Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 172 verk av Jan Wijnants i vår katalog
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Landscape with Cattle on a Country Road (1684) er maleriet av Jan Wijnants som vekker mest oppmerksomhet; originalen befinner seg i Rijksmuseum, Amsterdam. Deretter går blikket til A peasant cottage (1650) og Landscape with horsemen and beggars (1660). Blant de 172 verkene til Jan Wijnants i vår katalog, er disse 100 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
The sun filters through a heavy, overcast sky, casting a soft and diffused light across a winding country road. A sense of profound stillness settles over the landscape, broken only by the slow, rhythmic movement of cattle grazing along the path. To the left, a prominent tree anchors the scene, its branches reaching out to frame the view and providing a sturdy vertical contrast to the gentle curves of the…
A heavy, textured brick cottage anchors the left side of this 1650 landscape, its irregular roofline and stone walls suggesting a structure built from the very earth it occupies. A winding dirt path draws the eye away from the dwelling, receding into a dense woodland on the right. The composition relies on an asymmetrical balance, where the weight of the architecture is countered by the organic sprawl of trees and…
A winding dirt path dictates the movement of this 1660 landscape, pulling the eye from the immediate foreground toward a receding horizon. Along this sandy route, a diverse assembly of travelers—horsemen, beggars, and pedestrians—navigates the terrain. The composition relies on a strong diagonal, guided by the skeletal branches of a foreground tree and the verticality of a distant forest. Earthy tones of ochre and brown anchor the scene, while a…
The air feels heavy with the scent of damp earth and wild grass as a winding dirt path cuts through the rugged topography of the hills. A hunter moves along a ridge to the left, accompanied by a pack of hounds that scatter across the uneven ground, their forms blending into the shadows of the landscape. Nearby, another figure walks steadily along the path in the lower right, a solitary…
In this 1667 landscape, we find ourselves within the shifting, undulating terrain of the dunes near Haarlem. The composition is defined by an asymmetrical balance, where a large, elevated dune formation rises on the right, creating a sense of depth through overlapping planes. A winding dirt path draws the eye from the bottom left foreground, leading toward the middle ground where the landscape opens up. The palette is grounded in…
Hilly Landscape with a Beggar Family is a work by Jan Wijnants, a painter who emerged from the Dutch Golden Age. Born in Haarlem in 1632, Wijnants developed a practice that would eventually lead him to Amsterdam, where he remained until his death in 1684. This particular piece, dating to about 1665, reflects the quietude and atmospheric depth characteristic of his mature period.
The air feels heavy with the scent of damp earth and crushed grass as a soft, sepia light filters through the canopy of a massive, ancient tree. This tree anchors the scene, its bark textured with deep ridges and its branches reaching out like weathered fingers to frame the sky. Beneath its sprawling shade, a hunter finds a moment of respite. He sits quietly on a gentle rise, his body…
A man leads his horse to the edge of a small stream. The animal bows its head, its muzzle breaking the surface of the water to drink. At the foot of a soft dune, the landscape settles into a quiet rhythm. Nearby, a man and a woman rest along the road, their presence a silent addition to the pastoral scene. The light is soft and diffused, catching the texture of…
Step back with us into the tranquil heart of the 17th century Netherlands, where Jan Jansz Wijnants captured life not as a grand historical epic, but as a series of exquisitely observed, deeply atmospheric moments. This painting, depicting a Landscape with Two Hunters, invites the viewer to pause amidst the pastoral rhythm of rural Dutch existence. The scene unfolds under a vast, cloudy sky, lending an air of dramatic yet…
To gaze upon this depiction of the Parable of the Good Samaritan is to be arrested by a moment of profound human connection amidst dramatic suffering. Painted in 1670, this canvas captures not merely a biblical narrative, but the very essence of compassion made visible. The scene unfolds with palpable tension; at the heart lies the injured man, his vulnerability stark against the ground, drawing the viewer's eye immediately to…
Evening Landscape1665 · Kunsthistorisches Museum
12
Forest Entrance1674 · Kunsthistorisches Museum
13
Landscape with Figures1665 · Scottish National Gallery
14
Dune Landscape1665 · Museum Boijmans Van Beuningen
15
Landscape with a pond1643
16
Landscape with Rider1658 · Bavarian State Painting Collections
17
Landscape with Shepherds1658 · Bavarian State Painting Collections
18
Landscape1658 · Bavarian State Painting Collections
19
Dune Landscape with Lake1660
20
Wooded Hilly Landscape with a Road1660
21
Landscape with Hunters1660 · Cleveland Museum of Art
22
Herengracht, Amsterdam1661 · Cleveland Museum of Art
23
Paysage avec des chasseurs1660 · Musée Fabre
24
Landscape with hunters1650
25
Landscape with Hunting Party1658 · Bavarian State Painting Collections
26
Wooded Landscape1658 · Bavarian State Painting Collections
27
Evening landscape with a farm1655 · Frans Hals Museum
28
Landscape at the Edge of Woods1659 · Mauritshuis
29
Shore of a river with houses and trees1655
30
A Hilly Landscape1660 · Wallace Collection
31
Landscape with a Dead Tree and Figure1659
32
A Hilly Landscape1660 · Wallace Collection
33
Landscape with a Bare Tree1659 · Wallace Collection
34
Path at the Edge of the Dunes1665 · Bavarian State Painting Collections
35
Landscape with Cattle and Rural Couple1672 · Bavarian State Painting Collections
36
The Dune Path1666 · Bavarian State Painting Collections
37
Forest Edge1668
38
Landscape with cattle at a wading place1670
39
Landscape with Rolling Hills and a Stag Hunt1670
40
Hunting party in the dunes1670 · Nivaagaards Malerisamling
41
A wooded landscape with a fallen tree trunk, thistle and a farm beyond1673
42
Landscape with Rider, 16701670 · Städel Museum
43
River Landscape with Fisherman and Hunter, 16711671 · Städel Museum
44
Landscape with a Hunter1665 · Museum der bildenden Künste
45
Landscape with a Hunter1670 · Holburne Museum
46
The Leafless Tree1670
47
Landscape with Farmhouse1670
48
Hilly Landscape with Dead tree and Peasants1663
49
Dune landscape with resting hunters with falcons1667 · Wallraf-Richartz-Museum
50
Dune landscape1665
51
Hilly Landscape with Cows1665 · Staatliche Kunsthalle Karlsruhe
52
Dune landscape1670 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
53
Landscape with River1667 · Nasjonalmuseet
54
Autumn Landscape1667 · Nasjonalmuseet
55
A wooded landscape with a fallen tree trunk, thistle and figures beyond1669
56
Sportsmen in the Dunes1669 · Royal Collection
57
Landscape1670 · Koninklijk Museum voor Schone Kunsten Antwerpen
58
Landscape with People on Foot1665 · Statens Museum for Kunst
59
Landscape with Farm1665 · Statens Museum for Kunst
60
Winter Scenery1665 · Statens Museum for Kunst
61
Dune landscape with resting hunters1669 · Rijksmuseum
62
Landscape with rider and beggar1667 · New York Historical Society
63
Road through the Dunes1664 · Nationalmuseum
64
Hilly landscape in evening light1665 · Staatliche Kunsthalle Karlsruhe
65
Mountain landscape with a river in the evening light1665 · Staatliche Kunsthalle Karlsruhe
66
Landscape with a Fallen Tree, Peasants and Huntsmen1672 · Kelvingrove Art Gallery and Museum
67
Landscape with a Hawking Party1666
68
A Hilly Landscape with a Hawking Party1665 · Royal Collection
69
Extensive Wooded Landscape with Herdsmen and Cattle on a Road1666 · Nostell Priory
70
Wooded Landscape1670 · Museum of Fine Arts
71
Figures on a Road by a Wood1668 · Ascott House
72
Landscape with Cattle1670 · Fitzwilliam College
73
Peasants driving Cattle and Sheep by a Sandhill, and Two Sportsmen with Dogs1665 · National Gallery
74
Landscape with a Pedlar and a Woman Resting1669 · Rijksmuseum
75
River Scene with Figures1670 · Bristol Museum - Art Gallery
76
Wooded Landscape1671
77
Landscape with Cattle1670 · Manchester Art Gallery
78
A Landscape with a Woman driving Sheep through a Ruined Archway1667 · National Gallery
79
Landscape with River1675 · Bavarian State Painting Collections
80
Landscape with Falconer1675 · Bavarian State Painting Collections
81
Path Opening onto a Plain, with a Falconer1675
82
Shepherds and Sheep by a Pathside1675
83
Landscape with a Farm1675
84
Wooded Landscape with a River1679 · National Gallery of Ireland
85
Road in a Dune Landscape1675 · Mauritshuis
86
Landscape1679 · Nasjonalmuseet i Warszawa
87
Landscape with a Dying Tree1684 · Muzeum Narodowe w Warszawie
88
Hilly Landscape with a Rider on a Country Road1684 · Rijksmuseum
89
Landscape with Two Dead Trees, Two Sportsmen with Dogs on a Sandy Road1675 · National Gallery
90
Landscape in Dunes with a Married Couple1684
91
Landscape with Donkey Rider1684 · Rijksmuseum
92
LandscapeDulwich Picture Gallery
93
Landscape with a Woman and a DogFitzwilliam College
94
Landscape with a Hunter and Figures1670 · Rijksmuseum
