Portrett av Francis Dodd

Francis Dodds malerier: De 43 mest kjente, sett gjennom et galleris øyne

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 43 verk av Francis Dodd i vår katalog

Kort fortalt

I galleriets øyne er Francis Dodds mest kjente maleri Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security (1941). Louisa Garrett Anderson (1873–1943) (1921) og Spring in the Suburbs (1925) fullfører trioen som alle kjenner igjen. Av de 43 verkene til Francis Dodd i vår katalog, presenterer galleriet de 43 mest kjente nedenfor; hvert originalverk med årstall, museum og hva som gjør det unikt.

1874 – 1949, Holyhead Victorian realism Flest verk: Guardian News - Media Archive

Galleriets 10 beste malerier av Francis Dodd

1
Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security (1941) av Francis Dodd

Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security

1941 · Oil

In this 1941 portrait, we encounter Wing Commander Eric John Hodsoll, a man whose very presence commands a quiet, disciplined respect. He is captured in a moment of stillness, dressed in a formal suit and tie, with his hands tucked into his pockets in a gesture that feels both casual and profoundly composed. There is a weight to his gaze, a steady look directed toward the viewer that suggests a…

2
Louisa Garrett Anderson (1873–1943) (1921) av Francis Dodd

Louisa Garrett Anderson (1873–1943)

1921 · Oil On Canvas · Royal Free Hospital, London

The gaze is direct, unwavering, and heavy with the weight of experience. In this 1921 oil portrait, Louisa Garrett Anderson faces the viewer from the chest up, her expression a quiet architecture of determination. She does not smile. Instead, her features are defined by the subtle shadows of a soft, diffused light that enters from the left, carving the contours of a face that has seen the rigors of the…

3
Spring in the Suburbs (1925) av Francis Dodd

Spring in the Suburbs

1925 · Oil On Canvas · Sunderland Museum - Winter Gardens, Sunderland

A central perspective draws the eye down a residential street toward a distant church spire. The composition is balanced, framed by trees that line the roadside and define the depth of the scene. While the title suggests a season of renewal, the bare branches indicate the lingering chill of late autumn or winter. Figures walk along the pavement, adding a sense of daily life to the structured architecture. The scene…

4
Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949) (1946) av Francis Dodd

Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949)

1946 · Oil On Canvas · Royal Academy of Music, London

Francis Dodd captures Sir Stanley Marchant in a moment of quiet, seated dignity. The portrait presents an older gentleman, his presence defined by a steady, direct gaze and the structured lines of a formal suit. He sits amidst a sparse arrangement of a wooden chair and a small table, upon which rests a collection of sheet music. This subtle inclusion points toward his life as a composer and organist, grounding…

5
The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930) av Francis Dodd

The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930)

Oil · Collegiate Hertford, Oxford

In this portrait, Francis Dodd captures the quiet gravity of the Right Reverend Martin Linton Smith. The subject is seated, draped in a white robe accented by a striking red trim, a garment that speaks to his ecclesiastical standing. There is a certain stillness to his posture, a sense of a man accustomed to the weight of his responsibilities. His gaze is direct and stern, meeting the viewer with a…

6
Edward Taylor Scott (1883–1932) (1920) av Francis Dodd

Edward Taylor Scott (1883–1932)

In this evocative portrait from 1920, the viewer is immediately drawn into an intimate encounter with a man of quiet distinction. Painted by Francis Dodd, the work captures Edward Taylor Scott not merely as a subject, but as a presence that commands the space through a subtle, dignified stillness. The composition centers on a gentleman dressed in the formal elegance of the early twentieth century, his crisp white shirt and…

7
Marianne Frances Bernard (1916) av Francis Dodd

Marianne Frances Bernard

1916 · Oil On Canvas · Girton College, Cambridge

In this 1916 portrait, Francis Dodd presents us with Marianne Frances Bernard. The work captures the subject in a moment of quietude, portraying her with a sense of serenity and contemplation. There is a stillness to her posture that invites a closer look at the character Dodd sought to convey through his brush.

8
Laurence Prestwich Scott (1877–1908) (1920) av Francis Dodd

Laurence Prestwich Scott (1877–1908)

1920 · Oil On Canvas · Guardian News - Media Archive, London

The gaze of Laurence Prestwich Scott is a steady, searching weight. He sits within the quiet, dignified strokes of a portrait that captures a man caught between presence and tragedy. His eyes, fixed and contemplative, command the space around him. He is dressed in the formal attire of the Edwardian period, wearing a sharp suit and meticulously tied neckwear that speaks of a specific, structured era. While shadows of other…

