Portrett av Mabel Young

De 2 mest kjente maleriene av Mabel Young, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 2 verk av Mabel Young i vår katalog

Kort fortalt

Av alle originalverkene Mabel Young etterlot seg, er det mest kjente A Bulldog (1900), som er en del av samlingen til Belton House i Grantham. Vår katalog inneholder 2 verk av Mabel Young; galleriet har bevart de 2 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1889 – 1974, Ryde Flest verk: Belton House

Mabel Youngs topp 10 malerier: galleriets utvalg

Museene som har Mabel Youngs originalverk

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av Mabel Young Malerier fra denne listen
Belton House, GranthamBelton House Grantham 2 A Bulldog, A Bulldog asleep on a Bed of Straw

Mabel Young år for år: originalverkene som definerer hvert år

1900 er året for hvert daterte verk av Mabel Young i dette utvalget: her er de, rangert etter berømmelse.

Verk per år

Velg et år for å se originalverkene.

Samlere spør om maleriene til Mabel Young

Hvilket verk er Mabel Young mest kjent for?Avslør svaret

A Bulldog (1900)

Hvor gammel var Mabel Young da A Bulldog ble laget?Avslør svaret

11 år gammel: A Bulldog er fra 1900, og Mabel Young ble født i 1889.

Hvor mange malerier etterlot Mabel Young?Avslør svaret

Vår katalog inneholder 2 verk av Mabel Young.

I hvilke museer henger mesterverkene til Mabel Young?Avslør svaret

Hovedsakelig i Belton House (Grantham). Museumslisten ovenfor viser alle.

I hvilke år malte Mabel Young sine mest kjente verk?Avslør svaret

I 1900: 2 av de 2 verkene på denne siden ble laget da, A Bulldog av dem.

Hvilke verk av Mabel Young stilles ut på Belton House?Avslør svaret

A Bulldog og A Bulldog asleep on a Bed of Straw: Belton House, Grantham har 2 av verkene på denne siden.

Mabel Young: liv og virke

A Life in Color and Landscape

Born in Ryde, United Kingdom, Mabel Young was a painter who spent much of her career in Ireland. Her early life was marked by significant transitions; after the decline of her father's coaching business, she worked as a seamstress before moving to Dublin in 1914. During the tumultuous events of 1916 and the civil war in 1922, she witnessed the violence of the era firsthand while living in Dublin. In 1924, she met Paul Henry in Kilmacanogue, County Wicklow, where she eventually ran a guesthouse at Carrigoona Cottage. This period was central to her life, as she later married Henry in 1954 following the death of his first wife.

Young's artistic output was characterized by a loose impressionistic style, with a particular focus on watercolour and oil studies. She specialized in capturing the essence of the Wicklow woods and glens, though her work is noted for a lack of depth. Her subjects often included:

Exhibitions and Legacy

Mabel Young was a frequent contributor to the Royal Hibernian Academy, exhibiting there from 1928 until 1961. Her work reached international audiences when her painting Sugar Loaf mountain was shown at the Helen Hackett Gallery in New York in 1928. Throughout her career, she held several solo exhibitions in Dublin, including shows at the Country Shop in St Stephen's Green and the Ritchie Hendriks Gallery. Beyond her own canvases, she played a vital role in preserving the legacy of Paul Henry by transcribing his autobiography, An Irish portrait, from his dictation.

Her artistic legacy is preserved in various institutions. The Ulster Museum holds her notebooks, while the Hugh Lane Gallery possesses an oil-on-board flowerpiece and a watercolour titled Autumn beech trees. While many of her watercolours remain in private collections, her presence in the Irish art landscape remains documented through her many exhibitions and her dedicated studies of the natural world.