Portrett av Peter de Wint

Peter de Wints malerier: De 100 mest kjente, sett gjennom et galleris øyne

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 224 verk av Peter de Wint i vår katalog

Kort fortalt

I galleriets øyne er Peter de Wints mest kjente maleri Bamburgh Castle. A View Of Lincoln From The South At Little Bargate og The Old Bridge fullfører trioen som alle kjenner igjen. Av de 224 verkene til Peter de Wint i vår katalog, presenterer galleriet de 100 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1784 – 1849, Stone Romanticism Flest verk: Yale Center for British Art

Galleriets 10 beste malerier av Peter de Wint

1
Bamburgh Castle av Peter de Wint

Bamburgh Castle

Oil

This painting presents Bamburgh Castle, a formidable structure situated in Northumberland, England. The British painter Peter De Wint has captured the fortification as it sits perched atop a rugged rocky outcrop. From this elevated vantage point, the castle commands the surrounding landscape, which is characterized by hilly and uneven terrain. The composition places the stone architecture in direct dialogue with the natural elements of the coast.

2
A View Of Lincoln From The South At Little Bargate av Peter de Wint

A View Of Lincoln From The South At Little Bargate

Oil

We are looking at A View Of Lincoln From The South At Little Bargate, a work by the English painter Peter De Wint. This piece reflects the artist's deep connection to the landscape, a pursuit that defined much of his career. De Wint was a versatile practitioner, working with proficiency in both oils and watercolour to capture the nuances of the natural world.

3
The Old Bridge av Peter de Wint

The Old Bridge

Oil

In "The Old Bridge" by Peter De Wint, the eye is immediately drawn to the weathered wooden structure that spans a calm, slow-moving stream. This central bridge anchors the scene, acting as a quiet connection between the riverbanks. On the left side of the timber crossing, two figures pause in mid-conversation. One wears a hat while the other is adorned in a bonnet, their period clothing suggesting a quiet moment…

4
The Harvesters av Peter de Wint

The Harvesters

Watercolor

The Harvesters is a work by the English painter Peter De Wint. Born in 1784 in Stone, Staffordshire, England, De Wint established himself as a significant figure in the tradition of British landscape painting. His practice often focused on the rural topography of the English countryside, capturing the rhythms of agricultural life through both oil and watercolor.

5
The Farmyard (1815) av Peter de Wint

The Farmyard

1815 · Watercolor · Birmingham Museum and Art Gallery, Birmingham

We find ourselves before The Farmyard, a work by Peter De Wint. This piece dates to 1815, a period when the artist was establishing his presence within the British art scene. It is currently held in the collection of the Birmingham Museum and Art Gallery.

6
Caernarvon Castle (1836) av Peter de Wint

Caernarvon Castle

1836 · Watercolor · Birmingham Museum and Art Gallery, Birmingham

There is a certain stillness in this 1836 watercolor that invites a quiet contemplation of the passage of time. The scene presents Caernarvon Castle, a massive, vertical presence that anchors the composition on the left. It sits along a waterfront, its rugged masonry rendered with a sense of weathered permanence. Above, an expansive, overcast sky dominates the upper half of the work, casting a diffused light that softens the edges…

7
Harvest Scene (1834) av Peter de Wint

Harvest Scene

1834 · Watercolor · Birmingham Museum and Art Gallery, Birmingham

is a watercolor painting by the English painter Peter De Wint. Created in 1834, the work captures a quiet moment of rural life. It presents a vast, open landscape where the earth meets an expansive sky. The scene focuses on the stillness of a pastoral setting, where the light of a late afternoon or an overcast day settles over the fields.

8
Sheltering from the Sun (1835) av Peter de Wint

Sheltering from the Sun

1835 · Watercolor · Birmingham Museum and Art Gallery, Birmingham

The landscape unfolds in Sheltering from the Sun, a watercolor that captures a quiet moment of rest within the natural world. Created by Peter De Wint in 1835, this work presents a scene of pastoral stillness. The artist focuses on the simple, heavy presence of cattle seeking refuge, grounding the viewer in a specific, tranquil instance of rural life.