Francis Dodd sine malerier, rangert fra 11 til 43

11Sarah Venables (1901) av Francis DoddSarah Venables1901 · Bolton Museum And Art Gallery 12Miss Caroline Herford (Mrs Robert Blake) (1904) av Francis DoddMiss Caroline Herford (Mrs Robert Blake)1904 13Afternoon in the Parlour (1903) av Francis DoddAfternoon in the Parlour1903 14High Street, Greenwich (1908) av Francis DoddHigh Street, Greenwich1908 15Signora Lotto (1906) av Francis DoddSignora Lotto1906 16Charles Prestwich Scott (1846–1932) (1916) av Francis DoddCharles Prestwich Scott (1846–1932)1916 17In the Park (1916) av Francis DoddIn the Park1916 18Admiral Sir Edward Eden Bradford, KCB, CVO (1920) av Francis DoddAdmiral Sir Edward Eden Bradford, KCB, CVO1920 19Dr Flora Murray (1869–1923) (1921) av Francis DoddDr Flora Murray (1869–1923)1921 · Royal Free Hospital 20Interrogation (1919) av Francis DoddInterrogation1919 21An Operation at the Military Hospital, Endell Street Dr L. Garrett, Dr Nora Murray, Dr W. Buckley (1921) av Francis DoddAn Operation at the Military Hospital, Endell Street Dr L. Garrett, Dr Nora Murray, Dr W. Buckley1921 22Ely (1926) av Francis DoddEly1926 23Willow in Winter (1928) av Francis DoddWillow in Winter1928 24Lord Snell of Plumstead (1865–1944), Politician and Compaigner (1934) av Francis DoddLord Snell of Plumstead (1865–1944), Politician and Compaigner1934 · Guildhall Art Gallery 25Sir Henry N. Holmes (1868–1940), Lord Mayor of Norwich (1921 1932) (1934) av Francis DoddSir Henry N. Holmes (1868–1940), Lord Mayor of Norwich (1921 1932)1934 26Alderman Frederick W. F. Matthew (1938) av Francis DoddAlderman Frederick W. F. Matthew1938 · Harris Museum - Art Gallery 27Dame Margaret Janson Tuke (1862–1947) (1934) av Francis DoddDame Margaret Janson Tuke (1862–1947)1934 · Royal Holloway 28Alderman Sir Archibald Flower, Honorary Freeman and Seven Times Mayor (1935) av Francis DoddAlderman Sir Archibald Flower, Honorary Freeman and Seven Times Mayor1935 · Stratford-upon-avon Town Hall 29Portrait of a Past Rhodes Trustee (1943) av Francis DoddPortrait of a Past Rhodes Trustee1943 · The Rhodes Trust 30An Aerial Battle (1940) av Francis DoddAn Aerial Battle1940 31Percival Henry Martin, Post Office, Bristol (1945) av Francis DoddPercival Henry Martin, Post Office, Bristol1945 · Bristol Museum - Art Gallery 32The Well Hall Road (1948) av Francis DoddThe Well Hall Road1948 33Tank Attack on an Italian Village (1945) av Francis DoddTank Attack on an Italian Village1945 34Colonel Sir William John Kent, CBE, TD, DL, JR (1945) av Francis DoddColonel Sir William John Kent, CBE, TD, DL, JR1945 · Staffordshire County Buildings 35Arthur Lionel Smith (1850–1924), Utstillingseksempler (1868), Fellow og Tutor i Moderne Historie (1882–1916), Dekan (1907–1916),rektor (1916–1924) (1913) av Francis DoddArthur Lionel Smith (1850–1924), Utstillingseksempler (1868), Fellow og Tutor i Moderne Historie (1882–1916), Dekan (1907–1916),rektor (1916–1924)1913 · Balliol College 36John Russell Scott (1879–1949) (1920) av Francis DoddJohn Russell Scott (1879–1949)1920 · Guardian News - Media Archive 37Gardens at Hammersmith Allotments (1929) av Francis DoddGardens at Hammersmith Allotments1929 38Whitehall, London av Francis DoddWhitehall, London 39Walter Alexander Raleigh (1861–1922) av Francis DoddWalter Alexander Raleigh (1861–1922)Merton College 40William Ernest Henley (1849–1903), Poet and Literary Agent av Francis DoddWilliam Ernest Henley (1849–1903), Poet and Literary AgentThe Crypt School 41Lord Birdwood, Master (1931–1938) av Francis DoddLord Birdwood, Master (1931–1938)Peterhouse 42Hugh Cecil (1869–1956), Lord Quickswood, Prize Fellow and Later Honorary Fellow of Hertford (1929 1930) av Francis DoddHugh Cecil (1869–1956), Lord Quickswood, Prize Fellow and Later Honorary Fellow of Hertford (1929 1930)Collegiate Hertford 43Rt Hon. George Viscount Cave, DCL, GCMG av Francis DoddRt Hon. George Viscount Cave, DCL, GCMGSt John's College

Motivene som fanget Francis Dodds blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har Francis Dodds originalverk

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Francis Dodd Malerier fra denne listen
Guardian News - Media Archive, LondonGuardian News - Media Archive London 3 Edward Taylor Scott (1883–1932), Laurence Prestwich Scott (1877–1908), John Russell Scott (1879–1949)
Royal Free Hospital, LondonRoyal Free Hospital London 2 Louisa Garrett Anderson (1873–1943), Dr Flora Murray (1869–1923)
Collegiate Hertford, OxfordCollegiate Hertford Oxford 2 The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930), Hugh Cecil (1869–1956), Lord Quickswood, Prize Fellow and Later Honorary Fellow of Hertford (1929 1930)
Sunderland Museum - Winter Gardens, SunderlandSunderland Museum - Winter Gardens Sunderland 1 Spring in the Suburbs
Royal Academy of Music, LondonRoyal Academy of Music London 1 Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949)
Girton College, CambridgeGirton College Cambridge 1 Marianne Frances Bernard
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 An Elderly Woman
Bolton Museum And Art Gallery, BoltonBolton Museum And Art Gallery Bolton 1 Sarah Venables

Francis Dodd, ett signaturmaleri per tiår

Verk fordelt på tiår

Velg et tiår for å se originalverket som definerer det.

Francis Dodds malerier: galleriets svar

Hvilket maleri av Francis Dodd er det mest kjente av alle?Avslør svaret

Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security (1941). Deretter følger Louisa Garrett Anderson (1873–1943) (1921) og Spring in the Suburbs (1925).

Hvor gammel var Francis Dodd da Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security ble ferdigstilt?Avslør svaret

67 år gammel: Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security er fra 1941, og Francis Dodd ble født i 1874.

Hvilke er de 10 beste maleriene til Francis Dodd?Avslør svaret

Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security, Louisa Garrett Anderson (1873–1943), Spring in the Suburbs, Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949), The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930), Edward Taylor Scott (1883–1932), Marianne Frances Bernard, Laurence Prestwich Scott (1877–1908), An Elderly Woman og Henry Lamb (1883–1960). Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk skapte Francis Dodd?Avslør svaret

Vår katalog inneholder 43 verk av Francis Dodd, datert fra 1895 til 1948.

Hvor henger de mest kjente originalverkene til Francis Dodd?Avslør svaret

Hovedsakelig i Guardian News - Media Archive (London), Royal Free Hospital (London) og Collegiate Hertford (Oxford). Museumslisten ovenfor viser alle.

Når malte Francis Dodd sine mest kjente malerier?Avslør svaret

I 1920s: 11 av de 43 verkene på denne siden ble laget da, Louisa Garrett Anderson (1873–1943) av dem.

Hvilke er Francis Dodds tidligste og nyeste berømte verk?Avslør svaret

På denne siden er det eldste An Elderly Woman (1895) og det nyeste The Well Hall Road (1948).

Hvilke motiver vendte Francis Dodd oftest tilbake til?Avslør svaret

Man (4), Formal attire (3) og Portrait (3), fordelt på 43 verk på denne siden.

Hvilket medium arbeidet Francis Dodd mest med?Avslør svaret

Oil On Canvas, for 5 av de 43 verkene på denne siden.

Hvilken kunstretning er Francis Dodd tilknyttet?Avslør svaret

Victorian realism, basert på originalene på denne siden.

Hvilke originalverk av Francis Dodd har Guardian News - Media Archive i sin samling?Avslør svaret

Edward Taylor Scott (1883–1932), Laurence Prestwich Scott (1877–1908) og John Russell Scott (1879–1949): Guardian News - Media Archive, London har 3 av verkene på denne siden.

Francis Dodd: kunstneren

The Life and Legacy of Francis Dodd

Francis Edgar Dodd was a distinguished British portrait painter, landscape artist, and printmaker whose work captured the profound essence of his subjects through remarkable accuracy and depth. Born in Holyhead, Wales, as the son of a Wesleyan minister, Dodd’s artistic journey began with formal training at the Glasgow School of Art. It was during his time in Glasgow that he demonstrated exceptional promise, winning the Haldane Scholarship in 1893. This prestigious achievement allowed him to traverse the cultural landscapes of France, Italy, and Spain, experiences that undoubtedly enriched his visual vocabulary and technical mastery.

Upon returning to England in 1895, Dodd settled initially in Manchester, where he cultivated significant friendships within the artistic community, before eventually moving to Blackheath in London in 1904. His career was marked by a versatile command over various media, ranging from evocative, atmospheric watercolors of urban scenes like High Street, Greenwich to meticulously detailed oil portraits. His ability to convey not just a likeness, but a palpable sense of character—whether through the stern gaze of a professional in John Russell Scott or the serene contemplation found in Marianne Frances Bernard—established him as a master of his craft.

Artistic Achievements and Historical Significance

The historical importance of Francis Dodd extends beyond the canvas into the very fabric of British institutional art. During the tumultuous years of World War I, Dodd was appointed an official war artist in 1916 by the head of the War Propaganda Bureau. Serving on the Western Front, he produced more than thirty portraits of senior military figures, documenting the human element of the conflict with a disciplined hand. This period of service solidified his reputation as an artist capable of capturing gravity and authority under the most pressing historical circumstances.

His professional accolades were numerous and reflected his standing among the elite of the British art world:

  • Elected Associate of the Royal Academy of Arts in 1927.
  • Achieved full Membership of the Royal Academy of Arts in 1935.
  • Served as a trusted trustee of the Tate Gallery, holding the position for six years starting in 1929.

Dodd’s legacy is preserved through his contributions to significant collections, including the Imperial War Museum and the Tate, ensuring that his precise brushwork and ability to capture the light and texture of his era continue to resonate with viewers today. His work remains a vital window into the social conventions and psychological depths of the early twentieth century.