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De 1 mest kjente maleriene av Howard Arkley, et gallerivalg
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Howard Arkley i vår katalog
Kort fortalt
Av alle originalverkene Howard Arkley etterlot seg, er det mest kjente Fast-lid, som er en del av samlingen til National Gallery of Victoria i Melbourne. Vår katalog inneholder 1 verk av Howard Arkley; galleriet har bevart de 1 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
1951 – 1999, Australia
Flest verk: National Gallery of Victoria
Howard Arkleys topp 10 malerier: galleriets utvalg
Museene som har Howard Arkleys originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Howard Arkley | Malerier fra denne listen |
|---|---|---|---|
 National Gallery of Victoria |
Melbourne | 1 | Fast-lid |
Samlere spør om maleriene til Howard Arkley
Hvilket verk er Howard Arkley mest kjent for?Avslør svaret
Fast-lid
Hvor mange malerier etterlot Howard Arkley?Avslør svaret
Vår katalog inneholder 1 verk av Howard Arkley.
I hvilke museer henger mesterverkene til Howard Arkley?Avslør svaret
Hovedsakelig i National Gallery of Victoria (Melbourne). Museumslisten ovenfor viser alle.
Howard Arkley: liv og virke
The Art of Suburbia
Howard Arkley was an Australian painter known for his airbrushed depictions of Melbourne suburbia. After studying at Prahran College of Advanced Education from 1969 to 1972, he discovered the airbrush, a tool he utilized to achieve the smooth surfaces he desired in his work. His early exhibitions, including his first at Tolarno Galleries in 1975, featured abstract works often composed of patterns or lines created with the airbrush. While his initial pieces were black and white, he eventually began experimenting with colour.
His career saw significant milestones, such as the creation of the mural Primitive in 1981 and painting a tram for the Victorian Ministry of the Arts in 1982. His artistic journey moved from abstraction toward figurative iconography and landscape. His work has been described as a visual equivalent to the monologues of Barry Humphries, capturing the essence of suburban life.
Life and Legacy
Arkley's life was marked by both artistic recognition and personal turbulence. He participated in the 1999 Venice Biennale and traveled to London to plan an album cover for Nick Cave. Following a successful exhibition at the Karen Lovegrove Gallery in Los Angeles, he traveled to Las Vegas, where he married Alison Burton. He returned to Melbourne, where he died in 1999.
His legacy is preserved through various publications and retrospectives, including: