1869). Deretter følger Portrait of an Older Gentleman (1852) og Kinderständchen (1860).
40 år gammel: Orpheus and Eurydike er fra 1869, og Anselm Feuerbach ble født i 1829.
Orpheus and Eurydike, Portrait of an Older Gentleman, Kinderständchen, Iphigenie II, Self-portrait, Self-portrait as a boy, The Artist's Step-mother, Henriette Feuerbach, English The Judgement of Paris Deutsch Das Urteil des Paris Русский Суд Париса, Selfportrait og Samson and Delila (Copy after Rubens). Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 128 verk av Anselm Feuerbach, datert fra 1845 til 1880.
Hovedsakelig i Bavarian State Painting Collections (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) og Alte Nationalgalerie (Berlin). Museumslisten ovenfor viser alle.
I 1850s: 40 av de 100 verkene på denne siden ble laget da, Portrait of an Older Gentleman av dem.
På denne siden er det eldste Self-portrait as a boy (1845) og det nyeste Untitled (AQR3PA) (1880).
Woman (34), Man (18) og Drapery (14), fordelt på 100 verk på denne siden.
Oil On Canvas, for 49 av de 100 verkene på denne siden.
Romanticism og Neoclassicism, basert på originalene på denne siden.
Diana, Emerging from her Bath, Surrounded by Nymphs, The Golden Age og Pietà: Bavarian State Painting Collections, München har 11 av verkene på denne siden.
Anselm Feuerbach (1829-1880) står som en monumental skikkelse i det tyske romantikkens og nyklassisismens vev, og legemliggjør en sjelden og harmonisk fusjon mellom disse to kraftfulle kunstneriske strømningene. Han ble født i Speyer inn i en intellektuelt dyptgående slekt – hans far, Joseph Anselm Ritter von Feuerbach, var en anerkjent arkeolog – og Feuerbach var skjebnebestemt til et liv preget av studier av antikken. Denne slektsmessige forbindelsen til den klassiske verden formet hans kunstneriske sensitivitet fra hans tidligste år. Hans formelle utdannelse begynte ved Düsseldorf-akademiet mellom 1845 og 1848, hvor den strenge veiledningen fra mestere som Johann Wilhelm Schirmer og Wilhelm von Schadow innprente i ham en grunnleggende forståelse for klassisk estetikk og det skulpturelle håndverkets nitidige presisjon.
Utviklingen hans var preget av en rastløs søken etter et visuelt språk som kunne bygge bro mellom romantikkens emosjonelle dybde og nyklassisismens strukturelle renhet. Etter å ha foredlet sine ferdigheter ved München-akademiet, søkte Feuerbach inspirasjon utenfor Tysklands grenser; han etablerte seg i Antwerpen for å mestre den levende venetianske kolorismen under Gustave Wappers. Hans reise gjennom Paris i 1851 markerte et avgjørende øyeblikk for hans kunstneriske gjennombrudd; det var her han skapte Hafiz ved fontenen (1852). Dette pustløse verket, som gjennomsyret arabisk poesi med klassisk idealisme, står som et vitnesbyrd om hans unike evne til å syntetisere ulike kulturelle impulser til en enhetlig, transcendent visjon.
Drevet av en umettelig fascinasjon for den italienske renessansen, la Feuerbach ut på en åndelig og kunstnerisk pilegrimsreise til Italia. Hans fordypning i Venezia gjorde det mulig for ham å absorbere den ekspressive dynamikken og den rike paletten til de venetianske mestrene, mens oppholdet i Firenze og Roma befestet hans hengivenhet til humanistiske idealer. Under sitt lange opphold i Roma, som varte frem til 1873, ble han en sentral skikkelse blant Deutschrömer – en gruppe tyske kunstnere bosatt i Italia som inkluderte lysende skikkelser som Arnold Böcklin og Hans von Marées. Denne perioden var preget av et intenst fokus på den menneskelige formens verdighet og den evokative kraften i mytologiske temaer.
Hans teknikk var en sofistikert blanding av flere sentrale elementer:
Anselm Feuerbachs virke forblir en dyp meditasjon over den vedvarende skjønnheten i den klassiske fortid. Han etterlignet ikke bare antikkens mestre; snarere refortolket han deres ånd for en moderne æra, og skapte komposisjoner som føles både tidløse og dypt personlige. Hans malerier, ofte karakterisert av elegante figurkomposisjoner og en følelse av melankolsk stillhet, fortsetter å trollbinde publikum med sin lavmælte intensitet. Ved å veve sammen nyklassisismens strukturelle strenghet med romantikkens sjelfulle lyrikk, sikret Feuerbach sin plass som en av det 19. århundres mest betydningsfulle malere, og etterlot seg en arv som feirer den evige dialogen mellom menneskeheten og myten.
