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De 4 mest kjente Paul Chenavard-maleriene, hvert og ett unikt
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 4 verk av Paul Chenavard i vår katalog
Kort fortalt
The Marquis de Deux-Brézé and Mirabeau, June 23, 1789 (1831) er maleriet av Paul Chenavard som vekker mest oppmerksomhet; originalen befinner seg i Petit Palais, Paris. Deretter går blikket til L'enfer de Dante (1846) og Social Palingenesis (1895). Blant de 4 verkene til Paul Chenavard i vår katalog, er disse 4 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
1807 – 1895, Lyon
Flest verk: Petit Palais
Topp 10 malerier av Paul Chenavard, sett gjennom galleriets øyne
Museene som har Paul Chenavards originalverk
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Paul Chenavard | Malerier fra denne listen |
|---|---|---|---|
 Petit Palais |
Paris | 1 | The Marquis de Deux-Brézé and Mirabeau, June 23, 1789 |
 Musée Fabre |
Montpellier | 1 | L'enfer de Dante |
 Musée des Beaux-Arts de Lyon |
Lyon | 1 | Social Palingenesis |
 Musée d'Orsay |
Paris | 1 | Divina Tragedia |
Paul Chenavard gjennom tiårene: ett unikt originalverk for hvert tiår
Verk per tiår
Velg et tiår for å se originalverket som definerer det.
Paul Chenavards malerier: spørsmål til galleriet
Hva er det mest kjente verket til Paul Chenavard?Avslør svaret
The Marquis de Deux-Brézé and Mirabeau, June 23, 1789 (1831), Petit Palais, Paris. Deretter følger L'enfer de Dante (1846) og Social Palingenesis (1895).
Hvor gammel var Paul Chenavard da The Marquis de Deux-Brézé and Mirabeau, June 23, 1789 ble skapt?Avslør svaret
24 år gammel: The Marquis de Deux-Brézé and Mirabeau, June 23, 1789 er fra 1831, og Paul Chenavard ble født i 1807.
Hvor mange verk av Paul Chenavard er kjent?Avslør svaret
Vår katalog inneholder 4 verk av Paul Chenavard, datert fra 1831 til 1895.
Hvor kan de mest kjente originalverkene til Paul Chenavard ses?Avslør svaret
Hovedsakelig i Petit Palais (Paris), Musée Fabre (Montpellier) og Musée des Beaux-Arts de Lyon (Lyon). Museumslisten ovenfor viser alle.
Hvilket kjent maleri av Paul Chenavard er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste The Marquis de Deux-Brézé and Mirabeau, June 23, 1789 (1831) og det nyeste Social Palingenesis (1895).
Paul Chenavard: et portrett av kunstneren
The Studio Years
Paul-Marc-Joseph Chenavard entered the École des beaux-arts in 1825. His days were spent under the watchful eyes of masters like Ingres, where he worked alongside his friend Joseph Guichard. He also spent time in the studios of Hersent and Delacroix. These early years were shaped by more than just French technique; the ideas found in German philosophy and painting left a mark on how he viewed the purpose of his brush. He believed that what he created should carry a humanitarian and civilising weight.
His training was rigorous and grounded in the traditions of the academy. He learned to observe closely, a habit that would define his later output. By the time he moved through these various studios, his approach to the canvas was already being formed by a desire to use art for something larger than mere decoration.
Works and Vision
His paintings often dealt with heavy, serious themes. In 1846, he produced Hell, which is held in the Musée Fabre in Montpellier. A few years later, in 1848, he completed The Continence of Scipio, now part of the collection at the Musée des Beaux-Arts in Lyon. Later in his life, between 1865 and 1869, he worked on Divina Tragedia, a piece that resides in the Musée d'Orsay in Paris.
The subjects he chose reflected his commitment to his philosophical aims. His work was not about fleeting moments but about enduring ideas. Some of his other known titles include:
- A) Amourous Reflections
- B) Ménage à Trois
- C) An Intimate Encounter
- D) An Amourous Entanglement
Final Years in Paris
Chenavard lived through a period of great change in France. He eventually settled in Paris, where he continued his work until his death in 1895. His life came to an end in the city, but his final resting place was far from the capital. He was buried in the new Cimetière de Loyasse at Lyon.
His legacy remains in the museums of France, where his paintings continue to be studied by those looking at the intersection of 19th-century painting and humanitarian thought. His presence is felt in the halls of the Musée Fabre, the Musée des Beaux-Arts, and the Musée d'Orsay.