9
Lynmouth (1844) av Peter de Wint

Lynmouth

1844 · Watercolor · Birmingham Museum and Art Gallery, Birmingham

In Lynmouth, Peter De Wint captures a rugged, rocky gorge where the raw power of nature takes center stage. The scene unfolds around a cascading waterfall that surges through the heart of the landscape. Water rushes downward, its movement driving the eye through a deep perspective that pulls the viewer into the very depths of the ravine. Large, dark boulders sit heavy in the foreground, anchoring the scene before the…

Peter de Wint sine malerier, rangert fra 11 til 100

11A Meet In The Grounds Of Raby Castle av Peter de WintA Meet In The Grounds Of Raby Castle 12Figures Loading A Haycart, Beneath A Tree av Peter de WintFigures Loading A Haycart, Beneath A Tree 13Harvesting scene, cheddington av Peter de WintHarvesting scene, cheddington 14The Glebe Farm av Peter de WintThe Glebe Farm 15The Lake At Burghley House av Peter de WintThe Lake At Burghley House 16Coast Scene av Peter de WintCoast SceneYale Center for British Art 17Threshing Corn av Peter de WintThreshing Corn 18Llansantffraid-glan-conway, denbighshire av Peter de WintLlansantffraid-glan-conway, denbighshire 19Near Matlock av Peter de WintNear MatlockYale Center for British Art 20Moored Barges Near Lambeth Palace av Peter de WintMoored Barges Near Lambeth Palace 21Cornfield With A Windmill av Peter de WintCornfield With A Windmill 22Two Rustic Figures av Peter de WintTwo Rustic Figures 23Study For 'elijah' - av Peter de WintStudy For 'elijah' - 24Shepherd and flock on a bridge, near newark av Peter de WintShepherd and flock on a bridge, near newark 25Head Of A Girl- Probably A Study Of Mrs. De Wint av Peter de WintHead Of A Girl- Probably A Study Of Mrs. De Wint 26John Keats av Peter de WintJohn Keats 27Castle on a Hill with a Bridge below av Peter de WintCastle on a Hill with a Bridge belowBirmingham Museum and Art Gallery 28Study of Burdocks av Peter de WintStudy of BurdocksYale Center for British Art 29Barges on a River av Peter de WintBarges on a RiverMuseum of Fine Arts 30Sea Study av Peter de WintSea Study 31A Lake View, Possibly Buttermere From Crummock Water av Peter de WintA Lake View, Possibly Buttermere From Crummock Water 32Pond With Willow Tree And Ducks av Peter de WintPond With Willow Tree And Ducks 33Cattle Beneath A Tree av Peter de WintCattle Beneath A Tree 34A Cottage In A Wooded Landscpe av Peter de WintA Cottage In A Wooded Landscpe 35Landscape Study- A Haystack Near A Church av Peter de WintLandscape Study- A Haystack Near A ChurchYale Center for British Art 36Two Studies Of A Watermill av Peter de WintTwo Studies Of A Watermill 37Cattle Before Ludlow Castle, Shropshire av Peter de WintCattle Before Ludlow Castle, Shropshire 38Cattle On The Edge Of A Lane, A Church Beyond av Peter de WintCattle On The Edge Of A Lane, A Church Beyond 39A coastal landscape av Peter de WintA coastal landscape 40A Barge Near Mooring Posts av Peter de WintA Barge Near Mooring Posts 41Near Penrith av Peter de WintNear Penrith 42A Landscape With Harvesters In The Foreground av Peter de WintA Landscape With Harvesters In The Foreground 43Study of a timber wagon; loading the barge av Peter de WintStudy of a timber wagon; loading the barge 44Still Life With Broom av Peter de WintStill Life With Broom 45Plough Horses av Peter de WintPlough Horses 46Harvest Time- Cumberland av Peter de WintHarvest Time- CumberlandYale Center for British Art 47Cookham-on-thames, Berkshire av Peter de WintCookham-on-thames, Berkshire 48Ash Tree In Ashstead Park av Peter de WintAsh Tree In Ashstead ParkSlovak National Gallery 49Greenwich av Peter de WintGreenwich 50A Barn In A Wooded Landscape av Peter de WintA Barn In A Wooded Landscape 51Bardon Hill, Charnwood Forest, Leicestershire av Peter de WintBardon Hill, Charnwood