Kort fortalt
Av alle originalverkene Jacob Calmeyer etterlot seg, er det mest kjente Self-portrait of Jacob Mathias Calmeyer (1800), som er en del av samlingen til Oslo Museum i Oslo. Like bak følger Jens Mathias Pram Kaurin (1827) og Portrait of the Poet J.S. Welhaven (1827). Vår katalog inneholder 8 verk av Jacob Calmeyer; galleriet har bevart de 8 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
Jacob Calmeyers topp 10 malerier: galleriets utvalg
Museene som har Jacob Calmeyers originalverk
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Jacob Calmeyer | Malerier fra denne listen |
|---|---|---|---|
| Oslo | 3 | Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen, The Waterfall at Lysaker | |
| Oslo | 2 | Self-portrait of Jacob Mathias Calmeyer, Portrait |
Jacob Calmeyer tiår for tiår: originalverket som definerer hvert av dem
Verk per tiår
Velg et tiår for å se originalverket som definerer det.
Samlere spør om maleriene til Jacob Calmeyer
Hvilket verk er Jacob Calmeyer mest kjent for?Avslør svaret
Self-portrait of Jacob Mathias Calmeyer (1800), Oslo Museum, Oslo. Deretter følger Jens Mathias Pram Kaurin (1827) og Portrait of the Poet J.S. Welhaven (1827).
Hvor mange malerier etterlot Jacob Calmeyer?Avslør svaret
Vår katalog inneholder 8 verk av Jacob Calmeyer, datert fra 1827 til 1880.
I hvilke museer henger mesterverkene til Jacob Calmeyer?Avslør svaret
Hovedsakelig i Nasjonalmuseet (Oslo) og Oslo Museum (Oslo). Museumslisten ovenfor viser alle.
I hvilke år malte Jacob Calmeyer sine mest kjente verk?Avslør svaret
I 1820s: 2 av de 8 verkene på denne siden ble laget da, Jens Mathias Pram Kaurin av dem.
Hva er de første og de siste kjente originalverkene til Jacob Calmeyer?Avslør svaret
På denne siden er det eldste Jens Mathias Pram Kaurin (1827) og det nyeste Georg Carl Christian Wedel Prahl (1880).
Hvilke verk av Jacob Calmeyer stilles ut på Nasjonalmuseet?Avslør svaret
Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen og The Waterfall at Lysaker: Nasjonalmuseet, Oslo har 3 av verkene på denne siden.
Jacob Calmeyer: liv og virke
A Life Shaped by the Academy
Jacob Mathias Calmeyer emerged from Fredrikshald in 1802, a period when the foundations of Norwegian art were being quietly laid. His path toward the brush began in 1819, joining the very first class of students at the newly established Norwegian Royal Drawing School in Christiania. This early immersion in formal training provided him with a disciplined eye, guided by the instruction of Jacob Munch and Johannes Flintoe.
The pursuit of refinement eventually led him across the borders to Copenhagen. Between 1821 and 1826, Calmeyer studied at the Royal Danish Academy of Fine Arts. It was here that he encountered the influence of Christoffer Wilhelm Eckersberg, a connection that would leave its mark on his approach to composition and light. This period of academic rigor in Denmark prepared him for a career that would span several Scandinavian cities.
Movement Through Scandinavia
Calmeyer’s professional life was marked by a series of shifts between significant cultural centers. After establishing himself within the artist guild in Bergen in 1832, he moved toward Stockholm in 1835, where he remained for several years. This period of residence in Sweden allowed him to exist within a different artistic atmosphere before his eventual return to Norway in 1859.
Upon returning to Christiania, he settled into a later chapter of his life that included passing his knowledge to the next generation. His lineage of instruction can be seen in students such as Ragnvald Hjerlow. His presence in the Norwegian art scene was not merely through his own hand, but through this quiet continuity of technique and tradition.
The Painted Record
The works left behind by Calmeyer offer a window into the landscapes and subjects of his era. His paintings are held within significant collections, including the National Gallery of Norway, the Bergen Art Museum, and the National Museum. These institutions preserve pieces such as Svartediket ved Bergen and Lysakerfossen, works that reflect his engagement with the Norwegian terrain.
His output was not limited to the natural world; he also engaged with portraiture, capturing figures like Knud Bull. Through these varied subjects, Calmeyer contributed to the visual record of 19th-century Norway, leaving a body of work that remains part of the Royal Library in Stockholm and other esteemed repositories.






