Portrett av Suze Robertson

De 47 mest kjente maleriene av Suze Robertson, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 48 verk av Suze Robertson i vår katalog

Kort fortalt

Av alle originalverkene Suze Robertson etterlot seg, er det mest kjente Portrait of a young girl ('Greta') (1922), som er en del av samlingen til Museum Boijmans Van Beuningen i Rotterdam. Like bak følger Self-portrait of Suze Robertson (1855-1922) (1890) og Portrait of a young woman (1898). Vår katalog inneholder 48 verk av Suze Robertson; galleriet har bevart de 47 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1855 – 1922, The Hague Flest verk: Groninger Museum

Suze Robertsons topp 10 malerier: galleriets utvalg

1
Portrait of a young girl ('Greta') (1922) av Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, Rotterdam

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) av Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · Rijksmuseum, Amsterdam

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) av Suze Robertson

Old mother

1896 · Oil · Groninger Museum, Groningen

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) av Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) av Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, Dordrecht

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) av Suze Robertson

Girl asleep

1889 · Oil On Canvas · Kunstmuseum Den Haag, Den Haag

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

Utvalget av Suze Robertson fortsetter, fra 11 til 47

Motivene som fanget Suze Robertsons blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Suze Robertsons originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Suze Robertson Malerier fra denne listen
Groninger Museum, GroningenGroninger Museum Groningen 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
Kunstmuseum Den Haag, Den HaagKunstmuseum Den Haag Den Haag 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lena, Portrait of a Peasant Woman
Centraal Museum, UtrechtCentraal Museum Utrecht 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, HaagThe Mesdag Collection Haag 1 The cart
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 1 Old woman at a clock

Suze Robertson tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Suze Robertson

Hvilket verk er Suze Robertson mest kjent for?Avslør svaret

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, Rotterdam. Deretter følger Self-portrait of Suze Robertson (1855-1922) (1890) og Portrait of a young woman (1898).

Hvor gammel var Suze Robertson da Portrait of a young girl ('Greta') ble laget?Avslør svaret

67 år gammel: Portrait of a young girl ('Greta') er fra 1922, og Suze Robertson ble født i 1855.

Hva er de ti mest kjente maleriene til Suze Robertson?Avslør svaret

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle og Still Life (Plate with Lemons). Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Suze Robertson?Avslør svaret

Vår katalog inneholder 48 verk av Suze Robertson, datert fra 1870 til 1922.

I hvilke museer henger mesterverkene til Suze Robertson?Avslør svaret

Hovedsakelig i Groninger Museum (Groningen), Museum Boijmans Van Beuningen (Rotterdam) og Kunstmuseum Den Haag (Den Haag). Museumslisten ovenfor viser alle.

I hvilke år malte Suze Robertson sine mest kjente verk?Avslør svaret

I 1890s: 8 av de 47 verkene på denne siden ble laget da, Self-portrait of Suze Robertson (1855-1922) av dem.

Hva er de første og de siste kjente originalverkene til Suze Robertson?Avslør svaret

På denne siden er det eldste Woman in a courtyard (1870) og det nyeste Portrait of a young girl ('Greta') (1922).

Hvilke motiver valgte Suze Robertson oftest?Avslør svaret

Woman (4), Dark tones (4) og Face (3), fordelt på 47 verk på denne siden.

Hvilken teknikk brukte Suze Robertson mest?Avslør svaret

Oil On Canvas, for 4 av de 47 verkene på denne siden.

Hvilke verk av Suze Robertson stilles ut på Groninger Museum?Avslør svaret

Old mother, The artist's studio with mantelpiece og Corner of the artist's studio: Groninger Museum, Groningen har 6 av verkene på denne siden.

Suze Robertson: liv og virke

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.