Portrett av Keith Vaughan

De 13 mest kjente Keith Vaughan-maleriene, hvert og ett unikt

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 14 verk av Keith Vaughan i vår katalog

Kort fortalt

Green Jug (1950) er maleriet av Keith Vaughan som vekker mest oppmerksomhet; originalen befinner seg i Jerwood Gallery, Hastings. Deretter går blikket til The Barn (1935) og Lane in Shere (1935). Blant de 14 verkene til Keith Vaughan i vår katalog, er disse 13 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1912 – 1977, Selsey Flest verk: Jerwood Gallery

Topp 10 malerier av Keith Vaughan, sett gjennom galleriets øyne

10
Water, Trees and Figures II (1959) av Keith Vaughan

Water, Trees and Figures II

1959 · Oil On Canvas · British Council Collection, London

In this oil on canvas, titled Water, Trees and Figures II, the artist Keith Vaughan explores a complex intersection of the natural and the human. Created between 1948 and 1959, the work captures a specific moment in the artist's development, moving through a period of significant formal experimentation. The piece measures 63.5 x 83.7 cm, offering a scale that feels both intimate and substantial when viewed in person.

Keith Vaughans berømte malerier, nummer 11 til 13

Museene som har Keith Vaughans originalverk

De 7 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Keith Vaughan Malerier fra denne listen
Jerwood Gallery, HastingsJerwood Gallery Hastings 2 Green Jug, Two Figures
Government Art Collection, LondonGovernment Art Collection London 1 Lane in Shere
Leeds Art Gallery, LeedsLeeds Art Gallery Leeds 1 Figure Undressing
Queens’ College, CambridgeQueens’ College Cambridge 1 Quarrymen by an Entrenchment
Middlesbrough Institute of Modern Art, MiddlesbroughMiddlesbrough Institute of Modern Art Middlesbrough 1 Climbing Figures
The Ingram Collection of Modern British And Contemporary Art, LondonThe Ingram Collection of Modern British And Contemporary Art London 1 Theseus (final study for the 'Dome of Discovery' at The Festival of Britain)
British Council Collection, LondonBritish Council Collection London 1 Water, Trees and Figures II

Keith Vaughan gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

Keith Vaughans malerier: spørsmål til galleriet

Hva er det mest kjente verket til Keith Vaughan?Avslør svaret

Green Jug (1950), Jerwood Gallery, Hastings. Deretter følger The Barn (1935) og Lane in Shere (1935).

Hvor gammel var Keith Vaughan da Green Jug ble skapt?Avslør svaret

38 år gammel: Green Jug er fra 1950, og Keith Vaughan ble født i 1912.

Hvilke ti malerier av Keith Vaughan er de mest kjente?Avslør svaret

Green Jug, The Barn, Lane in Shere, Figure Undressing, Two Figures, Quarrymen by an Entrenchment, Climbing Figures, Theseus (final study for the 'Dome of Discovery' at The Festival of Britain), The Trial og Water, Trees and Figures II. Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av Keith Vaughan er kjent?Avslør svaret

Vår katalog inneholder 14 verk av Keith Vaughan, datert fra 1935 til 1959.

Hvor kan de mest kjente originalverkene til Keith Vaughan ses?Avslør svaret

Hovedsakelig i Jerwood Gallery (Hastings), Government Art Collection (London) og Leeds Art Gallery (Leeds). Museumslisten ovenfor viser alle.

I hvilken periode malte Keith Vaughan sine mest kjente malerier?Avslør svaret

I 1940s: 4 av de 13 verkene på denne siden ble laget da, Figure Undressing av dem.

Hvilket kjent maleri av Keith Vaughan er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste The Barn (1935) og det nyeste The Trial (1959).

Hvilke originalverk av Keith Vaughan kan jeg se på Jerwood Gallery?Avslør svaret

Green Jug og Two Figures: Jerwood Gallery, Hastings har 2 av verkene på denne siden.

Keith Vaughan: et portrett av kunstneren

A Visionary of the British Landscape: The Life and Legacy of John Keith Vaughan

The story of John Keith Vaughan is one of profound resilience and an unyielding pursuit of visual truth. Born in 1912 in the coastal serenity of Selsey Bill, Sussex, Vaughan’s early years were marked by a certain turbulence that would later inform the emotional depth of his work. His time as a boarder at Christ’s Hospital School was shadowed by the hardships of bullying, yet it was within these challenging corridors that an art master first recognized his latent talent. This early spark ignited a lifelong devotion to the canvas, a journey that began far from formal academies and instead blossomed through a self-taught, independent spirit. Before he became a pillar of British modernism, Vaughan navigated the structured world of the Lintas advertising agency, where he honed a keen eye for composition and the power of visual storytelling—skills that would eventually breathe life into his evocative landscapes and symbolic figures.

As his career matured, Vaughan’s artistic language became a sophisticated tapestry woven from the threads of European modernism. He did not merely observe nature; he reinterpreted it through the lens of masters like Cézanne, Picasso, Matisse, and Nicolas de Staël. This confluence of influences allowed him to move beyond mere representation, seeking instead the spiritual and emotional resonance hidden within the terrain. His work became a bridge between the tangible world and a more abstract, symbolic realm. Whether capturing the rugged textures of Essex landscapes or the delicate tension of his Assembly of Figures series, Vaughan utilized color and form to explore themes of human existence, mortality, and the sublime. His mastery extended across mediums, as he was celebrated not only for his commanding oil paintings but also as one of Britain’s most exquisite exponents of gouache.

The Poetics of Form and Symbolism

To encounter a Vaughan painting is to enter a space where the boundaries between the physical and the metaphysical blur. His oeuvre is characterized by a remarkable ability to imbue even the simplest subject with profound meaning. In his still lifes, such as the whimsical Green Jug, one finds a sense of joyful, almost naive vitality expressed through vibrant colors and impasto textures. Conversely, his larger-scale works often grapple with much heavier themes. In pieces like Water, Trees and Figures II, the artist employs bold blues and yellows to create a sense of dramatic tension, using suspended figures and symbolic elements like clocks to meditate on the relentless passage of time.

This duality—the ability to oscillate between lightheartedness and deep, existential inquiry—is what defines his historical significance. His contributions to the Neo-Romantic movement of the 1940s placed him alongside luminaries such as John Minton and Graham Sutherland. Together, they sought to capture the psychological landscape of a nation navigating the complexities of war and reconstruction. Vaughan’s work was not merely decorative; it was an intellectual and emotional endeavor that challenged viewers to decipher the layers of symbolism embedded within his compositions.

A Lasting Impression on British Art

The breadth of Vaughan's impact is reflected in the diverse range of his roles: he was a painter, graphic artist, illustrator, photographer, teacher, and even a journal writer. His dedication to the craft led him to prestigious teaching positions at the Camberwell School of Art, Central School of Art and Design, and the Slade, where he mentored a new generation of artists in the nuances of visual expression. His monumental 22-meter-long mural for the Festival of Britain in 1951 remains a testament to his ability to engage with the grand scale of public art, even if much of that specific work was lost to time.

Today, the legacy of John Keith Vaughan is preserved in prestigious collections across the United Kingdom, the United States, and Australia. His work continues to resonate because it speaks to a universal human experience—the search for meaning within the natural world and the struggle to find beauty amidst hardship. Through his meticulous use of color, his mastery of texture, and his unwavering commitment to symbolic depth, Vaughan remains a singular and vital voice in the history of 20th-century British art.