Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 43 verk av Josef Danhauser i vår katalog
Kort fortalt
Av alle originalverkene Josef Danhauser etterlot seg, er det mest kjente Liszt Fantasizing at the Piano. Like bak følger The Scholars' Room (1842) og Portrait of the Piano-Manufcturer Konrad Graf (1840). Vår katalog inneholder 43 verk av Josef Danhauser; galleriet har bevart de 42 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
In the heart of 19th-century Vienna, where the air was often thick with the scent of coffee and the echoes of burgeoning Romanticism, Josef Franz Danhauser captured a moment of pure, unadulterated musical transcendence. His masterpiece, Liszt Fantasizing at the Piano, is far more than a mere depiction of a social gathering; it is a window into a vanished era of elegance and artistic fervor. As we gaze upon the…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
The artwork is titled Portrait of the Piano-Manufcturer Konrad Graf. It was painted by the artist Josef Danhauser. The subject of this oil painting is Konrad Graf, a man who was one of Vienna's most outstanding piano-manufacturers during the early nineteenth century. This portrait was commissioned by Graf in 1840, a year when he acted as a patron to contemporary artists such as Josef Danhauser.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene unfolds within the chaotic confines of an artist's workspace in Funny Scene in the Studio. Painted by Josef Danhauser, this oil on canvas captures a sudden, humorous mishap that disrupts the quiet order of the room. A person, a dog, and a large easel find themselves caught in a moment of unexpected disorder, freezing a split second of comedy in time. The energy of the accident ripples through…
A young man is captured in a three-quarter view, his gaze directed toward the viewer with a composed, steady expression. The portrait, rendered in a realistic academic style, emphasizes the quiet refinement of the Biedermeier era. Light enters from the upper left, casting soft shadows across the contours of the face and creating a sense of three-dimensional form through a controlled chiaroscuro effect. The subject is positioned against a dark,…
The portrait painting titled 'Portrait of a Young Woman' was created by the artist Josef Danhauser. This work dates to 1830. The subject is presented in a bust-length composition, positioned centrally within the frame. The figure faces slightly toward the viewer's left, while the gaze is directed forward toward the observer.
In Poor (young) Painter in a Cottage Studio, Josef Danhauser presents a melancholic and intimate monochrome scene set within a cluttered, dimly lit attic studio. The composition centers on the seated figure of the painter, positioned slightly off-center amidst the remnants of his craft. A grayscale palette defines the space, utilizing a wide range of tones from deep blacks in the shadows to bright whites where light enters through a…
This oil on canvas painting, titled Portrait of a Woman, was executed by the Austrian artist Josef Danhauser in 1836. It is a quiet study of a female subject, presented in a profile view that emphasizes the stillness of the moment. The work belongs to the genre of portraiture, capturing a specific presence through the careful application of pigment on the canvas.
The Shipwrecked Woman1837
12
Wine women and singing1839
13
Abraham Rejects Hagar and Ishmael1835
14
The Monastery Soup1838
15
The Opening of the Will1839
16
Head of an old Man1838
17
The Little Virtuosos1843
18
Social Scene1844
19
Newspaper Readers1840
20
Interior with hand-organist + dancer1844
21
Scene in an Inn1844
22
Literature in the Studio1842
23
Liszt at the Piano
24
The game of chess
25
Siesta (The Sleepers)1831 · Szépművészeti Múzeum
26
Mother Love (also known as Mutterliebe)1839 · Österreichische Galerie Belvedere
27
The Widow's Offering1838 · Residenzgalerie
28
The Gottscheer Boy1844
29
Beethoven1890 · Beethoven-Haus Bonn
30
Boy lying on Rokoko chair and books. Sleeping dog and toys
31
Austrian author Friedrich Halm.
32
Portrait of austrian violonist Ignaz Schuppanzigh
33
The rich man
34
Portrait of Josef Danhauser
35
The Lady from the Sea
36
The village politicians
37
Profile Portrait of a Lady with lace collar and white stitch
38
Funny scene in the studio
39
Mother's love
40
Karl Ludwig von Littrow and his wife
41
Ludwig van Beethoven1827 · Beethoven-Haus Bonn
42
Liszt at the PianoAlte Nationalgalerie
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 6 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Josef Danhauser | Malerier fra denne listen |
|---|---|---|---|
 Österreichische Galerie Belvedere |
Wien | 2 | The Scholars' Room, Mother Love (also known as Mutterliebe) |
 Beethoven-Haus Bonn |
Bonn | 2 | Beethoven, Ludwig van Beethoven |
 Academy of Fine Arts Vienna |
Wien | 1 | Portrait of the Piano-Manufcturer Konrad Graf |
 Szépművészeti Múzeum |
Budapest | 1 | Siesta (The Sleepers) |
 Residenzgalerie |
Salzburg | 1 | The Widow's Offering |
 Alte Nationalgalerie |
Berlin | 1 | Liszt at the Piano |
Velg et tiår for å se originalverket som definerer det.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
Liszt Fantasizing at the Piano. Deretter følger The Scholars' Room (1842) og Portrait of the Piano-Manufcturer Konrad Graf (1840).
Liszt Fantasizing at the Piano, The Scholars' Room, Portrait of the Piano-Manufcturer Konrad Graf, Wallstein's Grave, The Sleeping Painter in the Studio, Funny Scene in the Studio, Self-portrait, Portrait of a Young Woman, Poor (young) Painter in a Cottage Studio og Portrait of a Woman. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 43 verk av Josef Danhauser, datert fra 1827 til 1844.
Hovedsakelig i Österreichische Galerie Belvedere (Wien), Beethoven-Haus Bonn (Bonn) og Academy of Fine Arts Vienna (Wien). Museumslisten ovenfor viser alle.
I 1830s: 14 av de 42 verkene på denne siden ble laget da, The Sleeping Painter in the Studio av dem.
På denne siden er det eldste Ludwig van Beethoven (1827) og det nyeste Social Scene (1844).
Man (10), Woman (8) og People (6), fordelt på 42 verk på denne siden.
Oil On Canvas, for 10 av de 42 verkene på denne siden.
Biedermeier, basert på originalene på denne siden.
The Scholars' Room og Mother Love (also known as Mutterliebe): Österreichische Galerie Belvedere, Wien har 2 av verkene på denne siden.
Født i Wien, vokste Josef Danhauser frem som en fremtredende skikkelse i Det østerrikske imperiet, og etterlot seg en arv som dypest sett reflekterer Biedermeier-perioden. Som sønn av en skulptør og møbelprodusent, Joseph Ulrich Danhauser, ble hans tidlige kunstneriske anlegg fostret av hans egen far. Dette fundamentet i håndverk og design ga sannsynligvis næring til den metodiske presisjonen man finner i hans senere verker. Hans ferd gjennom korridorene ved Wiener Akademi for frie kunster gjorde det mulig for ham å foredle sine ferdigheter under mestere som Johann Peter Krafft, noe som la grunnlaget for en karriere som ville svinge mellom den stille intimiteten i hverdagslige scener og den dype tyngden i historisk portrettkunst.
Hans liv var ikke bare preget av ensom skapelse, men var også sammenvevd med den flittige ånden i hans samtid. Etter farens bortgang befant Danhauser seg i rollen som leder for familiens møbelfabrikk sammen med sine brødre. Denne perioden med engasjement i moderne design fungerte som et kort avbrekk i hans malerkarriere, men det bidro utvilsomt til den estetiske sansen som senere skulle definere hans sjangermalerier. Hans reiser gjennom Venezia og Praha beriket hans visuelle vokabular ytterligere, noe som gjorde det mulig for ham å absorbere innflytelsen fra italienske mestere og integrere et bredere europeisk perspektiv i sine østerrikske røtter.
Danhausers kunstnerskap er kanskje mest hyllet for sin evne til å fange de subtile nyansene i menneskelig eksistens. Han spesialiserte seg på sjangermalerier, hvor han ofte gjennomsyret hverdagslige scener med moralske undertoner og en narrativ dybde som minner om William Hogarth. Hans malerier inviterer ofte betrakteren inn i stille, kontemplative rom – enten det er det intellektuelle fristedet i The Scholars' Room eller den serene, solfylte stillheten i Siesta (The Sleepers). I disse verkene benyttet han myke paletter og mesterlig tonale skyggevirkninger for å fremkalle en følelse av varme, fellesskap og tidens milde gang.
Utover den hjemlige sfære besatt Danhauser en bemerkelsesverdig evne til å fange storhetens essens. Hans portrett av Beethoven står som et testament til hans ferdigheter innen romantisk impresjonisme, hvor han beveger seg forbi det rent gjenkjennelige for å formidle den psykologiske intensiteten og den høytidelige verdigheten til den legendariske komponisten. Gjennom en varsom bruk av lys og skygge skulpturerte han form og emosjon, og skapte verk som resonnerer med en aura av introspeksjon. Enten han skildret den musikalske transcendensen i Liszt Fantasizing at the Piano eller den dystre virkeligheten ved et dødsleie, fanget Danhausers pensel selve pulsen i det 19. århundres romantikk.
Selv om mye av hans arbeid forble i stor grad uoppdaget i hans egen levetid, ligger den historiske betydningen til Josef Danhauser i hans rolle som en essensiell kronikør av sin tid. Hans bidrag til Biedermeier-bevegelsen bidro til å definere en epoke preget av lavmælt eleganse og et fokus på skjønnheten i det hverdagslige. Hans bragder, inkludert utmerkelsen fra Wiener Akademi for Die Verstoßung der Hagar og hans virke som nestleder ved akademiet, understreker hans posisjon i det kunstneriske miljøet i Wien.
Den varige appellen i hans samlede verker kan spores i flere sentrale elementer:
