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De 2 mest kjente maleriene av Henry Mattson, et gallerivalg
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 2 verk av Henry Mattson i vår katalog
Kort fortalt
Av alle originalverkene Henry Mattson etterlot seg, er det mest kjente Blue Marine (1929), som er en del av samlingen til Smithsonian American Art Museum i Washington, D.C.. Vår katalog inneholder 2 verk av Henry Mattson; galleriet har bevart de 2 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
1887 – 1971, Gothenburg
Flest verk: Smithsonian American Art Museum
Henry Mattsons topp 10 malerier: galleriets utvalg
Museene som har Henry Mattsons originalverk
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Henry Mattson | Malerier fra denne listen |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Blue Marine |
 The Phillips Collection |
Washington, D.C. | 1 | Wild Flowers |
Henry Mattson år for år: originalverkene som definerer hvert år
1929 er året for hvert daterte verk av Henry Mattson i dette utvalget: her er de, rangert etter berømmelse.
Verk per år
Velg et år for å se originalverkene.
Samlere spør om maleriene til Henry Mattson
Hvilket verk er Henry Mattson mest kjent for?Avslør svaret
Blue Marine (1929)
Hvor gammel var Henry Mattson da Blue Marine ble laget?Avslør svaret
42 år gammel: Blue Marine er fra 1929, og Henry Mattson ble født i 1887.
Hvor mange malerier etterlot Henry Mattson?Avslør svaret
Vår katalog inneholder 2 verk av Henry Mattson.
I hvilke museer henger mesterverkene til Henry Mattson?Avslør svaret
Hovedsakelig i Smithsonian American Art Museum (Washington, D.C.) og The Phillips Collection (Washington, D.C.). Museumslisten ovenfor viser alle.
Henry Mattson: liv og virke
The Journey of Henry Mattson
Born in Gothenburg, Sweden, Henry Mattson emigrated to America in 1906. His early years in the United States were spent working as a helper at a mechanical workshop in Worcester, Massachusetts, while pursuing self-study in painting. His formal training was furthered through evening classes at the School of the Worcester Art Museum. Seeking to deepen his artistic knowledge, he returned to Gothenburg in 1912 to study at the Valand Painting School, where his talent was recognized by his teacher. After returning to America, he lived in Chicago, working in a factory by day and painting by night, before moving to the Byrdcliffe Colony in Woodstock, New York, in 1916. There, he studied under the landscape painter John F. Carlson.
Artistic Evolution and Recognition
Mattson’s body of work primarily consists of landscapes and machines, though he also produced portraits and still lifes. His early style was characterized by a poetic-mystical romanticism, which later transitioned into a heightened dramatic form of expression. His career saw significant milestones, including a solo exhibition in New York in 1921 and participation in group exhibitions in London, Paris, and Italy. He was also featured in Swedish-American exhibitions in both Sweden and Gothenburg.
Throughout his career, Mattson received several prestigious honors, such as:
His public works include frescoes located at the post office in Portland, Maine. His art is represented in various institutions, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Whitney Museum, the Brooklyn Museum, and The Encyclopaedia Britannica Collection.