Forest, Leicestershire 52Middleham, Yorkshire av Peter de WintMiddleham, Yorkshire 53Manor House And Church, Lytes Cary, Somerset av Peter de WintManor House And Church, Lytes Cary, Somerset 54Malmesbury Abbey av Peter de WintMalmesbury Abbey 55Borough Cathedral av Peter de WintBorough Cathedral 56Dunster, Somerset av Peter de WintDunster, SomersetFitzwilliam Museum 57A Yorkshire Road av Peter de WintA Yorkshire RoadYale Center for British Art 58A Mill In France av Peter de WintA Mill In France 59Bristol cathedral from the south av Peter de WintBristol cathedral from the south 60Harvest Time - av Peter de WintHarvest Time -Yale Center for British Art 61Gloucester av Peter de WintGloucester 62Chelsea Old Bridge, London av Peter de WintChelsea Old Bridge, London 63Achilles Statue, Hyde Park, London av Peter de WintAchilles Statue, Hyde Park, London 64Landscape With Willow Tree av Peter de WintLandscape With Willow Tree 65Haymaking On The Banks Of A Lincolnshire River av Peter de WintHaymaking On The Banks Of A Lincolnshire River 66Chester av Peter de WintChester 67A Study For 'the Ferry' - Snowdon From Llyn Padarn, North Wales av Peter de WintA Study For 'the Ferry' - Snowdon From Llyn Padarn, North Wales 68Woodland Scene av Peter de WintWoodland Scene 69Hay Wagons av Peter de WintHay Wagons 70Figures And A Horse And Cart On A Country Track av Peter de WintFigures And A Horse And Cart On A Country Track 71Extensive Landscape av Peter de WintExtensive LandscapeBirmingham Museum and Art Gallery 72A View Of Richmond, Yorkshire With A Footbridge In The Foreground av Peter de WintA View Of Richmond, Yorkshire With A Footbridge In The Foreground 73A Country Road With Traveller On Horseback av Peter de WintA Country Road With Traveller On Horseback 74A Cornfield av Peter de WintA Cornfield 75Landscape with haystacks av Peter de WintLandscape with haystacks 76The Ferry av Peter de WintThe Ferry 77Lincolnshire Cornfield Near Horncastle av Peter de WintLincolnshire Cornfield Near Horncastle 78A Wooded Track av Peter de WintA Wooded Track 79A Wooded Landscape With A Rainbow av Peter de WintA Wooded Landscape With A Rainbow 80A Country Road; And A Companion Work av Peter de WintA Country Road; And A Companion Work 81View Of Ludlow Castle av Peter de WintView Of Ludlow Castle 82Still Life With Rake av Peter de WintStill Life With Rake 83Building A Hayrick - av Peter de WintBuilding A Hayrick - 84Barden Tower, Yorkshire av Peter de WintBarden Tower, Yorkshire 85View Over Flat Country av Peter de WintView Over Flat Country 86A Haywagon In An Open Landscape av Peter de WintA Haywagon In An Open Landscape 87View Of Exeter av Peter de WintView Of Exeter 88The Farm Pond av Peter de WintThe Farm Pond 89Great Mitton, Lancashire, From The Ribble, With Longridge Fell Beyond av Peter de WintGreat Mitton, Lancashire, From The Ribble, With Longridge Fell Beyond 90Shipbuilding On The Yorkshire Coast av Peter de WintShipbuilding On The Yorkshire Coast 91Men Working On The Lincolnshire Heathland av Peter de WintMen Working On The Lincolnshire Heathland 92Harvesters In The Fields Above The Valley Of The Lune, Cumbria av Peter de WintHarvesters In The Fields Above The Valley Of The Lune, Cumbria 93Grasmere And Helm Crag, Cumbria av Peter de WintGrasmere And Helm Crag, Cumbria 94Loading a Haywain av Peter de WintLoading a Haywain 95Harvesting scene av Peter de WintHarvesting scene 96View Of Elizabeth Castle, St Helier, Jersey av Peter de WintView Of Elizabeth Castle, St Helier, Jersey 97Three Cart-horses In Traces av Peter de WintThree Cart-horses In Traces 98Harvesting, Probably On The Lincolnshire Cliff av Peter de WintHarvesting, Probably On The Lincolnshire Cliff 99Landscape With Cows And Barn av Peter de WintLandscape With Cows And Barn 100Two Men In Punts av Peter de WintTwo Men In Punts

