Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 30 verk av Hermann Struck i vår katalog
Kort fortalt
Etter galleriets vurdering er Hermann Strucks mest kjente maleri Moroccan Jew, Jerusalem (1900), hvis original henger i Leo Baeck Institute, New York City. Haifa V (1900) og Jerusalem, Russian Building II (1900) fullfører trioen som alle kjenner igjen. Av de 30 verkene til Hermann Struck i vår katalog, presenterer galleriet de 30 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
In the delicate, monochromatic strokes of Haifa V, we are transported back to the dawn of the twentieth century, specifically to the year 1900. This evocative drawing serves as more than just a mere depiction of a street; it is a temporal bridge that allows the viewer to step into the rhythmic, unfolding life of Haifa, Israel, at the turn of the century. Through the masterful hand of Hermann Struck,…
In the delicate, monochromatic strokes of Jerusalem, Russian Building II, we are transported back to the turn of the twentieth century, specifically to the year 1900. This evocative drawing by the esteemed German-Jewish artist Hermann Struck serves as more than just a topographical record; it is a soulful meditation on the pulse of a city in transition. Through his masterful command of line and shadow, Struck captures a moment where…
In this evocative black and white etching, titled The Pyramids at Giza in the Distance, the viewer is transported back to the turn of the twentieth century, standing amidst the sands of Egypt. The composition is anchored by the majestic silhouettes of the Great Pyramities, rising from the horizon like silent sentinels of a lost era. Two slender palm trees frame the scene, their organic, swaying forms providing a delicate…
Aus Holland II1907 · Leo Baeck Institute
12
Palm Beach, Florida I1913 · Leo Baeck Institute
13
Central Park, New York1913 · Leo Baeck Institute
14
Fruit Trees in Odenwald1919 · Leo Baeck Institute
15
Jerthe United States1926 · Leo Baeck Institute
16
Stepped Pyramid at Saqqara1939 · Leo Baeck Institute
17
Engadine Lakes1900 · Leo Baeck Institute
18
Patriath1935 · Leo Baeck Institute
19
Duomo and Baptistery, Florence, plate from Hesse1923 · Leo Baeck Institute
20
Jerusalem, Mosque of Omar1900 · Leo Baeck Institute
21
Havana III1913 · Leo Baeck Institute
22
Jerusalem X1916 · Leo Baeck Institute
23
Nablus (Palestine)1900 · Leo Baeck Institute
24
Lake Tiberias II1934 · Leo Baeck Institute
25
Tomb of Giovanni Segantini (1858-1899)1907 · Leo Baeck Institute
26
Jewish Chimney Sweep1915 · Leo Baeck Institute
27
Palestine Sunset1939 · Leo Baeck Institute
28
Two palm trees, plate from Hesse1923 · Leo Baeck Institute
29
Jerusalem, Chapel of the Ascension1905 · Leo Baeck Institute
30
Shabbat KiddushJewish Museum of São Paulo
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Hermann Struck | Malerier fra denne listen |
|---|---|---|---|
 Leo Baeck Institute |
New York City | 29 | Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II |
 Jewish Museum of São Paulo |
Sao Paulo | 1 | Shabbat Kiddush |
Velg et tiår for å se originalverket som definerer det.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
Moroccan Jew, Jerusalem (1900), Leo Baeck Institute, New York City. Deretter følger Haifa V (1900) og Jerusalem, Russian Building II (1900).
24 år gammel: Moroccan Jew, Jerusalem er fra 1900, og Hermann Struck ble født i 1876.
Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II, The Pyramids at Giza in the Distance, Aus dem Spreewalde II, Portrait of Rabbi Samson Raphael Hirsch (1808-1888), Talmudic Scholar, Fuerstenhaus-Karlshorst, Cactus og The Blind Beggar. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 30 verk av Hermann Struck, datert fra 1900 til 1939.
Hovedsakelig i Leo Baeck Institute (New York City) og Jewish Museum of São Paulo (Sao Paulo). Museumslisten ovenfor viser alle.
I 1900s: 15 av de 30 verkene på denne siden ble laget da, Moroccan Jew, Jerusalem av dem.
På denne siden er det eldste Moroccan Jew, Jerusalem (1900) og det nyeste Stepped Pyramid at Saqqara (1939).
Etching (16), Landscape (13) og Black and white (10), fordelt på 30 verk på denne siden.
Etching, for 17 av de 30 verkene på denne siden.
Realism, basert på originalene på denne siden.
Moroccan Jew, Jerusalem, Haifa V og Jerusalem, Russian Building II: Leo Baeck Institute, New York City har 29 av verkene på denne siden.
