Kort fortalt
The Princess, St. George and St. Louis, after Tintoretto (1892) er maleriet av Robert David Gauley som vekker mest oppmerksomhet; originalen befinner seg i Harvard Art Museums, Cambridge. Deretter går blikket til Three Figures in Procession, after Tintoretto (1896) og Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896). Blant de 15 verkene til Robert David Gauley i vår katalog, er disse 15 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
Topp 10 malerier av Robert David Gauley, sett gjennom galleriets øyne
Robert David Gauleys berømte malerier, nummer 11 til 15
Museene som har Robert David Gauleys originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Robert David Gauley | Malerier fra denne listen |
|---|---|---|---|
| Cambridge | 15 | The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca |
Robert David Gauley gjennom årene: de unike originalene fra hvert verk
Mellom 1892 og 1898, totalt 7 år, skapte Robert David Gauley hvert daterte originalverk som vises her: et kort tidsrom, år for år.
Verk per år
Velg et år for å se originalverkene.
Robert David Gauleys malerier: spørsmål til galleriet
Hva er det mest kjente verket til Robert David Gauley?Avslør svaret
The Princess, St. George and St. Louis, after Tintoretto (1892), Harvard Art Museums, Cambridge. Deretter følger Three Figures in Procession, after Tintoretto (1896) og Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896).
Hvor gammel var Robert David Gauley da The Princess, St. George and St. Louis, after Tintoretto ble skapt?Avslør svaret
17 år gammel: The Princess, St. George and St. Louis, after Tintoretto er fra 1892, og Robert David Gauley ble født i 1875.
Hvilke ti malerier av Robert David Gauley er de mest kjente?Avslør svaret
The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca, Wedding Feast at Cana, after Tintoretto, Baptism of Christ, after Verrocchio, St. George Killing the Dragon, after Carpaccio, Mountain Pass, The Nile at Assouan, Moonlight, Buildings, Assouan og Pomegranates, Granada. Rangeringen ovenfor viser årstall og museum for hvert verk.
Hvor mange verk av Robert David Gauley er kjent?Avslør svaret
Vår katalog inneholder 15 verk av Robert David Gauley, datert fra 1892 til 1898.
Hvor kan de mest kjente originalverkene til Robert David Gauley ses?Avslør svaret
Hovedsakelig i Harvard Art Museums (Cambridge). Museumslisten ovenfor viser alle.
I hvilken periode malte Robert David Gauley sine mest kjente malerier?Avslør svaret
I 1896: 8 av de 15 verkene på denne siden ble laget da, Three Figures in Procession, after Tintoretto av dem.
Hvilket kjent maleri av Robert David Gauley er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste The Princess, St. George and St. Louis, after Tintoretto (1892) og det nyeste St. George Killing the Dragon, after Carpaccio (1898).
Hvilke originalverk av Robert David Gauley kan jeg se på Harvard Art Museums?Avslør svaret
The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto og Battista Sforza, Duchess of Urbino, after Piero della Francesca: Harvard Art Museums, Cambridge har 15 av verkene på denne siden.
Robert David Gauley: et portrett av kunstneren
A Journey Through Light and Landscape: The Life of Robert David Gauley
Born in the verdant landscapes of Carnaveigh, County Monaghan, Ireland, in 1875, Robert David Gauley possessed a spirit destined for the vastness of the world. Though his roots were Irish, his artistic soul was shaped by the bustling cultural melting pot of Boston, where his family emigrated during his childhood. This early transition from the quietude of Ireland to the vibrant American art scene provided the foundation for a career defined by an insatiable curiosity and a masterful command of both oil and watercolor. Gauley was not merely a painter of scenes; he was a chronicler of light, a traveler who sought to absorb the essence of every horizon he encountered.
His formal education was steeped in the prestigious traditions of the late nineteenth century. In Cambridge, Massachusetts, he began his rigorous training under the guidance of Denman Waldo Ross, before moving to the School of the Museum of Fine Arts in Boston. It was here that he studied under the luminaries Edmund C. Tarbell and Frank W. Benson, masters of the Boston School whose emphasis on light, atmosphere, and delicate impressionistic touches would undoubtedly leave their mark on his developing technique. Seeking to refine his vision even further, Gauley ventured to Paris to study at the Academie Julian, immersing himself in the classical rigor of William Bouguereau and Gabriel Ferrier. This blend of American Impressionism and French Academic excellence created a unique stylistic duality in his work.
The Wanderer’s Eye: Travels and Artistic Evolution
Perhaps the most defining period of Gauley’s life was his extensive period of travel, which saw him traversing Europe, the Mediterranean, and the Near East. In 1893, as a young man driven by an intense desire to witness the world's grandeur, he embarked on a journey that would yield a lifetime of visual treasures. His sketches and paintings from this era serve as a dazzling panorama of a vanishing era; he captured the sweeping landscapes of North Africa, the intricate architectural details of Italian palaces, and the sun-drenched vistas of the Mediterranean coast. Through his eyes, we see the late nineteenth century not just as a historical period, but as a living, breathing tapestry of color and texture.
Gauley’s ability to transition between the broad, emotive strokes of landscape painting and the meticulous precision required for figure and portrait work speaks to his immense versatility. His work often reflects a deep reverence for the Old Masters, frequently making copies of their techniques wherever he encountered them during his travels. This practice allowed him to integrate classical mastery with a modern, observational sensitivity. Whether working in the fluid transparency of watercolor or the rich, layered depths of oil, Gauley sought to capture the "saturation" of experience—the feeling of being completely immersed in a moment of discovery.
Legacy and Recognition
The excellence of Gauley’s talent was recognized on the most prestigious stages of his time. After exhibiting at the Paris Exposition, where he was honored with a medal for his work, he settled in New York City, becoming a prominent figure in the American art community. His contributions were celebrated by several esteemed institutions:
- The American Watercolor Society: Where his skill in the medium allowed him to capture the fleeting qualities of light and atmosphere.
- The New York Watercolor Club: A testament to his standing among his peers in the vibrant New York art scene.
- The National Academy of Design: Where he achieved the distinction of becoming an Associate member.
One of his most significant individual triumphs occurred in 1908, when he was awarded the Clarke Prize at the National Academy's annual exhibition for the best figure painting, a testament to his profound understanding of the human form and its place within a composition. Today, the works of Robert David Gauley reside in esteemed collections such as the Harvard Art Museums and the Kennedy Museum of Art, serving as enduring windows into a world of classical beauty and adventurous spirit. His legacy remains that of a true artist-explorer, whose brush captured the very soul of the landscapes he traversed.





