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De 1 mest kjente Marie Wiegmann-maleriene, hvert og ett unikt
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 2 verk av Marie Wiegmann i vår katalog
Kort fortalt
Half-length Portrait of a Woman (1857) er maleriet av Marie Wiegmann som vekker mest oppmerksomhet; originalen befinner seg i Augustiner Museum, Freiburg. Blant de 2 verkene til Marie Wiegmann i vår katalog, er disse 1 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
1820 – 1893, Srebrna Góra
Flest verk: Augustiner Museum
Topp 10 malerier av Marie Wiegmann, sett gjennom galleriets øyne
Museene som har Marie Wiegmanns originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Marie Wiegmann | Malerier fra denne listen |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Half-length Portrait of a Woman |
Marie Wiegmann gjennom årene: de unike originalene fra hvert verk
Alle de daterte originalene av Marie Wiegmann som vises her, tilhører ett enkelt år, 1857: de er oppført i rekkefølge etter berømmelse.
Verk per år
Velg et år for å se originalverkene.
Marie Wiegmanns malerier: spørsmål til galleriet
Hva er det mest kjente verket til Marie Wiegmann?Avslør svaret
Half-length Portrait of a Woman (1857)
Hvor gammel var Marie Wiegmann da Half-length Portrait of a Woman ble skapt?Avslør svaret
37 år gammel: Half-length Portrait of a Woman er fra 1857, og Marie Wiegmann ble født i 1820.
Hvor mange verk av Marie Wiegmann er kjent?Avslør svaret
Vår katalog inneholder 2 verk av Marie Wiegmann.
Hvor kan de mest kjente originalverkene til Marie Wiegmann ses?Avslør svaret
Hovedsakelig i Augustiner Museum (Freiburg). Museumslisten ovenfor viser alle.
Marie Wiegmann: et portrett av kunstneren
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.