Portrett av Joseph Badger

De 32 mest kjente maleriene av Joseph Badger, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 32 verk av Joseph Badger i vår katalog

Kort fortalt

Av alle originalverkene Joseph Badger etterlot seg, er det mest kjente Portrait of Sarah Larrabee Edes (1760), som er en del av samlingen til Los Angeles County Museum of Art i Los Angeles. Like bak følger Little Girl Holding Flowers (attributed to Joseph Badger) (1755) og Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746). Vår katalog inneholder 32 verk av Joseph Badger; galleriet har bevart de 32 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1708 – 1765, Charlestown Flest verk: Museum of Fine Arts

Joseph Badgers topp 10 malerier: galleriets utvalg

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Portrait of Sarah Larrabee Edes (1760) av Joseph Badger

Portrait of Sarah Larrabee Edes

1760 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Utvalget av Joseph Badger fortsetter, fra 11 til 32

Museene som har Joseph Badgers originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Joseph Badger Malerier fra denne listen
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
Worcester Art Museum, WorcesterWorcester Art Museum Worcester 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 2 Samuel Moody, Hannah Minot Moody
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Portrait of Sarah Larrabee Edes

Joseph Badger tiår for tiår: originalverket som definerer hvert av dem

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Samlere spør om maleriene til Joseph Badger

Hvilket verk er Joseph Badger mest kjent for?Avslør svaret

Portrait of Sarah Larrabee Edes (1760), Los Angeles County Museum of Art, Los Angeles. Deretter følger Little Girl Holding Flowers (attributed to Joseph Badger) (1755) og Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746).

Hvor gammel var Joseph Badger da Portrait of Sarah Larrabee Edes ble laget?Avslør svaret

52 år gammel: Portrait of Sarah Larrabee Edes er fra 1760, og Joseph Badger ble født i 1708.

Hva er de ti mest kjente maleriene til Joseph Badger?Avslør svaret

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) og George Whitefield (1714-1770). Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange malerier etterlot Joseph Badger?Avslør svaret

Vår katalog inneholder 32 verk av Joseph Badger, datert fra 1745 til 1763.

I hvilke museer henger mesterverkene til Joseph Badger?Avslør svaret

Hovedsakelig i Museum of Fine Arts (Boston), National Gallery of Art (Washington) og Worcester Art Museum (Worcester). Museumslisten ovenfor viser alle.

I hvilke år malte Joseph Badger sine mest kjente verk?Avslør svaret

I 1750s: 18 av de 32 verkene på denne siden ble laget da, Little Girl Holding Flowers (attributed to Joseph Badger) av dem.

Hva er de første og de siste kjente originalverkene til Joseph Badger?Avslør svaret

På denne siden er det eldste Portrait of John Gerry (1745) og det nyeste Portrait of Mary Croswell (1730-1830?) (1763).

Hvilke verk av Joseph Badger stilles ut på Museum of Fine Arts?Avslør svaret

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) og Elizabeth Storer (Mrs. Isaac Smith): Museum of Fine Arts, Boston har 5 av verkene på denne siden.

Joseph Badger: liv og virke

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.