95
A Track by a Dune, with Peasants and a Horseman
96
Landscape with Travellers Resting
97
Landscape with Shepherds and AnimalsBavarian State Painting Collections
98
Hilly Landscape with Hunters on a Sandy Path
99
Landscape with CattleKoninklijk Museum voor Schone Kunsten Antwerpen
100
LandscapeKoninklijk Museum voor Schone Kunsten Antwerpen
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Jan Wijnants | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 11 | Landscape with Rider, Landscape with Shepherds, Landscape |
 Rijksmuseum |
Amsterdam | 9 | Landscape with Cattle on a Country Road, A peasant cottage, Landscape with a Rider Watering His Horse |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 4 | Hilly Landscape with a Beggar Family, Hilly Landscape with Cows, Hilly landscape in evening light |
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 4 | Landscape, Landscape with Cattle, Landscape |
 Wallace Collection |
London | 3 | A Hilly Landscape, A Hilly Landscape, Landscape with a Bare Tree |
 Statens Museum for Kunst |
København | 3 | Landscape with People on Foot, Landscape with Farm, Winter Scenery |
 National Gallery |
London | 3 | Peasants driving Cattle and Sheep by a Sandhill, and Two Sportsmen with Dogs, A Landscape with a Woman driving Sheep through a Ruined Archway, Landscape with Two Dead Trees, Two Sportsmen with Dogs on a Sandy Road |
 Fitzwilliam College |
Cambridge | 4 | Landscape with Cattle, Landscape with a Woman and a Dog |
Velg et tiår for å se originalverket som definerer det.
The scene unfolds through a heavy, clouded sky that presses down upon a Dutch landscape. A rugged, elevated bank of earth dominates the foreground, its surface broken by scattered logs and tangled vegetation. This uneven ground slopes steeply toward a calm pond tucked into the lower right corner. A dirt path cuts a diagonal line through the composition, leading the eye from a small, thatched-roof cottage on the far left…
A heavy, textured brick cottage anchors the left side of this 1650 landscape, its irregular roofline and stone walls suggesting a structure built from the very earth it occupies. A winding dirt path draws the eye away from the dwelling, receding into a dense woodland on the right. The composition relies on an asymmetrical balance, where the weight of the architecture is countered by the organic sprawl of trees and…
A winding dirt path dictates the movement of this 1660 landscape, pulling the eye from the immediate foreground toward a receding horizon. Along this sandy route, a diverse assembly of travelers—horsemen, beggars, and pedestrians—navigates the terrain. The composition relies on a strong diagonal, guided by the skeletal branches of a foreground tree and the verticality of a distant forest. Earthy tones of ochre and brown anchor the scene, while a…
To gaze upon this depiction of the Parable of the Good Samaritan is to be arrested by a moment of profound human connection amidst dramatic suffering. Painted in 1670, this canvas captures not merely a biblical narrative, but the very essence of compassion made visible. The scene unfolds with palpable tension; at the heart lies the injured man, his vulnerability stark against the ground, drawing the viewer's eye immediately to…
The sun filters through a heavy, overcast sky, casting a soft and diffused light across a winding country road. A sense of profound stillness settles over the landscape, broken only by the slow, rhythmic movement of cattle grazing along the path. To the left, a prominent tree anchors the scene, its branches reaching out to frame the view and providing a sturdy vertical contrast to the gentle curves of the…
Landscape with Cattle on a Country Road (1684), Rijksmuseum, Amsterdam. Deretter følger A peasant cottage (1650) og Landscape with horsemen and beggars (1660).
52 år gammel: Landscape with Cattle on a Country Road er fra 1684, og Jan Wijnants ble født i 1632.
Landscape with Cattle on a Country Road, A peasant cottage, Landscape with horsemen and beggars, Hilly Landscape with Hunters and Hounds, The Dunes near Haarlem, Hilly Landscape with a Beggar Family, Landscape with a resting hunter, Landscape with a Rider Watering His Horse, Landscape with Two Hunters og Parable of the Good Samaritan. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 172 verk av Jan Wijnants, datert fra 1643 til 1684.
Hovedsakelig i Bavarian State Painting Collections (München), Rijksmuseum (Amsterdam) og Staatliche Kunsthalle Karlsruhe (Karlsruhe). Museumslisten ovenfor viser alle.
I 1660s: 41 av de 100 verkene på denne siden ble laget da, Landscape with horsemen and beggars av dem.
