Portrett av Kristian Møhl

De 3 mest kjente maleriene av Kristian Møhl, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 3 verk av Kristian Møhl i vår katalog

Kort fortalt

Av alle originalverkene Kristian Møhl etterlot seg, er det mest kjente The Strandmølle Lake (1906), som er en del av samlingen til Statens Museum for Kunst i København. Like bak følger View of Gammel and Nytorv in Copenhagen (1924) og Cushion,. Vår katalog inneholder 3 verk av Kristian Møhl; galleriet har bevart de 3 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1876 – 1962, Ibsker Flest verk: Statens Museum for Kunst

Kristian Møhls topp 10 malerier: galleriets utvalg

3
Cushion, av Kristian Møhl

Cushion,

Embroidery · Designmuseum Danmark, København

Karl Kristian Møhl-Hansen’s embroidered cushion offers a quiet departure from the dramatic, turbulent skies often found in his landscape paintings. While his canvases frequently capture the sweeping vistas of the Danish countryside, this textile work focuses on the intimate details of the natural world. The design features stylized leaves and flowers woven into complex geometric patterns, drawing heavily from Scandinavian mythology. These motifs act as symbols of fertility and the…

Museene som har Kristian Møhls originalverk

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Kristian Møhl Malerier fra denne listen
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 2 The Strandmølle Lake, View of Gammel and Nytorv in Copenhagen
Designmuseum Danmark, KøbenhavnDesignmuseum Danmark København 1 Cushion,

Kristian Møhl år for år: originalverkene som definerer hvert år

Fra 1906 til 1924 arbeidet Kristian Møhl i 19 år: utvalget følger denne lange karrieren år for år, gjennom de fineste originalverkene.

Verk etter år

Velg et år for å se originalverkene.

Samlere spør om maleriene til Kristian Møhl

Hvilket verk er Kristian Møhl mest kjent for?Avslør svaret

The Strandmølle Lake (1906), Statens Museum for Kunst, København. Deretter følger View of Gammel and Nytorv in Copenhagen (1924) og Cushion,.

Hvor gammel var Kristian Møhl da The Strandmølle Lake ble laget?Avslør svaret

30 år gammel: The Strandmølle Lake er fra 1906, og Kristian Møhl ble født i 1876.

Hvor mange malerier etterlot Kristian Møhl?Avslør svaret

Vår katalog inneholder 3 verk av Kristian Møhl, datert fra 1906 til 1924.

I hvilke museer henger mesterverkene til Kristian Møhl?Avslør svaret

Hovedsakelig i Statens Museum for Kunst (København) og Designmuseum Danmark (København). Museumslisten ovenfor viser alle.

Hva er de første og de siste kjente originalverkene til Kristian Møhl?Avslør svaret

På denne siden er det eldste The Strandmølle Lake (1906) og det nyeste View of Gammel and Nytorv in Copenhagen (1924).

Hvilke verk av Kristian Møhl stilles ut på Statens Museum for Kunst?Avslør svaret

The Strandmølle Lake og View of Gammel and Nytorv in Copenhagen: Statens Museum for Kunst, København har 2 av verkene på denne siden.

Kristian Møhl: liv og virke

Karl Kristian Møhl(-Hansen) (1876-1962): A Danish Painter of Expressionist Landscapes and Decorative Arts

  • Born: Esbjerg, Denmark, 1876
  • Died: 1962
  • Other Names: Christian Møhl-Hansen, Karl Kristian M0hl(-Hansen), Christian M0hl-Hansen

Early Life and Artistic Training

  • Born Carl Christian Hansen, he later changed his name to Møhl-Hansen on February 23, 1929, and further simplified it to Møhl in 1957.
  • Brother of theologian Peter Olaf Ryberg Hansen.
  • Began as an apprentice building painter, demonstrating early practical skills.
  • Attended technical school before pursuing formal artistic training at the Royal Danish Academy of Fine Arts, enrolling on April 18, 1895. This foundational education provided him with a strong understanding of technique and composition.
  • Early career involved diverse experiences, laying groundwork for his later stylistic development.

Artistic Development and Influences

  • Møhl’s artistic journey was marked by extensive travel throughout Europe, including Italy, London, Spain, the Netherlands, and Paris. These travels exposed him to a wide range of artistic styles and cultural influences.
  • His work is generally categorized as Expressionist, characterized by its emotional intensity and subjective interpretation of reality. While influenced by broader European Expressionism, Møhl developed a distinct Danish sensibility in his landscapes.
  • While specific direct influences are not extensively documented, the prevalence of landscape painting within his oeuvre suggests an appreciation for artists depicting nature's power and beauty. The influence of the Danish Golden Age painters is also likely present, though he moved beyond their more classical approach.
  • His decorative art pieces demonstrate a keen eye for design and pattern, reflecting a broader interest in applied arts alongside fine art painting.

Major Works and Achievements

  • Møhl’s oeuvre primarily consists of landscapes, often depicting the Danish countryside with an expressive use of color and brushwork. These works capture not just the visual appearance but also the emotional atmosphere of the scenes.
  • He created decorative art pieces such as cushions, showcasing his versatility and talent for design.
  • While he didn't achieve widespread international fame during his lifetime, Møhl was a respected figure within the Danish art scene.
  • His work is represented in collections of museums like the Brücke Museum in Berlin, indicating recognition beyond Denmark.

Historical Significance and Legacy

  • Karl Kristian Møhl(-Hansen) contributes to understanding the development of Expressionism within a Scandinavian context. His landscapes offer a unique perspective on Danish nature through an emotionally charged lens.
  • His exploration of decorative arts highlights the interconnectedness between fine art and applied design in early 20th-century Denmark.
  • Møhl’s legacy lies in his ability to capture the essence of the Danish landscape with expressive power, contributing to a broader understanding of Expressionist aesthetics within Scandinavian art history. His work provides valuable insight into the artistic climate of Denmark during the first half of the 20th century.