Peter de Wints berømte malerier, periode for periode

Motivene som fanget Peter de Wints blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Peter de Wints originalverk

De 5 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Peter de Wint Malerier fra denne listen
Yale Center for British Art, New HavenYale Center for British Art New Haven 22 Coast Scene, Near Matlock, Study of Burdocks
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 8 The Farmyard, Caernarvon Castle, Harvest Scene
Fitzwilliam MuseumFitzwilliam Museum 2 Dunster, Somerset
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Barges on a River
Slovak National Gallery, BratislavaSlovak National Gallery Bratislava 1 Ash Tree In Ashstead Park

Peter de Wint, ett signaturmaleri per tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Peter de Wints malerier: galleriets svar

Hvilket maleri av Peter de Wint er det mest kjente av alle?Avslør svaret

Bamburgh Castle. Deretter følger A View Of Lincoln From The South At Little Bargate og The Old Bridge.

Hvilke er de 10 beste maleriene til Peter de Wint?Avslør svaret

Bamburgh Castle, A View Of Lincoln From The South At Little Bargate, The Old Bridge, The Harvesters, The Farmyard, Caernarvon Castle, Harvest Scene, Sheltering from the Sun, Lynmouth og A Woman Sorting Washing. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Peter de Wint?Avslør svaret

Vår katalog inneholder 224 verk av Peter de Wint, datert fra 1815 til 1844.

Hvor henger de mest kjente originalverkene til Peter de Wint?Avslør svaret

Hovedsakelig i Yale Center for British Art (New Haven), Birmingham Museum and Art Gallery (Birmingham) og Fitzwilliam Museum. Museumslisten ovenfor viser alle.

Når malte Peter de Wint sine mest kjente malerier?Avslør svaret

I 1830s: 3 av de 100 verkene på denne siden ble laget da, Caernarvon Castle av dem.

Hvilke er Peter de Wints tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste The Farmyard (1815) og det nyeste Lynmouth (1844).

Hvilke motiver vendte Peter de Wint oftest tilbake til?Avslør svaret

Landscape (18), Scenes (7) og Atmospheric light (7), fordelt på 100 verk på denne siden.

Hvilket medium arbeidet Peter de Wint mest med?Avslør svaret

Watercolor, for 6 av de 100 verkene på denne siden.

Hvilken kunstretning er Peter de Wint tilknyttet?Avslør svaret

Romanticism, basert på originalene på denne siden.

Hvilke originalverk av Peter de Wint har Yale Center for British Art i sin samling?Avslør svaret

Coast Scene, Near Matlock og Study of Burdocks: Yale Center for British Art, New Haven har 7 av verkene på denne siden.

Peter de Wint: kunstneren

Early Life and Training

Peter de Wint’s artistic journey began in Stone, Staffordshire, England, on January 21, 1784. Born into a family of Dutch descent—his father being a physician who had emigrated from New York—he possessed an innate talent for drawing that would ultimately steer him away from the traditional medical profession. Despite initial aspirations to follow his father’s path, De Wint's passion for art quickly took precedence, propelling him towards London in 1802 where he embarked on a formative apprenticeship with John Raphael Smith, a celebrated mezzotint engraver and portrait painter. This invaluable experience instilled foundational skills in drawing and engraving techniques—skills that would prove crucial to his future artistic endeavors. Furthermore, De Wint’s pursuit of excellence continued through formal training under John Varley, a towering figure in watercolor painting. Varley's influential academy fostered an environment brimming with intellectual curiosity and exposure to luminaries like Turner and Girtin, shaping De Wint’s artistic sensibilities and propelling him toward groundbreaking innovations.

Artistic Style and Development

De Wint swiftly gained recognition for his landscapes at the Royal Academy in 1807, establishing himself as a prominent voice within the burgeoning Romantic movement. His membership in the Old Watercolour Society cemented his position as a respected artist and champion of watercolor artistry—a medium he mastered with unparalleled dedication. De Wint’s distinctive technique involved utilizing a remarkably restrained palette—typically consisting of just ten pigments—allowing him to capture subtle nuances of light and atmosphere with breathtaking precision. He favored ivory-tinted Creswick paper, a deliberate choice that contributed significantly to the ethereal quality of his paintings. While primarily celebrated for watercolors, De Wint also demonstrated versatility by venturing into oil painting, expanding his artistic repertoire and solidifying his reputation as a multifaceted artist.

Key Themes and Subjects

A cornerstone of De Wint’s oeuvre resides in his captivating depictions of Lincolnshire landscapes—a region he revisited repeatedly throughout his life. These paintings portray idyllic scenes of haymaking, charming rural cottages nestled amidst rolling hills, and expansive vistas that encapsulate the grandeur of the English countryside. Such imagery reflects a profound appreciation for the beauty of nature and embodies the Romantic ideal of sublime contemplation. Beyond landscape painting, De Wint produced evocative portraits—most notably an arresting depiction of John Keats—demonstrating his ability to convey emotion and psychological depth through artistic representation.

Legacy and Historical Significance

Alfred William Rich famously proclaimed that Peter de Wint “ever came nearer painting a perfect picture than did Peter de Wint,” encapsulating the profound admiration accorded to De Wint’s exceptional skill and artistic vision. His influence extended far beyond his own lifetime, inspiring subsequent generations of British artists who adopted his delicate watercolor technique and atmospheric landscapes as hallmarks of their own creative expression. Today, De Wint's masterpieces reside in prestigious collections globally—including Tate Britain, the Victoria and Albert Museum, and The Collection (Lincoln)—serving as enduring testaments to his artistic merit and historical significance. He passed away peacefully on January 30, 1849, leaving behind a legacy that continues to resonate within the annals of art history.