Portrett av Olof Johan Södermark

De 11 mest kjente maleriene av Olof Johan Södermark, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 11 verk av Olof Johan Södermark i vår katalog

Kort fortalt

Av alle originalverkene Olof Johan Södermark etterlot seg, er det mest kjente Peder Anker (1830), som er en del av samlingen til Bogstad i Oslo. Like bak følger The German Artist Franz Riepenhausen (1828) og Presumed Self Portrait (1827). Vår katalog inneholder 11 verk av Olof Johan Södermark; galleriet har bevart de 11 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1790 – 1848, Landskrona Parish Flest verk: Nationalmuseum

Olof Johan Södermarks topp 10 malerier: galleriets utvalg

10
Portrait of Signora Vincensa av Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Stockholm

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Utvalget av Olof Johan Södermark fortsetter, fra 11 til 11

Motivene som fanget Olof Johan Södermarks blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Olof Johan Södermarks originalverk

De 3 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Olof Johan Södermark Malerier fra denne listen
Nationalmuseum, StockholmNationalmuseum Stockholm 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark tiår for tiår: originalverket som definerer hvert av dem

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Samlere spør om maleriene til Olof Johan Södermark

Hvilket verk er Olof Johan Södermark mest kjent for?Avslør svaret

Peder Anker (1830), Bogstad, Oslo. Deretter følger The German Artist Franz Riepenhausen (1828) og Presumed Self Portrait (1827).

Hvor gammel var Olof Johan Södermark da Peder Anker ble laget?Avslør svaret

40 år gammel: Peder Anker er fra 1830, og Olof Johan Södermark ble født i 1790.

Hva er de ti mest kjente maleriene til Olof Johan Södermark?Avslør svaret

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model og Portrait of Signora Vincensa. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Olof Johan Södermark?Avslør svaret

Vår katalog inneholder 11 verk av Olof Johan Södermark, datert fra 1827 til 1845.

I hvilke museer henger mesterverkene til Olof Johan Södermark?Avslør svaret

Hovedsakelig i Nationalmuseum (Stockholm), Bogstad (Oslo) og National Portrait Gallery of Sweden (Strängnäs). Museumslisten ovenfor viser alle.

I hvilke år malte Olof Johan Södermark sine mest kjente verk?Avslør svaret

I 1830s: 4 av de 11 verkene på denne siden ble laget da, Peder Anker av dem.

Hva er de første og de siste kjente originalverkene til Olof Johan Södermark?Avslør svaret

På denne siden er det eldste Presumed Self Portrait (1827) og det nyeste Grazia, Roman Model (1845).

Hvilke verk av Olof Johan Södermark stilles ut på Nationalmuseum?Avslør svaret

The German Artist Franz Riepenhausen, Presumed Self Portrait og Regina. Roman Girl with Choral Necklace and Earrings: Nationalmuseum, Stockholm har 8 av verkene på denne siden.

Olof Johan Södermark: liv og virke

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.