Portrett av Leon Underwood

De 19 mest kjente Leon Underwood-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 20 verk av Leon Underwood i vår katalog

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Langston Hughes (1925) er maleriet av Leon Underwood som vekker mest oppmerksomhet; originalen befinner seg i National Portrait Gallery, Washington, D.C.. Deretter går blikket til The Temple of Olympian Zeus and the Acropolis in the background (1897) og Belgian children made orphans by the war (1915). Blant de 20 verkene til Leon Underwood i vår katalog, er disse 19 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1890 – 1975, Shepherd's Bush Flest verk: National Portrait Gallery

Topp 10 malerier av Leon Underwood, sett gjennom galleriets øyne

1
Langston Hughes (1925) av Leon Underwood

Langston Hughes

1925 · Black and White Photography · National Portrait Gallery, Washington, D.C.

In this evocative black and white photograph from 1925, we are invited into a profound moment of stillness that transcends mere documentation. The subject, the legendary poet Langston Hughes, is captured in a pose of quiet dignity, wearing a uniform and hat that suggest a life shaped by both service and the weight of history. There is an undeniable gravity to his gaze, a sense of a man standing at…

4
Father and son in the Patras harbour (1897) av Leon Underwood

Father and son in the Patras harbour

1897 · Black and White Photography · Benaki Museum of Greek Civilization, Athens

In the quiet, monochromatic depths of "Father and son in the Patras harbour," we are transported back to the year 1897, a time when the world moved at a more deliberate pace. This evocative piece captures a fleeting moment of human connection set against the industrious backdrop of a Greek port. The composition centers on two figures, a father and his son, whose presence anchors the scene with a sense…

5
V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City (1919) av Leon Underwood

V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City

1919 · Black and White Photography · National Museum of African American History and Culture, Washington, D.C.

In the vast tapestry of early twentieth-century history, few images possess the raw, rhythmic power found in this evocative stereograph from 1919. Captured through the lens of the Keystone View Company, the scene depicts the legendary Colored Veterans of the 15th Regiment—famously known as the 369th Infantry, or the "Harlem Hellfighters"—marching with unwavering dignity up Fifth Avenue in New York City. This is not merely a photograph; it is a…

10
Amelia Earhart (1928) av Leon Underwood

Amelia Earhart

1928 · National Portrait Gallery, Washington, D.C.

By 1928 Earhart was living in Boston, where she worked at a settlement house for immigrants. She continued to fly on weekends and also served as a sales representative for Kinner aircraft. That April she received a telephone call that would change her life forever. Amy Guest (1873–1959), a wealthy American who lived in England, had recently bought a trimotor plane that she named the Friendship and wished to underwrite…

Leon Underwoods berømte malerier, nummer 11 til 19

Motivene som fanget Leon Underwoods blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Leon Underwoods originalverk

De 4 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Leon Underwood Malerier fra denne listen
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 5 Langston Hughes, Amelia Earhart, Amelia Earhart
Benaki Museum of Greek Civilization, AthensBenaki Museum of Greek Civilization Athens 4 The Temple of Olympian Zeus and the Acropolis in the background, Father and son in the Patras harbour, The Lion Gate at Mycenae
Alexandra Palace, LondonAlexandra Palace London 1 Belgian children made orphans by the war
National Museum of African American History and Culture, Washington, D.C.National Museum of African American History and Culture Washington, D.C. 1 V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City

Leon Underwood gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Leon Underwoods malerier: spørsmål til galleriet

Hva er det mest kjente verket til Leon Underwood?Avslør svaret

Langston Hughes (1925), National Portrait Gallery, Washington, D.C.. Deretter følger The Temple of Olympian Zeus and the Acropolis in the background (1897) og Belgian children made orphans by the war (1915).

Hvor gammel var Leon Underwood da Langston Hughes ble skapt?Avslør svaret

35 år gammel: Langston Hughes er fra 1925, og Leon Underwood ble født i 1890.

Hvilke ti malerier av Leon Underwood er de mest kjente?Avslør svaret

Langston Hughes, The Temple of Olympian Zeus and the Acropolis in the background, Belgian children made orphans by the war, Father and son in the Patras harbour, V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City, The Lion Gate at Mycenae, The archaeological site at Epidaurus, Untitled (245), Untitled (920) og Amelia Earhart. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Leon Underwood er kjent?Avslør svaret

Vår katalog inneholder 20 verk av Leon Underwood, datert fra 1915 til 1937.

Hvor kan de mest kjente originalverkene til Leon Underwood ses?Avslør svaret

Hovedsakelig i National Portrait Gallery (Washington, D.C.), Benaki Museum of Greek Civilization (Athens) og Alexandra Palace (London). Museumslisten ovenfor viser alle.

I hvilken periode malte Leon Underwood sine mest kjente malerier?Avslør svaret

I 1930s: 3 av de 19 verkene på denne siden ble laget da, Amelia Earhart av dem.

Hvilket kjent maleri av Leon Underwood er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste Belgian children made orphans by the war (1915) og det nyeste Amelia Earhart (1937).

Hvilke motiver foretrakk Leon Underwood?Avslør svaret

Stereoscopic view (2), People (2) og Black and white (2), fordelt på 19 verk på denne siden.

Hvilke materialer brukte Leon Underwood mest av?Avslør svaret

Black and White Photography, for 3 av de 19 verkene på denne siden.

Hvilke originalverk av Leon Underwood kan jeg se på National Portrait Gallery?Avslør svaret

Langston Hughes, Amelia Earhart og Amelia Earhart: National Portrait Gallery, Washington, D.C. har 5 av verkene på denne siden.

Leon Underwood: et portrett av kunstneren

Leon Underwood: Bridging Tradition and Innovation in British Sculpture

Leon Underwood (1890-1975) stands as a fascinating figure within the landscape of early twentieth-century British art, often overshadowed by his more celebrated contemporaries. While he may not command the immediate recognition afforded to artists like Henry Moore or Barbara Hepworth – figures who benefited from significant institutional support and whose stylistic explorations resonated deeply with the zeitgeist – Underwood’s contribution to sculpture and printmaking deserves a renewed appreciation for its quiet brilliance and profound engagement with artistic heritage.
  • Early Life & Training: Born George Claude Leon Underwood in 1890, he pursued his artistic education at Regent Street Polytechnic before honing his skills at the Royal College of Art (RCA) between 1910 and 1913. This formative period instilled in him a disciplined approach to technique and exposed him to influential teachers like Henry Tonks, shaping his aesthetic sensibilities.
  • Travels & Influences: Underwood’s adventurous spirit propelled him eastward in 1914, embarking on a perilous journey through Lithuania and Belarus amidst the escalating tensions of World War I. This expedition instilled within him an enduring fascination with Eastern European culture and traditions – influences that would subtly permeate his artistic output.

Sculpture: A Synthesis of Form and Emotion

Underwood’s sculptural practice distinguished itself by a remarkable fusion of stylistic approaches. He skillfully blended the formal rigor of Academic sculpture with expressive gestures derived from African art – a deliberate choice reflecting his conviction that “there should be a relationship between content and form in art.” This commitment to conveying emotion through meticulously crafted shapes resulted in works characterized by dynamism and psychological depth. Notable sculptures include pieces exploring themes of human figure, often imbued with subtle nuances of movement and gesture. His students—Henry Tonks and Blair Hughes-Stanton—were profoundly impacted by Underwood’s teaching methods and artistic vision.
  • Notable Works: Underwood's sculptural output includes pieces exploring themes of human figure, often imbued with subtle nuances of movement and gesture.
  • Teaching Legacy: Underwood’s influence extended beyond his own creations; he mentored a generation of artists who embraced his belief in the importance of intuition alongside technical mastery.

Printmaking: Exploring Rhythm & Texture

Beyond sculpture, Underwood excelled as a printmaker, particularly in wood engraving. His prints demonstrated an exceptional command of line and texture—techniques he honed during his travels to Mexico where he was captivated by the vibrant colours and bold patterns of Mexican art. Underwood’s prints are notable for their rhythmic compositions and meticulous attention to detail, reflecting his conviction that “inspiration and intuition have a value over science and logic.” His work stands as testament to the enduring power of traditional printmaking methods combined with artistic vision.
  • Technique & Style: Underwood’s prints showcased an exceptional command of line and texture—techniques he honed during his travels to Mexico where he was captivated by the vibrant colours and bold patterns of Mexican art.
  • Recognition & Exhibitions: Underwood's work gained recognition through exhibitions at Abbott and Holder, Pallant House and The Redfern Gallery, showcasing a retrospective in 1996.

Historical Significance & Legacy

Despite his understated profile within the broader canon of British Modernism—a movement largely defined by monumental forms and abstract explorations—Leon Underwood’s artistic integrity and unwavering dedication to craft ensured that he would be remembered as a pivotal figure in bridging the gap between Academic tradition and expressive innovation. His enduring influence can be discerned in the work of subsequent sculptors like Henry Moore and Barbara Hepworth, demonstrating his role as an educator and mentor who championed both technical precision and emotional resonance—a legacy deserving of renewed scholarly attention.