Portrett av Thomas Frye

De 40 mest kjente Thomas Frye-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 40 verk av Thomas Frye i vår katalog

Kort fortalt

Thomas Frye (1759) er maleriet av Thomas Frye som vekker mest oppmerksomhet; originalen befinner seg i National Portrait Gallery, London. Deretter går blikket til Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785) (1739) og Portrait of John Allen of Bridgewater (1739). Blant de 40 verkene til Thomas Frye i vår katalog, er disse 40 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1710 – 1762, Dublin Flest verk: National Gallery of Ireland

Topp 10 malerier av Thomas Frye, sett gjennom galleriets øyne

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Thomas Frye (1759) av Thomas Frye

Thomas Frye

1759 · Oil On Canvas · National Portrait Gallery, London

Created in 1759, this oil on canvas work presents the artist, Thomas Frye, as his own subject. The portrait captures the man in a three-quarter view, presenting a formal and somber appearance. He is depicted with light-colored, powdered hair that contrasts against the darker tones of his attire. A dark jacket and a white neckcloth define his clothing, grounding the figure within a restrained, eighteenth-century aesthetic.

Thomas Fryes berømte malerier, nummer 11 til 40

Motivene som fanget Thomas Fryes blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Thomas Fryes originalverk

De 7 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Thomas Frye Malerier fra denne listen
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 3 Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785), Portrait of John Allen of Bridgewater, Portrait of Susannah Walker
National Portrait Gallery, LondonNational Portrait Gallery London 1 Thomas Frye
Royal Collection, LondonRoyal Collection London 1 Frederick, Prince of Wales (1707-1751)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Woman, Traditionally Identified as Mrs.Wardle
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Untitled (D2WVNF)
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Unknown man
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Richard Leveridge

Thomas Frye gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Thomas Fryes malerier: spørsmål til galleriet

Hva er det mest kjente verket til Thomas Frye?Avslør svaret

Thomas Frye (1759), National Portrait Gallery, London. Deretter følger Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785) (1739) og Portrait of John Allen of Bridgewater (1739).

Hvor gammel var Thomas Frye da Thomas Frye ble skapt?Avslør svaret

49 år gammel: Thomas Frye er fra 1759, og Thomas Frye ble født i 1710.

Hvilke ti malerier av Thomas Frye er de mest kjente?Avslør svaret

Thomas Frye, Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785), Portrait of John Allen of Bridgewater, Frederick, Prince of Wales (1707-1751), A Woman, Traditionally Identified as Mrs.Wardle, Portrait of Susannah Walker, Untitled (D2WVNF), Unknown man, The Observer og Untitled. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Thomas Frye er kjent?Avslør svaret

Vår katalog inneholder 40 verk av Thomas Frye, datert fra 1739 til 1760.

Hvor kan de mest kjente originalverkene til Thomas Frye ses?Avslør svaret

Hovedsakelig i National Gallery of Ireland (Dublin), National Portrait Gallery (London) og Royal Collection (London). Museumslisten ovenfor viser alle.

I hvilken periode malte Thomas Frye sine mest kjente malerier?Avslør svaret

I 1730s: 2 av de 40 verkene på denne siden ble laget da, Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785) av dem.

Hvilket kjent maleri av Thomas Frye er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785) (1739) og det nyeste Portrait of Susannah Walker (1760).

Hvilke motiver foretrakk Thomas Frye?Avslør svaret

Portraits (8), Portrait (5) og Men (4), fordelt på 40 verk på denne siden.

Hvilke originalverk av Thomas Frye kan jeg se på National Gallery of Ireland?Avslør svaret

Portrait of Sir Charles Kemeys-Tynte, Baronet (1710-1785), Portrait of John Allen of Bridgewater og Portrait of Susannah Walker: National Gallery of Ireland, Dublin har 3 av verkene på denne siden.

Thomas Frye: et portrett av kunstneren

The Versatile Legacy of Thomas Frye

Thomas Frye stands as a remarkable figure of the eighteenth century, an Anglo-Irish polymath whose creative reach extended far beyond the traditional boundaries of portraiture. Born in Edenderry, Ireland, Frye’s journey from his Irish roots to the vibrant artistic circles of London allowed him to cultivate a diverse mastery over various media. He was not merely a painter but a skilled engraver and a pioneer in the delicate art of porcelain manufacturing. His ability to navigate between the intimate scale of miniatures and the grand presence of oil portraits marks him as one of the most significant Irish artists of his era, blending technical precision with an innate understanding of character.

His artistic development was characterized by a profound command over both color and line. In his portraiture, Frye utilized oil and pastel to capture the aristocratic grace and psychological depth of his subjects. Whether rendering the soft textures of skin in a pastel miniature or the stately presence of figures like Lieutenant Colonel George Walsh, his work resonates with an enduring elegance. His early explorations in mezzotint engraving further demonstrated his technical prowess, allowing him to disseminate his visual narratives through print, reaching a much wider audience than the single canvas could ever permit.

A Pioneer of Porcelain and Print

Beyond the easel, Frye’s historical significance is deeply intertwined with the industrial and decorative arts of England. He was a man of immense entrepreneurial spirit, most notably serving as the patentee of the Bow porcelain factory in London. In an era of intense competition among ceramic innovators, Frye claimed a central role in the history of English pottery, even asserting in his epitaph that he was the inventor and first manufacturer of porcelain in England. While historical debate continues regarding his precedence over rivals at the Chelsea factory, his management of the Bow works remains a cornerstone of his multifaceted career.

The breadth of his contributions can be summarized through his various artistic roles:

  • Portrait Painter: Renowned for his ability to capture likenesses in oil, pastel, and chalk, ranging from delicate miniatures to full-length compositions.
  • Printmaker: A skilled engraver who utilized the mezzotint technique to publish series of life-size fancy portraits.
  • Ceramic Innovator: A key figure in the development of English porcelain through his leadership at the Bow porcelain factory.

Frye’s life was a testament to the intersection of fine art and industrial innovation. Even as he faced personal hardships, such as the respiratory struggles that eventually led him to retire to Wales, his dedication to his craft never wavered. His legacy survives not only in the galleries of prestigious institutions like The Metropolitan Museum of Art but also in the very fabric of English decorative history, leaving an indelible mark on the visual culture of the eighteenth century.