Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 6 verk av Ivan Tyurin i vår katalog
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Portrait of H. Lazarev (1872) er maleriet av Ivan Tyurin som vekker mest oppmerksomhet; originalen befinner seg i Eremitasjen, St. Petersburg. Deretter går blikket til Portrait of Baron Alexander Stieglitz (1872) og Portrait of Maria Adlerberg (1871). Blant de 6 verkene til Ivan Tyurin i vår katalog, er disse 6 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
The Portrait of Baron Alexander Stieglitz presents us with a formal encounter with a man of significant standing. Painted by the Russian artist Ivan Tyurin, this work captures the essence of a distinguished figure from a bygone era. We find ourselves looking upon Baron Alexander Stieglitz, a man whose presence commands the space he occupies. The portrait, dating to 1872, freezes a moment of quiet dignity and high social station.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
A formal 1874 oil portrait, presented in an oval composition, captures F.I. Shuvalova in a moment of quiet composure. Seated in a three-quarter view, the subject gazes directly at the viewer, her expression marked by a calm and serious temperament. The composition utilizes a shallow depth, focusing attention entirely on the sitter through the placement of a draped table in the mid-ground. A small, framed photograph rests upon this surface,…
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Ivan Tyurin | Malerier fra denne listen |
|---|---|---|---|
 Eremitasjen |
St. Petersburg | 6 | Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz, Portrait of Maria Adlerberg |
En lang karriere på 27 år, fra 1871 til 1897: Ivan Tyurins mest kjente originalverk, vist år for år.
Velg et år for å se originalverkene.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
Mer fra 1872
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
Mer fra 1874
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
Portrait of H. Lazarev (1872), Eremitasjen, St. Petersburg. Deretter følger Portrait of Baron Alexander Stieglitz (1872) og Portrait of Maria Adlerberg (1871).
48 år gammel: Portrait of H. Lazarev er fra 1872, og Ivan Tyurin ble født i 1824.
Vår katalog inneholder 6 verk av Ivan Tyurin, datert fra 1871 til 1897.
Hovedsakelig i Eremitasjen (St. Petersburg). Museumslisten ovenfor viser alle.
I 1872: 2 av de 6 verkene på denne siden ble laget da, Portrait of H. Lazarev av dem.
På denne siden er det eldste Portrait of Maria Adlerberg (1871) og det nyeste Portrait of V.A. Volotsky, the Retired GeneraL of the Terek Cossack Army (1897).
Man (4), Red chair (3) og Medals (3), fordelt på 6 verk på denne siden.
Oil, for 4 av de 6 verkene på denne siden.
Academic realism og Realism, basert på originalene på denne siden.
Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz og Portrait of Maria Adlerberg: Eremitasjen, St. Petersburg har 6 av verkene på denne siden.
Ivan Tyurin was a Russian painter who lived during the nineteenth and early twentieth centuries. His life spanned from 1824 until 1904.
