Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 13 verk av Gustavus Behne i vår katalog
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Etter galleriets vurdering er Gustavus Behnes mest kjente maleri Portrait of General George M. Keim (1861), hvis original henger i Reading Public Museum, Reading. Moro Castle, Havana (1865) og Alpine Glow (1870) fullfører trioen som alle kjenner igjen. Av de 13 verkene til Gustavus Behne i vår katalog, presenterer galleriet de 13 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.
In this 1861 oil portrait, we encounter General George M. Keim not as a distant figure of history, but as a man of palpable weight and quiet gravity. Presented in an oval format, the composition focuses on a bust-length view of the subject, whose gaze is directed forward, meeting the viewer with a steady, contemplative expression. There is a certain stillness here, a sense of a life lived through the…
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Gustavus Behne | Malerier fra denne listen |
|---|---|---|---|
 Reading Public Museum |
Reading | 13 | Portrait of General George M. Keim, Moro Castle, Havana, Alpine Glow |
19 år med Gustavus Behne sin kunst, fra 1861 til 1879: galleriet følger dem år for år, gjennom de mest kjente originalverkene fra hvert år.
Velg et år for å se originalverkene.
In this 1861 oil portrait, we encounter General George M. Keim not as a distant figure of history, but as a man of palpable weight and quiet gravity. Presented in an oval format, the composition focuses on a bust-length view of the subject, whose gaze is directed forward, meeting the viewer with a steady, contemplative expression. There is a certain stillness here, a sense of a life lived through the…
Portrait of General George M. Keim (1861), Reading Public Museum, Reading. Deretter følger Moro Castle, Havana (1865) og Alpine Glow (1870).
33 år gammel: Portrait of General George M. Keim er fra 1861, og Gustavus Behne ble født i 1828.
Portrait of General George M. Keim, Moro Castle, Havana, Alpine Glow, Der Wild Kaiser, Bavaria, Ammer Lake, Bavaria, George DeBenneville Keim, Portrait of Kaiser Frederick Wilhelm, Emperor Franz Josef of Austria, Sicilian Street Shrine og Brucke. Rangeringen ovenfor viser årstall og museum for hvert verk.
Vår katalog inneholder 13 verk av Gustavus Behne, datert fra 1861 til 1879.
Hovedsakelig i Reading Public Museum (Reading). Museumslisten ovenfor viser alle.
På denne siden er det eldste Portrait of General George M. Keim (1861) og det nyeste Ammer Lake, Bavaria (1879).
Portrait of General George M. Keim, Moro Castle, Havana og Alpine Glow: Reading Public Museum, Reading har 13 av verkene på denne siden.
Born in the Prussian lands of Nordhause, Gustavus Behne carried with him the disciplined spirit of the German academies. His early years were shaped by the rigorous training found at the Dusseldorf Academy, a place where the foundations of form and light were etched into his understanding of the brush. This education provided him with the technical vocabulary to later navigate much different landscapes, both physical and artistic.
The path of this painter was one of movement and migration. He eventually crossed the Atlantic, seeking new horizons in the United States. His early American years saw him settling in Reading, Pennsylvania, a period that allowed his German training to meet the varied subjects of the New World. It is said that during his time in Philadelphia, he may have walked the same paths as other great masters, absorbing the quiet lessons of the local art scene.
Behne possessed a versatile hand, capable of shifting from the intimate stillness of a small object to the grand scale of historical drama. He found equal footing in the realms of portraiture, landscape, and still life. His portraits were not merely likenesses but studies of character, including notable works such as his depiction of General Sam Houston of Texas. In these faces, one finds the careful observation of a man trained in the Dusseldorf tradition.
His work often reflected the dual influences of the Dusseldorf and Munich schools. This duality allowed him to capture the quietude of religious themes alongside the sweeping vistas of nature. Whether he was painting a Sicilian street shrine or the serene waters of Lake Chieming in Bavaria, his focus remained on the truth of the scene. His still lifes offered a different kind of meditation, focusing on the silent presence of objects held in perfect, frozen light.
As his life moved toward its conclusion near Munich, Behne had already left behind a body of work that bridged the gap between German academic precision and American subject matter. His ability to adapt to different environments—from the Duchy of Saxe-Coburg and Gotha to the bustling streets of Pennsylvania—defined his artistic identity. He remained a painter of the moment, capturing history, nature, and the human countenance with a steady, practiced hand.
The significance of his work lies in this very adaptability. Through his eyes, we see:
