Portrett av Percy Horton

De 18 mest kjente maleriene av Percy Horton, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 18 verk av Percy Horton i vår katalog

Kort fortalt

Av alle originalverkene Percy Horton etterlot seg, er det mest kjente Unemployed Man (1929). Like bak følger House on the Seine (1925) og Flowerpiece (1929). Vår katalog inneholder 18 verk av Percy Horton; galleriet har bevart de 18 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1897 – 1970, Brighton Flest verk: The Ashmolean Museum of Art And Archaeology

Percy Hortons topp 10 malerier: galleriets utvalg

Utvalget av Percy Horton fortsetter, fra 11 til 18

Motivene som fanget Percy Hortons blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Percy Hortons originalverk

De 4 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Percy Horton Malerier fra denne listen
The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 2 Flowerpiece, The Rugmaker
Girton College, CambridgeGirton College Cambridge 1 Helen Marion Wodehouse
Andover Guildhall, AndoverAndover Guildhall Andover 1 Sydney Robert Bell, Mayor of Andover (1939–1943)
Towner, EastbourneTowner Eastbourne 1 Village in Luberon, France

Percy Horton tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Percy Horton

Hvilket verk er Percy Horton mest kjent for?Avslør svaret

Unemployed Man (1929). Deretter følger House on the Seine (1925) og Flowerpiece (1929).

Hvor gammel var Percy Horton da Unemployed Man ble laget?Avslør svaret

32 år gammel: Unemployed Man er fra 1929, og Percy Horton ble født i 1897.

Hva er de ti mest kjente maleriene til Percy Horton?Avslør svaret

Unemployed Man, House on the Seine, Flowerpiece, Dulwich Trees, Coates Corner, Assington, Suffolk, Untitled A House at Ambleside, Lakeland Landscape, Portrait of the Artist's Mother, The Shepherd og Mrs Simpson. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Percy Horton?Avslør svaret

Vår katalog inneholder 18 verk av Percy Horton, datert fra 1925 til 1946.

I hvilke museer henger mesterverkene til Percy Horton?Avslør svaret

Hovedsakelig i The Ashmolean Museum of Art And Archaeology (Oxford), Girton College (Cambridge) og Andover Guildhall (Andover). Museumslisten ovenfor viser alle.

I hvilke år malte Percy Horton sine mest kjente verk?Avslør svaret

I 1940s: 11 av de 18 verkene på denne siden ble laget da, Untitled A House at Ambleside av dem.

Hva er de første og de siste kjente originalverkene til Percy Horton?Avslør svaret

På denne siden er det eldste House on the Seine (1925) og det nyeste The Rugmaker (1946).

Hvilke motiver valgte Percy Horton oftest?Avslør svaret

Vintage art (2), Rural landscape (2) og Historical figure (2), fordelt på 18 verk på denne siden.

Hvilke verk av Percy Horton stilles ut på The Ashmolean Museum of Art And Archaeology?Avslør svaret

Flowerpiece og The Rugmaker: The Ashmolean Museum of Art And Archaeology, Oxford har 2 av verkene på denne siden.

Percy Horton: liv og virke

The Visionary of Rural England: The Life and Legacy of Percy Frederick Horton

Born in the coastal light of Brighton in 1897, Percy Frederick Horton emerged as a profound voice in the tapestry of twentieth-century British art. His journey was one defined by a deep-seated connection to the natural world and an unwavering commitment to the emotional truth found within observation. Growing up in a working-class family, Horton’s path was paved by talent and scholarship, leading him from the Brighton School of Art to the prestigious Royal College of Art. This formative period was not merely about technical mastery but about developing a soul that could converse with the landscape. His early years were marked by a significant moral stance; as a conscientious objector during the First World War, he faced imprisonment, an experience that undoubtedly deepened his introspective nature and perhaps fueled the psychological depth found in his later, more somber works.

Horton’s artistic evolution is a fascinating study of movement from the structured elegance of Academic Impressionism toward the raw, emotive power of Expressionism. Influenced by the monumental presence of Cézanne and the haunting psychological landscapes of Edvard Munch, he learned to use the brush not just to replicate reality, but to interpret it. His technique became a language of texture; through the deliberate use of impasto and bold, visible brushstrokes, he could convey the weight of a forest or the fleeting softness of a petal. This transition allowed him to move beyond mere depiction, capturing the very atmosphere—the moisture in the air, the brooding shadows of a woodland, and the quiet stillness of an English afternoon.

A Mastery of Light, Landscape, and Still Life

The breadth of Horton’s oeuvre reveals an artist capable of immense versatility, moving seamlessly between the grand scale of the English countryside and the intimate quietude of domestic life. His landscapes are perhaps his most enduring contribution to British art. In works such as ‘Lakeland Landscape’ (1943), one can feel the heavy, atmospheric tension of the Cumbrian forests, where the paint itself seems to hold the dampness of the mist. He possessed a rare ability to imbant a scene with a sense of time and place, whether it was the rugged beauty of the Lakes or the gentle, rolling hills of Suffolk, as seen in his evocative ‘Coates Corner’.

Yet, Horton was equally adept at finding the infinite within the small. His still lifes, such as the delicate ‘Flowerpiece’ (1929), demonstrate a masterful command of light and shadow. In these compositions, pink roses and weathered books are bathed in a soft, ethereal glow, inviting the viewer into a moment of profound tranquility. This duality—the ability to capture both the epic and the intimate—is what defines his unique artistic signature. His work often serves as a bridge between the Victorian sensibilities of his youth and the modern, fractured perspectives of the mid-twentieth century.

The Educator and the Enduring Influence

Beyond the canvas, Horton’s impact on the art world was cemented through his profound dedication to teaching. His career as an educator was as distinguished as his time as a painter. Serving as the Ruskin Master of Drawing at the University of Oxford from 1949 to 1964, he became a custodian of classical principles while encouraging the next generation to explore modern expression. He understood that true art required both a foundation in rigorous observation and the courage to experiment with form and emotion.

The legacy of Percy Frederick Horton resides not only in the museums that house his paintings but in the very way we perceive the British landscape. His life was a testament to the power of staying true to one's convictions, whether through political dissent or artistic innovation. Through his eyes, we continue to see the beauty of rural England—not as a static postcard, but as a living, breathing, and deeply emotional entity. His contributions to the Royal Society of British Artists and his lasting imprint on art education ensure that his vision remains an essential part of the historical narrative of British fine art.