Portrett av James Herring

De 6 mest kjente maleriene av James Herring, et gallerivalg

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 6 verk av James Herring i vår katalog

Kort fortalt

Av alle originalverkene James Herring etterlot seg, er det mest kjente James Monroe (1834), som er en del av samlingen til National Portrait Gallery i Washington, D.C.. Like bak følger Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) og Jacob Jennings Brown (1775-1828) (1835). Vår katalog inneholder 6 verk av James Herring; galleriet har bevart de 6 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.

1794 – 1867, London Flest verk: New York Historical Society

James Herrings topp 10 malerier: galleriets utvalg

Museene som har James Herrings originalverk

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av James Herring Malerier fra denne listen
New York Historical Society, New York CityNew York Historical Society New York City 5 Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 James Monroe

James Herring år for år: originalverkene som definerer hvert år

Utvalget strekker seg over 12 år med James Herring, fra 1834 til 1845, og inkluderer de fineste originalverkene fra hvert år.

Verk per år

Velg et år for å se originalverkene.

Samlere spør om maleriene til James Herring

Hvilket verk er James Herring mest kjent for?Avslør svaret

James Monroe (1834), National Portrait Gallery, Washington, D.C.. Deretter følger Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) og Jacob Jennings Brown (1775-1828) (1835).

Hvor gammel var James Herring da James Monroe ble laget?Avslør svaret

40 år gammel: James Monroe er fra 1834, og James Herring ble født i 1794.

Hvor mange malerier etterlot James Herring?Avslør svaret

Vår katalog inneholder 6 verk av James Herring, datert fra 1834 til 1845.

I hvilke museer henger mesterverkene til James Herring?Avslør svaret

Hovedsakelig i New York Historical Society (New York City) og National Portrait Gallery (Washington, D.C.). Museumslisten ovenfor viser alle.

I hvilke år malte James Herring sine mest kjente verk?Avslør svaret

I 1845: 2 av de 6 verkene på denne siden ble laget da, William Lintz (ca. 1815-1874) av dem.

Hva er de første og de siste kjente originalverkene til James Herring?Avslør svaret

På denne siden er det eldste James Monroe (1834) og det nyeste William Lintz (ca. 1815-1874) (1845).

Hvilke verk av James Herring stilles ut på New York Historical Society?Avslør svaret

Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) og William Lintz (ca. 1815-1874): New York Historical Society, New York City har 5 av verkene på denne siden.

James Herring: liv og virke

The Life and Legacy of James Herring

Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.

Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.

Artistic Style and Contributions

The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.

Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.

Historical Significance

Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:

  • The Morris Museum of Art
  • The Mattatuck Museum
  • Oolite Arts, 924 & 928 Gallery

As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.