Portrett av Morris Graves

Morris Gravess malerier: De 30 mest kjente, sett gjennom et galleris øyne

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 32 verk av Morris Graves i vår katalog

Kort fortalt

I galleriets øyne er Morris Gravess mest kjente maleri Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) og Logged Mountains (1943) fullfører trioen som alle kjenner igjen. Av de 32 verkene til Morris Graves i vår katalog, presenterer galleriet de 30 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1910 – 2001, Fox Flest verk: Art Museum

Galleriets 10 beste malerier av Morris Graves

3
Logged Mountains (1943) av Morris Graves

Logged Mountains

1943 · Smithsonian American Art Museum, Washington, D.C.

The Logged Mountains painting by Morris Graves is a thought-provoking artwork that showcases the artist's skill in combining natural elements with artistic expression. Created in 1943, this oil on canvas painting measures 66 x 92 cm and is currently housed at the Smithsonian American Art Museum in the United States. Artist Background Morris Graves was an American artist known for his delicate and contemplative drawings that capture the essence of…

Morris Graves sine malerier, rangert fra 11 til 30

Museene som har Morris Gravess originalverk

De 3 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Morris Graves Malerier fra denne listen
Art Museum, SeattleArt Museum Seattle 6 Crow, Surf and Moon, Bird in the Night, Sea, Fish and Constellation
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 3 Surf and Bird, Young Gander Ready for Flight, August Still Life
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Logged Mountains

Morris Graves, ett signaturmaleri per tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Morris Gravess malerier: galleriets svar

Hvilket maleri av Morris Graves er det mest kjente av alle?Avslør svaret

Bird Singing in the Moonlight (1938). Deretter følger Crow, Surf and Moon (1943) og Logged Mountains (1943).

Hvor gammel var Morris Graves da Bird Singing in the Moonlight ble ferdigstilt?Avslør svaret

28 år gammel: Bird Singing in the Moonlight er fra 1938, og Morris Graves ble født i 1910.

Hvilke er de 10 beste maleriene til Morris Graves?Avslør svaret

Bird Singing in the Moonlight, Crow, Surf and Moon, Logged Mountains, Surf and Bird, Snake and Moon, Wheelbarrow, Bird in the Night, Sea, Fish and Constellation, Bird in the Spirit og Nestling. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Morris Graves?Avslør svaret

Vår katalog inneholder 32 verk av Morris Graves, datert fra 1934 til 1988.

Hvor henger de mest kjente originalverkene til Morris Graves?Avslør svaret

Hovedsakelig i Art Museum (Seattle), The Phillips Collection (Washington, D.C.) og Smithsonian American Art Museum (Washington, D.C.). Museumslisten ovenfor viser alle.

Når malte Morris Graves sine mest kjente malerier?Avslør svaret

I 1940s: 11 av de 30 verkene på denne siden ble laget da, Crow, Surf and Moon av dem.

Hvilke er Morris Gravess tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste Wheelbarrow (1934) og det nyeste Summer Still Life (1988).

Hvilke originalverk av Morris Graves har Art Museum i sin samling?Avslør svaret

Crow, Surf and Moon, Bird in the Night og Sea, Fish and Constellation: Art Museum, Seattle har 6 av verkene på denne siden.

Morris Graves: kunstneren

The Visionary of the Pacific Northwest

In the mist-shrouded landscapes where the rugged beauty of Oregon meets the contemplative stillness of the Puget Sound, the spirit of Morris Graves found its eternal home. Born in 1910, Graves was an artist who did not merely observe the world but sought to pierce through its physical veil to reveal the consciousness beneath. As a cornerstone of the Northwest School, his work emerged from a profound intimacy with nature—a landscape steeped in both wild resilience and a quiet, almost spiritual, grace. His journey was one of self-directed discovery, eschewing traditional academic rigor for a life lived in deep conversation with the elements: the flight of a bird, the delicate curve of a petal, and the shifting light of a coastal morning.

Eastern Echoes and the Mystic's Eye

The essence of Graves’s artistry was deeply intertwined with his fascination with Eastern aesthetics and Zen Buddhism. A formative voyage to Japan in the early 1930s left an indelible mark on his soul, instilling a reverence for simplicity, suggestion, and the beauty of the ephemeral. This influence manifested in a unique symbolic vocabulary where animals—most notably birds—served not as mere biological subjects but as metaphors for the human psyche and the fragility of existence. Through his mastery of texture and light, he developed a language that was both intimate and universal, characterized by:

  • Symbolic Motifs: The recurring use of birds, flowers, and chalices to represent spiritual vessels and the essence of life.
  • Atmospheric Depth: A technique that captures the ethereal, misty quality of the Northwest through delicate washes and shadows.
  • Philosophical Resonance: An integration of Eastern meditative principles into the very structure of his compositions.

His ability to blend these elements allowed him to create works like Folded Wings Memory the Moon Weeping, which haunt the viewer with their sense of isolation and transcendence.

A Legacy of Light and Shadow

Throughout his prolific career, Graves’s evolution was marked by a transition from delicate, contemplative drawings to more complex, abstract expressions. His breakthrough in 1942 at New York's Museum of Modern Art cemented his position as a leading figure of American Modernism, standing alongside contemporaries such as Mark Tobey. Even as he moved toward the abstractions of the machine age in later years, his work remained anchored in a deep-seated respect for quietude and the natural order. Pieces such as Hibernation and Logged Mountains stand as testaments to his ability to capture the tension between the organic world and the encroaching modern era. His legacy remains that of a true mystic, an artist who transformed the damp, grey atmosphere of the Pacific Northwest into a luminous window onto the infinite.