Kort fortalt
Portrait of Maria Louise van Hessen Kassel (1750) er maleriet av Matthijs Accama som vekker mest oppmerksomhet; originalen befinner seg i Fries Museum, Leeuwarden. Deretter går blikket til Portrait of Lady Anschie van Doijs (1760) og Portrait of Jan Zeper (soapboiler) (1759). Blant de 5 verkene til Matthijs Accama i vår katalog, er disse 5 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
Topp 10 malerier av Matthijs Accama, sett gjennom galleriets øyne
Museene som har Matthijs Accamas originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Matthijs Accama | Malerier fra denne listen |
|---|---|---|---|
| Leeuwarden | 5 | Portrait of Maria Louise van Hessen Kassel, Portrait of Lady Anschie van Doijs, Portrait of Jan Zeper (soapboiler) |
Matthijs Accama gjennom årene: de unike originalene fra hvert verk
Matthijs Accamas daterte originaler som vises her, strekker seg over omtrent ti år, fra 1750 til 1760: øyet følger dem år for år.
Verk per år
Velg et år for å se originalverkene.
Matthijs Accamas malerier: spørsmål til galleriet
Hva er det mest kjente verket til Matthijs Accama?Avslør svaret
Portrait of Maria Louise van Hessen Kassel (1750), Fries Museum, Leeuwarden. Deretter følger Portrait of Lady Anschie van Doijs (1760) og Portrait of Jan Zeper (soapboiler) (1759).
Hvor gammel var Matthijs Accama da Portrait of Maria Louise van Hessen Kassel ble skapt?Avslør svaret
48 år gammel: Portrait of Maria Louise van Hessen Kassel er fra 1750, og Matthijs Accama ble født i 1702.
Hvor mange verk av Matthijs Accama er kjent?Avslør svaret
Vår katalog inneholder 5 verk av Matthijs Accama, datert fra 1750 til 1760.
Hvor kan de mest kjente originalverkene til Matthijs Accama ses?Avslør svaret
Hovedsakelig i Fries Museum (Leeuwarden). Museumslisten ovenfor viser alle.
I hvilken periode malte Matthijs Accama sine mest kjente malerier?Avslør svaret
I 1759: 2 av de 5 verkene på denne siden ble laget da, Portrait of Jan Zeper (soapboiler) av dem.
Hvilket kjent maleri av Matthijs Accama er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste Portrait of Maria Louise van Hessen Kassel (1750) og det nyeste Portrait of Lady Anschie van Doijs (1760).
Hvilke originalverk av Matthijs Accama kan jeg se på Fries Museum?Avslør svaret
Portrait of Maria Louise van Hessen Kassel, Portrait of Lady Anschie van Doijs og Portrait of Jan Zeper (soapboiler): Fries Museum, Leeuwarden har 5 av verkene på denne siden.
Matthijs Accama: et portrett av kunstneren
A Life in Leeuwarden
Matthijs Accama was born in 1702 in Leeuwarden, within the Dutch Republic. He grew up in a household where art was a shared language, being the brother of the painter Bernardus Accama. His early years in Leeuwarden provided the foundation for a life spent observing the world through a painterly lens. He eventually left his home to travel to Italy, a move that would fundamentally shape his understanding of light and form.
During his time in Italy, Accama spent much of his energy studying the works of the ancient masters. He did not merely look at these paintings; he sought to replicate them, using the old techniques to refine his own hand. This period of imitation and study allowed him to develop a talent for capturing the essence of classical subjects. He returned to his roots, eventually passing away in his native town in 1783.
The Nature of His Work
Accama’s brush was often directed toward subjects that required a sense of narrative or moral weight. He focused his efforts on two primary areas of subject matter:
- Historical scenes that sought to recreate the gravity of past events.
- Emblematical subjects designed to convey specific meanings or allegories.
His approach was characterized by a desire to translate the grandeur of the Italian masters into a Dutch context. By copying the works of those who came before him, he learned how to structure complex compositions and manage the subtle shifts in tone that define historical painting.
Historical Presence
While his brother Bernardus achieved a level of recognition for portraiture, Matthijs carved out a niche through his interest in the allegorical and the historical. His work reflects the intellectual interests of the 18th century, where art often functioned as a way to communicate complex ideas through visual symbols. He remained connected to Leeuwarden throughout his life, a constant presence in the artistic landscape of the Dutch Republic until his death.

