Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 78 verk av Henri Gervex i vår katalog
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Av alle originalverkene Henri Gervex etterlot seg, er det mest kjente Study For A Portrait Of Tsar Nicholas Ii. Like bak følger Portrait De Madame G. og Portrait of Alfred Stevens (1884). Vår katalog inneholder 78 verk av Henri Gervex; galleriet har bevart de 77 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
Henri Gervex produced this study, titled Study For A Portrait Of Tsar Nicholas Ii, during a period of significant imperial commission. The work focuses on the likeness of Tsar Nicholas II, the final ruler of the Romanov dynasty before the revolution of 1917. Gervex, a prominent figure in French Naturalism, developed this composition as a preparatory exploration for a larger official portrait of the Russian Emperor.
Portrait De Madame G. is a work by the French artist Henri Gervex. This piece depicts a woman positioned within an outdoor setting, likely a garden or a park situated near a body of water. The subject is presented in a formal yet relaxed pose, occupying the central portion of the frame. She is dressed in elegant attire, which includes a flowing gown and a large hat. A draped shawl…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In Café Scene in Paris, Henri Gervex offers us a quiet glimpse into the daily rhythms of the city. The painting captures a lively moment within a traditional Parisian café, focusing on a group of people gathered around a large rectangular table. Some figures are seated while others stand, creating a sense of natural, unforced movement. It is a snapshot of urban life, caught in a moment of social interaction.
In this preparatory study from 1880, we find Henri Gervex working with a sense of purpose that transcends mere sketching. This is a design for the wedding hall of the Mairie of the 19th Arrondissement in Paris, a space intended to host the most fundamental of civic ceremonies. The composition is structured around three octagonal medallions, arranged with a formal, rhythmic precision against a muted, olive-green ground. There is a…
The scene unfolds in a swirling, oval vignette, pulling the eye into a crowded celebration of human industry and community. Figures move with a restless energy, their bodies caught in mid-gesture against a backdrop of monumental architecture. To the right, massive classical columns rise upward, grounding the composition with a sense of permanence, while the sky peeks through in pale, airy blues. There is a palpable sense of motion here,…
The composition of Allegory of the Bank by Henri Gervex is centered on a single female figure positioned within an oval vignette. This figure is seated atop a celestial or cloud-like formation that occupies the middle ground. She holds a vessel or cornucopia-like object in her hands, symbolizing abundance. Below this central figure, elements suggestive of commerce and industry are partially visible. A globe and heavy, ornate fabrics are situated…
In this 1884 oil portrait, we find ourselves in an intimate, private space with Madame Blerzy. She is seated slightly off-center, her head resting gently against her right hand in a gesture of quiet introspection. There is a profound sense of poise in her posture, a stillness that suggests a woman accustomed to the weight of her own thoughts. The composition draws the eye through a soft, directional light that…
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
In the large-scale expanse of Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform, Henri Gervex captures a moment of quiet social gravity. This academic oil painting, dating to about 1889, presents a gathering of men that feels caught in a suspended breath of history. The figures occupy a space that bridges the gap between private conversation and public observation, creating a scene that feels both formal…
Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution1889 · Petit Palais
12
Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon1889 · Petit Palais
13
Panorama of the Century: Festival of the Federation 1790 - The Convention 17921889 · Petit Palais
14
Panorama of the Century1889 · Petit Palais
15
The Panorama of the Century: Dumas, Rachel, Daumier, Gavarni, Henri Monnier, Frédérick Lemaître, Rude, Horace Vernet, Delaroche1889 · Petit Palais
16
Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury1889 · Petit Palais
17
The Ball1890 · Carnavalet Museum
18
Portrait of Thomas W. Evans1892
19
Young Woman with a Fan1888
20
Pierre Waldeck-Rousseau1894 · Carnavalet Museum
21
Armenonville, the Evening of the Grand Prix (P2708)1905 · Carnavalet Museum
22
Battle of Flowers in Nice1900 · Carnavalet Museum
23
Portrait of Madame de Lorgeril1902 · Carnavalet Museum
24
Un soir de grand prix au pavillon d'Armenonville1905 · Carnavalet Museum
25
A Tuesday, Evening at Madeleine Lemaire's1910 · Carnavalet Museum
26
France Welcoming Abundance, Ceiling Project for the Palais de l'Élysée1907 · Carnavalet Museum
27
The Circle of the Île de Puteaux1907 · Carnavalet Museum
28
The Train of the Wounded1915
29
An Ambulance in Poitiers1914
30
Madame Gervex1923
31
Une Soiree MondaineCarnavalet Museum
32
The Salon Jury
33
Satyre and Menade1874 · Musée d'Orsay
34
Valtesse De La BigneMusée d'Orsay
35
A Meeting of the Judges of the Salon des Artistes
36
Femme Resuse À La Toilette
37
Study for 'Autopsy at the Hôtel-Dieu'1876 · National Gallery of Art
38
Sketch for the Salle des Fêtes of the Hôtel de Ville de Paris: Music Through the Ages1889 · Petit Palais
39
Study for an unidentified painting, showing the Deauville Hippodrome1905 · Carnavalet Museum
40
Parmentier and Louis XVI on the Plain of Sablons
41
Study for the Cercle de l'île de Puteaux (P2710)1907 · Carnavalet Museum
42
Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
43
Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
44
An Elegant Lady
45
Ballerinas
46
The Tub
47
Le Modèle Masqué
48
Venus Et L'amour
49
The Coal CarrierPalais des Beaux-Arts de Lille
50
A Portrait Of Marie-clotilde De Faret Legrand
51
Liebe Und Ehe
52
Winter
53
Madame Valtesse De La Bigne -
54
Portrait Of Madame Gervex
55
Cinq Heures Chez Paquin
56
Liane De Pougy
57
Colette's First Steps
58
Portrait Of Colette Gervex
59
Music Across The Ages
60
L'étéNationalmuseum
61
Fragment Of The Panorama Of 'the History Of The Century' -
62
Communion At The Church Of The Trinity
63
La Toilette
64
Portrait of Tsarina Alexandra
65
Cinq Heures chez le Couturier Paquin
66
Birth, Town Hall Of The 19th Arrondissement
67
Study For The Civil Marriage In The Town Hall Of The 19th Arrondissement
68
Portrait Of The Couturier Madame Paquin
69
The Operation
70
An Elegant Man On A Terrace
71
Jules-émile Pean And His Surgery Class Before The Operation H. Gervex PinxMusée d'Orsay
72
The wedding of Mathurin Moreau in the city hall of Paris
73
Study for the Coronation of Tsar Nicholas II
74
Portrait De Jenny Sacerdote.
75
RollaMusée d'Orsay
76
The Birth of Venus1907 · Petit Palais
77
Une Scéance Du Jury De PeintureMusée d'Orsay
De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.
#4 Café Scene in Paris
#6 Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling)
#12 Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon
#14 Panorama of the Century
#10 Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform
#11 Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution
#13 Panorama of the Century: Festival of the Federation 1790 - The Convention 1792
#16 Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Henri Gervex | Malerier fra denne listen |
|---|---|---|---|
 Carnavalet Museum |
Paris | 17 | Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) |
 Petit Palais |
Paris | 11 | Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform |
 Musée d'Orsay |
Paris | 5 | Satyre and Menade, Valtesse De La Bigne, Jules-émile Pean And His Surgery Class Before The Operation H. Gervex Pinx |
 Royal Museums of Fine Arts of Belgium |
Brussel | 1 | Portrait of Alfred Stevens |
 Detroit Institute of Arts |
Detroit | 1 | Café Scene in Paris |
 National Gallery of Art |
Washington | 1 | Study for 'Autopsy at the Hôtel-Dieu' |
 Palais des Beaux-Arts de Lille |
Lille | 1 | The Coal Carrier |
 Nationalmuseum |
Stockholm | 1 | L'été |
Velg et tiår for å se originalverket som definerer det.
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In "The Ball" by Henri Gervex, a sense of quiet repose settles over a sophisticated interior, even as a social gathering pulses in the distance. The composition centers on a woman seated upon a sofa, her presence anchored in the foreground. She is draped in an elegant, voluminous gown that spreads around her, creating a soft weight against the furniture. To her side, the scene opens up to reveal a…
The air inside the Armenonville feels thick with the hum of conversation and the warmth of a thousand flickering lamps. We find ourselves looking into a grand social gathering, a scene where the elegance of the Belle Époque breathes through every brushstroke. Large, imposing columns frame the view, pulling the eye past the immediate figures and into a crowded, luminous background. There is a sense of movement here, a lively…
A Tuesday, Evening at Madeleine Lemaire's is an oil on canvas painted by Henri Gervex. The work carries the original title Un mardi, soirée chez Madeleine Lemaire. It captures a specific moment of social gathering, frozen in the soft light of a Parisian interior. The brushwork traces the edges of a quiet, private world.
The air feels soft, almost heavy with the scent of old lace and quietude. A young woman turns her head, her gaze catching the light as she looks back toward us from a three-quarter view. She exists in a dreamlike space, an oval-shaped window into a moment of quiet elegance. Her skin glows with a luminous, pale quality, touched by the faintest rose at the cheeks and lips, as if…
Study For A Portrait Of Tsar Nicholas Ii. Deretter følger Portrait De Madame G. og Portrait of Alfred Stevens (1884).
Study For A Portrait Of Tsar Nicholas Ii, Portrait De Madame G., Portrait of Alfred Stevens, Café Scene in Paris, Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) og Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 78 verk av Henri Gervex, datert fra 1874 til 1923.
Hovedsakelig i Carnavalet Museum (Paris), Petit Palais (Paris) og Musée d'Orsay (Paris). Museumslisten ovenfor viser alle.
I 1880s: 14 av de 77 verkene på denne siden ble laget da, Portrait of Alfred Stevens av dem.
På denne siden er det eldste Satyre and Menade (1874) og det nyeste Madame Gervex (1923).
Woman (13), People (13) og Men (8), fordelt på 77 verk på denne siden.
Oil On Canvas, for 24 av de 77 verkene på denne siden.
Naturalism og Impressionism, basert på originalene på denne siden.
Allegory of the Bank, Portrait of Madame Blerzy og Woman with a Fan (Portrait of Réjane?): Carnavalet Museum, Paris har 17 av verkene på denne siden.
I det pulserende og ofte turbulente hjertet av Paris på slutten av 1800-tallet, var få kunstnere i stand til å navigere den delikate grensen mellom akademisk prestisje og moderne provokasjon like dyktig som Henri Gervex. Gervex ble født i 1852 i Montmartre-distriktet, og han var et barn av de selvsamme gatene han senere skulle forevige. Hans tidlige år var preget av den franske kunstens strenge tradisjoner, formet av de disiplinerte hendene til mestere som Alexandre Cabanel og Pierre-Nicolas Brisset. Under deres veiledning ved École des Beaux-Arts mestret Gervex den anatomiske presisjonen og den klassiske elegansen som kreves av en stigende stjerne i Salong-systemet. Likevel lå det en rastløs ånd under denne polerte akademiske overflaten, en ånd som søkte å trekke til side de fløyelsmyke gardinene i det parisiske høysamfunnet for å avdekke den rå, pulserende virkeligheten i La Belle Époque.
Gervexs karrierevei ble uforanderlig endret av en enkelt, seismisk hendelse i 1878. Hans maleri Rolla, inspirert av Alfred de Mussets melankolske poesi, ble et brennpunkt for kontrovers. Selv om den nakne figuren var en grunnpilar i klassisk mytologi, våget Gervex å plassere sine motiver i en samtidig, nesten ubehagelig moderne setting. Salongens jury, som vek tilbake fra det de oppfattet som moralsk upassende og en sosial kommentar til illegitim begjær, avviste verket. I stedet for å trekke seg tilbake i glemsel, omfavnet Gervex berømmelsen. Dette øyeblikket av avvisning transformerte ham fra en enkel elev av tradisjonen til en dristig provokatør, en kunstner hvis navn ble synonymt med spenningen mellom den gamle verdens moral og den nye verdens fremvoksende naturalisme.
Etter hvert som karrieren modnet, beveget Gervex seg bort fra det rent mytologiske for å omfavne det han kalte Naturalisme mondain. Han ble en kronikør av den parisiske tidsånden, og fanget de glitrende selskapene, de travle urbane landskapene og selv den kliniske nøkternheten i moderne vitenskap. Penselstrøkene hans begynte å reflektere en fascinerende syntese; han beholdt den nitidige detaljrikdommen fra sin akademiske trening, men tilførte komposisjonene lys og bevegelse som minnet om impresjonistene. Denne unike stilistiske broen gjorde det mulig for ham å skildre den psykologiske dybden i sine motiver, enten de var overklassekvinner på et ball eller pasienter på en sykeavdeling.
En av hans mest dyptgående bragder er fremdeles Dr Péan ved Salpétrière, ofte omtalt bare som Operasjonen. I dette monumentale verket oppnådde Gervex en moderne parafrase av Rembrandts Anatomileksjon, der han erstattet historisk allegori med den viscerale, vitenskapelige virkeligheten i et samtidsmedisinsk inngrep. Gjennom dette maleriet demonstrerte han en uvanlig evne til å finne drama i det kliniske og skjønnhet i det hverdagslige. Hans repertoar var bemerkelsesverdig mangfoldig, og strakte seg fra portretters delikate eleganse til store offentlige oppdrag som prydet selve rammen for det franske offentlige liv, inkludert verk for Palais de l'Industrie og ulike parisiske hoteller.
Henri Gervexs historiske betydning ligger i hans rolle som en overgangsfigur. Han sto ved historiens veikryss, med én hånd fast i Akademiets grep og den andre strukket ut mot avantgardens radikale innovasjoner. Hans arbeid fungerer som en visuell dagbok over en periode definert av raske sosiale endringer, der grensene for anstendighet stadig ble reforhandlet gjennom kunst og litteratur. Påvirket av Émile Zolas naturalisme, gjør ikke Gervexs malerier mer enn bare å avbilde scener; de fanger selve pusten fra en epoke som var både overdådig og urovekkende.
I dag, når vi betrakter Gervexs verk, ser vi mer enn bare vakker olje på lerret. Vi er vitne til motet til en kunstner som nektet å la tradisjonen kvele sannheten. Hans arv finnes i:
Gjennom sine triumfer og sine skandaler forblir Henri Gervex en essensiell skikkelse for å forstå den komplekse, glitrende sjelen til Paris ved århundreskiftet.