På denne siden er det eldste Landscape with a pond (1643) og det nyeste Landscape with Cattle on a Country Road (1684).
Sky (62), Landscape (48) og Clouds (43), fordelt på 100 verk på denne siden.
Oil On Canvas, for 52 av de 100 verkene på denne siden.
Dutch golden age, basert på originalene på denne siden.
Landscape with Rider, Landscape with Shepherds og Landscape: Bavarian State Painting Collections, München har 11 av verkene på denne siden.
Jan Jansz Wijnants er kanskje et navn som ikke umiddelbart vekker gjenklang hos alle, likevel innehar han en betydelig plass i panteonet av nederlandske landskapsmalere fra det 17. århundre. Han ble født i Haarlem i 1632 og viet sitt liv til å fange den fredfulle skjønnheten i Nederlandene, der han gjennomfylte sine scener med en atmosfærisk dybde og en lavmælt lyrikk som resonnerte dypt med sin tids sanselighet. Hans verk tilbyr et vindu inn i en verden preget av pastoral sjarm, befolket av skikkelser opptatt med hverdagslivet midt i idylliske omgivelende.
Wijnants’ kunstneriske reise begynte i en familie som allerede var knyttet til kunstverdenen; hans far, Jan Wijnants, var en katolsk kunsthandler aktiv i Haarlem. Denne familiære forbindelsen ga utvilsomt tidlig eksponering for malerier og fremmet en dypere verdsettelse av visuell kultur. Etter morens død giftet faren seg på nytt med Maria Jans van Stralen, noe som skapte et unikt kunstnerisk slektskap da hennes sønn, Egbert Jaspersz van Heemskerck, ble Wijnants’ stesønn. De nøyaktige detaljene rundt Wijnants’ tidlige opplæring forblir noe gåtefulle, men det er kjent at han var aktiv i Haarlem frem til omtrent 1660. Denne perioden var sannsynligvis preget av at han absorberte innflytelsen fra lokale mestere og utviklet sin helt egen, særegne stil.
Rundt 1660 flyttet Wijnants til Amsterdam, et yrende sentrum for handel og kunstnerisk innovasjon. Det var her hans karriere virkelig blomstret. Selv om de biografiske detaljene fra denne perioden er sparsomme, avslører maleriene han produserte under sin tid i Amsterdam en moden kunstner med full tillit til sin egen visjon. Han spesialiserte seg på landskap som fremstilte kveg på landeveier, scener med hvilende skikkelser og vidstrakte utsikter som minnet om det italienske landskapet – en stil kjent som "italiensk landskap". Disse verkene var ikke bare topografiske representasjoner; de var nøye konstruerte komposisjoner designet for å fremkalle en følelse av fred, harmoni og idealisert skjønnhet.
Wijnants’ kunst demonstrerer et fascinerende samspill av ulike påvirkninger. Selv om han var solid forankret i den nederlandske tradisjonen med realistisk landskapsmaleri, avslører hans arbeid også en verdsettelse av de komposisjonsprinsippene og atmosfæriske effektene som ble foretrukket av de italienske mestrene. Innflytelsen fra malere som Nicolaes de Vree og Adriaen van de Velde er tydelig i hans tidlige verk, men han utviklet raskt en stil som var unikt hans egen. Maleriene hans preges ofte av et mykt, diffust lys, delikate penselstrøk og en subtil palett som skaper en følelse av atmosfærisk dybde. Han var særlig dyktig til å gjengi teksturene i løvverket, sollysets spill i vannet og de naturlige positurene til sine figurer. Senere kunstnere, som Thomas Gainsborough og Wilhelm von Kobell, ville senere trekke inspirasjon fra Wijnants’ fredfulle komposisjoner.
Jan Jansz Wijnants døde i Amsterdam i 1684 og etterlot seg en produksjon som fortsetter å trollbinde betraktere den dag i dag. Selv om han ikke var like produktiv som noen av sine samtidige, er maleriene hans høyt priset for sin utsøkte skjønnhet, tekniske ferdighet og evokative atmosfære. Hans landskap gir et glimt inn i den nederlandske gullalderens fascinasjon for naturen, dens kjærlighet til det pastorale livet og dens forpliktelse til realistisk representasjon. Hans verk kan finnes i fremtredende samlinger, inkludert Memling-museet i Brugge, noe som står som et vitnesbyrd om hans varige arv. Wijnants’ evne til å fylle hverdagslige scener med en følelse av ro og poetisk skjønnhet sikrer hans plass blant de mest elskede landskapsmalerne fra den nederlandske gullalderen.
