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De 3 mest kjente Lazar Meyer-maleriene, hvert og ett unikt
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 3 verk av Lazar Meyer i vår katalog
Kort fortalt
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) er maleriet av Lazar Meyer som vekker mest oppmerksomhet; originalen befinner seg i Carnavalet Museum, Paris. Deretter går blikket til Saint-Lazare Prison (1908) og Saint-Lazare Prison (1908). Blant de 3 verkene til Lazar Meyer i vår katalog, er disse 3 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
1847 – 1935, Fegersheim
Flest verk: Carnavalet Museum
Topp 10 malerier av Lazar Meyer, sett gjennom galleriets øyne
Museene som har Lazar Meyers originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Lazar Meyer | Malerier fra denne listen |
|---|---|---|---|
 Carnavalet Museum |
Paris | 3 | The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison, Saint-Lazare Prison |
Lazar Meyer gjennom årene: de unike originalene fra hvert verk
Mellom 1903 og 1908, totalt 6 år, skapte Lazar Meyer hvert daterte originalverk som vises her: et kort tidsrom, år for år.
Verk per år
Velg et år for å se originalverkene.
Lazar Meyers malerier: spørsmål til galleriet
Hva er det mest kjente verket til Lazar Meyer?Avslør svaret
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903), Carnavalet Museum, Paris. Deretter følger Saint-Lazare Prison (1908) og Saint-Lazare Prison (1908).
Hvor gammel var Lazar Meyer da The Maquis of Montmartre seen from Rue Caulaincourt in 1903 ble skapt?Avslør svaret
56 år gammel: The Maquis of Montmartre seen from Rue Caulaincourt in 1903 er fra 1903, og Lazar Meyer ble født i 1847.
Hvor mange verk av Lazar Meyer er kjent?Avslør svaret
Vår katalog inneholder 3 verk av Lazar Meyer, datert fra 1903 til 1908.
Hvor kan de mest kjente originalverkene til Lazar Meyer ses?Avslør svaret
Hovedsakelig i Carnavalet Museum (Paris). Museumslisten ovenfor viser alle.
I hvilken periode malte Lazar Meyer sine mest kjente malerier?Avslør svaret
I 1908: 2 av de 3 verkene på denne siden ble laget da, Saint-Lazare Prison av dem.
Hvilket kjent maleri av Lazar Meyer er det eldste, og hvilket er det nyeste?Avslør svaret
På denne siden er det eldste The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) og det nyeste Saint-Lazare Prison (1908).
Hvilke originalverk av Lazar Meyer kan jeg se på Carnavalet Museum?Avslør svaret
The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison og Saint-Lazare Prison: Carnavalet Museum, Paris har 3 av verkene på denne siden.
Lazar Meyer: et portrett av kunstneren
A life shaped by borders and streets
Lazar Meyer arrived in Paris from Fegersheim following the Franco-Prussian War of 1870. The occupation of Alsace-Lorraine by the German Empire had prompted him to move with his brother, Léopold, seeking a different life in the 18th arrondissement. His early years in the city were marked by the heavy atmosphere of the Commune. He served as a secretary for a section during those turbulent days and faced arrest and imprisonment near the Île de Ré. Though he was nearly deported, the court eventually acquitted him because he had not taken up arms.
He settled into a quiet routine in Paris, marrying Louise Albertine Macé in 1880. Together they raised three children: Éva, Léa, and Israël Maurice. While his personal life took root in the city, his professional path was built through steady study and teaching. He learned under Alexandre Laemlein, Alexandre Cabanel, and Émile Lévy. Later, he shared this knowledge as a drawing teacher at Lycée Condorcet.
The brush and the ceramic tile
His work often focused on the intimate details of daily life and the changing face of his surroundings. He was a painter of genre scenes and portraits, showing a particular skill for capturing the texture of silk in a dress or the quiet weight of a family scene. Some of his pieces, like Kaddish pour les morts, carry a heavy, somber tone. He also looked toward the landscape, documenting the hills and thickets of Montmartre before they were transformed by urban expansion.
Beyond the canvas, Meyer worked with different materials to leave a mark on the city itself. In collaboration with the earthenware maker Jules Paul Loebnitz, he helped create large ceramic panels for the 1878 Universal Exhibition. These pieces, titled L'Architecture, La Peinture, and La Sculpture, were based on drawings by Émile Lévy. They eventually found a place on the facade of the former Loebnitz earthenware factory.
His contributions to the art scene included:
- Exhibiting at the Paris Salon between 1870 and 1882.
- Capturing the landscape of Montmartre, such as in Le Maquis de Montmartre vu de la rue Caulaincourt en 1903.
- Creating works that documented the era of the Second Empire.
- Developing a style that placed him among the early painters of Montmartre and a precursor to the School of Paris.
The later years of his life saw the loss of much of his physical output. During the Second World War, several of his works were destroyed or vandalized. He remained in Paris until his death on January 28, 1935.