Kort fortalt
Av alle originalverkene Maria Oakey Dewing etterlot seg, er det mest kjente Irises and Calla Lilies (1890), som er en del av samlingen til Detroit Institute of Arts i Detroit. Like bak følger Garden in May (1895) og Iris at Dawn (1899). Vår katalog inneholder 4 verk av Maria Oakey Dewing; galleriet har bevart de 4 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
Maria Oakey Dewings topp 10 malerier: galleriets utvalg
Rose Garden
Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…
Museene som har Maria Oakey Dewings originalverk
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Maria Oakey Dewing | Malerier fra denne listen |
|---|---|---|---|
| Detroit | 1 | Irises and Calla Lilies | |
| Washington, D.C. | 1 | Garden in May | |
| Hanover | 1 | Iris at Dawn | |
| Bentonville | 1 | Rose Garden |
Maria Oakey Dewing år for år: originalverkene som definerer hvert år
Utvalget strekker seg over 12 år med Maria Oakey Dewing, fra 1890 til 1901, og inkluderer de fineste originalverkene fra hvert år.
Verk per år
Velg et år for å se originalverkene.
Rose Garden
Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…
Samlere spør om maleriene til Maria Oakey Dewing
Hvilket verk er Maria Oakey Dewing mest kjent for?Avslør svaret
Irises and Calla Lilies (1890), Detroit Institute of Arts, Detroit. Deretter følger Garden in May (1895) og Iris at Dawn (1899).
Hvor gammel var Maria Oakey Dewing da Irises and Calla Lilies ble laget?Avslør svaret
45 år gammel: Irises and Calla Lilies er fra 1890, og Maria Oakey Dewing ble født i 1845.
Hvor mange malerier etterlot Maria Oakey Dewing?Avslør svaret
Vår katalog inneholder 4 verk av Maria Oakey Dewing, datert fra 1890 til 1901.
I hvilke museer henger mesterverkene til Maria Oakey Dewing?Avslør svaret
Hovedsakelig i Detroit Institute of Arts (Detroit), Smithsonian American Art Museum (Washington, D.C.) og Hood Museum of Art (Hanover). Museumslisten ovenfor viser alle.
Hva er de første og de siste kjente originalverkene til Maria Oakey Dewing?Avslør svaret
På denne siden er det eldste Irises and Calla Lilies (1890) og det nyeste Rose Garden (1901).
Maria Oakey Dewing: liv og virke
Maria Richards Oakey Dewing (1845 – 1927): A Florist’s Vision of Impressionism
Maria Richards Oakey Dewing, born October 27, 1845 in New York City, was a prominent American painter celebrated for her exquisite depictions of flowers and her pivotal role in establishing the Art Students League. Her artistic journey began at seventeen when she enrolled at Cooper Union School of Design, immersing herself in studies under luminaries like William Rimmer, Edwin Forbes, Robert Swain Gifford, and George Edmund Butler—artists who championed a bold new approach to artmaking. Helena de Kay, a fellow artist and cherished friend, further nurtured her talent during these formative years. Dewing’s fascination with Japanese aesthetics profoundly impacted her artistic style, particularly evident in her masterful use of color palettes and compositional techniques. Inspired by John La Farge—a celebrated artist whose own explorations into the beauty of nature served as a guiding force—she embarked on a lifelong pursuit of capturing fleeting moments of visual splendor. Her dedication to botanical observation translated seamlessly onto canvas, resulting in paintings that possessed an unparalleled level of detail and sensitivity.- Early Life & Education: Dewing’s upbringing instilled in her a deep appreciation for art and culture. She honed her skills at Cooper Union and the National Academy of Design, absorbing influences from masters like George Inness and Frederic Church—artists who championed realism alongside Impressionistic ideals.
- Marriage & Family: In 1881, Dewing married Thomas Wilmer Dewing, a fellow artist with whom she shared a passion for artistic experimentation. Together they cultivated a vibrant home life in Cornish, New Hampshire, where their garden served as an unending source of inspiration for her paintings.
- The Art Students League & Artistic Innovation: Recognizing the need for a supportive environment for aspiring artists—particularly women—Dewing co-founded the Art Students League of New York in 1875. This institution fostered a spirit of collaboration and encouraged artistic innovation, propelling Dewing’s career forward.
Floral Mastery: Style & Technique
Dewing's distinctive style was characterized by broad brushstrokes and luminous colors—a hallmark of Impressionism. She prioritized capturing the ephemeral qualities of light and atmosphere, striving to convey not just what she saw but also how it felt. Her meticulous attention to detail—particularly in rendering petal textures and floral forms—demonstrated her profound understanding of botany and her unwavering commitment to artistic excellence. Critics lauded her work for its “absolute uniqueness,” recognizing Dewing’s ability to transform ordinary subjects into extraordinary expressions of beauty.- Notable Works: Among her most celebrated paintings are *Garden in May* (1895), *Bed of Poppies* (1903), and *Iris at Dawn* (1909)—each piece showcasing Dewing’s poetic sensibility and masterful command of color.
- Influence & Legacy: Dewing's influence extended beyond her own artistic output, shaping the aesthetic sensibilities of subsequent generations of American painters. Her unwavering belief in Impressionistic ideals helped solidify its position as a dominant movement within the art world.