Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 14 verk av Jacob Spoel i vår katalog
Kort fortalt
Portrait of Mrs Regeer (1859) er maleriet av Jacob Spoel som vekker mest oppmerksomhet; originalen befinner seg i Museum Boijmans Van Beuningen, Rotterdam. Deretter går blikket til Portrait of Mr. P.A. Sander (1860) og Bernhard (1792-1862), hertog van Saksen-Weimar. Generaal in Nederlandse dienst (1851). Blant de 14 verkene til Jacob Spoel i vår katalog, er disse 14 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
The woman sits within an oval vignette, a quiet presence emerging from a deep, dark void. Her gaze is steady, meeting the viewer with a calm that suggests a life of composed dignity. She is draped in heavy black fabric, a material that absorbs the light, leaving only the pale contours of her face and hands to catch the glow. A white lace collar, delicate and translucent, breaks the darkness…
The room feels quiet, held in a stillness that seems to radiate from the canvas itself. Mr. P.A. Sander sits before us, a man whose very presence commands a certain gravity. He is captured in a moment of quiet dignity, his gaze steady and his posture formal. The light, streaming softly from the upper left, carves his features out of the darkness, casting gentle shadows that trace the lines of…
The air in the room seems to thicken around the figure of Bernhard, Duke of Saxe-Weimar. He sits in a three-quarter length pose, his body angled toward the viewer while his gaze drifts slightly to the left, as if caught in a moment of quiet reflection amidst the weight of his station. The deep navy blue of his military uniform anchors the composition, a dark and steady foundation for the…
The oil painting titled Portrait of Mr. Regeer is a work by the Dutch artist Jacob Spoel. Created in 1859, this portrait depicts a man identified as Mr. Regeer. The subject is presented in a formal manner, captured in a composition that focuses on the upper torso and head.
Group of Women Looking at Stereoscope Photographs, Jacob Spoel, in or before 18681868 · Rijksmuseum
12
Portrait of J. RippingStedelijk Museum
13
Portrait of Jan van der Hoeven, Professor of Natural History at Leiden
14
Mevrouw A.J. Schmidt-Keiser, weduwe van de schilder Willem Hendrik Schmidt (1809-49), de leermeester van Jacob Spoel, met haar broer J.N. Keiser en haar tienjarig zoontje, Jacob Spoel, 18581858 · Rijksmuseum
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 4 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Jacob Spoel | Malerier fra denne listen |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 4 | Portrait of Mrs Regeer, Portrait of Mr. P.A. Sander, Portrait of Mr. Regeer |
 Rijksmuseum |
Amsterdam | 4 | Bernhard (1792-1862), hertog van Saksen-Weimar. Generaal in Nederlandse dienst, Charles Ferdinand Pahud (1803-73). Gouverneur-generaal (1855-61), Group of Women Looking at Stereoscope Photographs, Jacob Spoel, in or before 1868 |
 Museum Rotterdam |
Rotterdam | 2 | Portrait of Anthony van Hoboken (1756-1850), Portrait of Cornelis Suermondt (1815-1883) |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of J. Ripping |
Velg et tiår for å se originalverket som definerer det.
The woman sits within an oval vignette, a quiet presence emerging from a deep, dark void. Her gaze is steady, meeting the viewer with a calm that suggests a life of composed dignity. She is draped in heavy black fabric, a material that absorbs the light, leaving only the pale contours of her face and hands to catch the glow. A white lace collar, delicate and translucent, breaks the darkness…
The room feels quiet, held in a stillness that seems to radiate from the canvas itself. Mr. P.A. Sander sits before us, a man whose very presence commands a certain gravity. He is captured in a moment of quiet dignity, his gaze steady and his posture formal. The light, streaming softly from the upper left, carves his features out of the darkness, casting gentle shadows that trace the lines of…
Portrait of Mrs Regeer (1859), Museum Boijmans Van Beuningen, Rotterdam. Deretter følger Portrait of Mr. P.A. Sander (1860) og Bernhard (1792-1862), hertog van Saksen-Weimar. Generaal in Nederlandse dienst (1851).
39 år gammel: Portrait of Mrs Regeer er fra 1859, og Jacob Spoel ble født i 1820.
Portrait of Mrs Regeer, Portrait of Mr. P.A. Sander, Bernhard (1792-1862), hertog van Saksen-Weimar. Generaal in Nederlandse dienst, Portrait of Anthony van Hoboken (1756-1850), Portrait of Wessel Albertus van Hengel, Professor of Exposition of the New Testament at Leiden, Portrait of Cornelis Suermondt (1815-1883), Portrait of Mr. Regeer, Charles Ferdinand Pahud (1803-73). Gouverneur-generaal (1855-61), Baldina Johanna van 't Sant (1832-1869). Spouse of Coenraad Lodewijk Walther og The Welcome by the Mayor of Rotterdam of William IV, Prince of Orange and his Consort Anna of Great Britain. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 14 verk av Jacob Spoel, datert fra 1837 til 1868.
Hovedsakelig i Museum Boijmans Van Beuningen (Rotterdam), Rijksmuseum (Amsterdam) og Museum Rotterdam (Rotterdam). Museumslisten ovenfor viser alle.
I 1850s: 5 av de 14 verkene på denne siden ble laget da, Portrait of Mrs Regeer av dem.
På denne siden er det eldste Portrait of Anthony van Hoboken (1756-1850) (1837) og det nyeste Group of Women Looking at Stereoscope Photographs, Jacob Spoel, in or before 1868 (1868).
Dark background (3), Man (3) og Portrait (2), fordelt på 14 verk på denne siden.
Oil On Canvas, for 3 av de 14 verkene på denne siden.
Academic realism, basert på originalene på denne siden.
Portrait of Mrs Regeer, Portrait of Mr. P.A. Sander og Portrait of Mr. Regeer: Museum Boijmans Van Beuningen, Rotterdam har 4 av verkene på denne siden.
Jacob Spoel was a Dutch artist born in the Netherlands in 1820. His life and work are documented within the history of famous artists from this period.
He lived during the nineteenth century, passing away in 1868.
