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Izaäk Schmidts malerier: De 2 mest kjente, sett gjennom et galleris øyne
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 2 verk av Izaäk Schmidt i vår katalog
Kort fortalt
Etter galleriets vurdering er Izaäk Schmidts mest kjente maleri Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784), hvis original henger i Museum Gouda, Gouda. Av de 2 verkene til Izaäk Schmidt i vår katalog, presenterer galleriet de 2 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
1740 – 1818, Amsterdam
Flest verk: Museum Gouda
Galleriets 10 beste malerier av Izaäk Schmidt
Museene som har Izaäk Schmidts originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Izaäk Schmidt | Malerier fra denne listen |
|---|---|---|---|
 Museum Gouda |
Gouda | 2 | Portrait of mr. Adriaan Jacob van der Does, 1756-1830, Portrait of Constantia Catherina Jongbloet |
Izaäk Schmidt, årets signaturmalerier
Hvert daterte originalverk av Izaäk Schmidt på denne siden ble laget i 1784: her er de, med de mest kjente først.
Verk per år
Velg et år for å se originalverkene.
Izaäk Schmidts malerier: galleriets svar
Hvilket maleri av Izaäk Schmidt er det mest kjente av alle?Avslør svaret
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784)
Hvor gammel var Izaäk Schmidt da Portrait of mr. Adriaan Jacob van der Does, 1756-1830 ble ferdigstilt?Avslør svaret
44 år gammel: Portrait of mr. Adriaan Jacob van der Does, 1756-1830 er fra 1784, og Izaäk Schmidt ble født i 1740.
Hvor mange verk skapte Izaäk Schmidt?Avslør svaret
Vår katalog inneholder 2 verk av Izaäk Schmidt.
Hvor henger de mest kjente originalverkene til Izaäk Schmidt?Avslør svaret
Hovedsakelig i Museum Gouda (Gouda). Museumslisten ovenfor viser alle.
Når malte Izaäk Schmidt sine mest kjente malerier?Avslør svaret
I 1784: 2 av de 2 verkene på denne siden ble laget da, Portrait of mr. Adriaan Jacob van der Does, 1756-1830 av dem.
Hvilke originalverk av Izaäk Schmidt har Museum Gouda i sin samling?Avslør svaret
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 og Portrait of Constantia Catherina Jongbloet: Museum Gouda, Gouda har 2 av verkene på denne siden.
Izaäk Schmidt: kunstneren
A Life in Amsterdam
Izaäk Schmidt lived his life within the familiar streets of Amsterdam. Born on 11 July 1740, he was a man of many talents, moving between the roles of painter, drawer, art teacher, and writer. His presence in the Dutch art scene was marked by a quiet dedication to his craft and the instruction of others. He remained in his home city until his death on 17 May 1818.
His daily existence was rooted in the rhythms of the Netherlands. As an educator, he shared his knowledge of line and color with students, helping to pass down technical skills through generations. His work often captured the simple, quiet moments of Dutch life, focusing on the landscapes and people that populated the countryside.
The Art of the Everyday
Schmidt found his expression primarily through watercolour and drawing. He had a particular eye for the scenery surrounding the canals and villages, often rendering scenes that felt deeply connected to the local landscape. His hands were skilled at capturing the light on a road along a canal or the movement of figures near a stone bridge.
His repertoire included various subjects that reflected his surroundings:
- Village views featuring figures gathered near inns or stone bridges.
- Portraits of individuals, such as Balthasarina Wilhelmina Pasques de Chavonnes and Jacob Pieter van Braam.
- Landscape studies like country folk at a fence and scenes of rural life.
- Allegorical works including his piece titled Allegory of Painting.
There is a certain stillness in his drawings. He did not seek to complicate the world, but rather to document it with clarity. Whether working on a portrait or a view of an inn, he focused on the tangible details of the people and places he knew.
A Lasting Record
Though much of his work remains in private hands or specific museum collections like the Fitzwilliam Museum, the traces of his skill remain visible. His ability to translate the atmosphere of a Dutch village into watercolour allowed for a lasting record of a period in history that has since changed. He left behind more than just images; he left a window into the way the Dutch landscape and its people appeared at the end of the eighteenth century.