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De 1 mest kjente maleriene av Florian Cynk, et gallerivalg
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Florian Cynk i vår katalog
Kort fortalt
Av alle originalverkene Florian Cynk etterlot seg, er det mest kjente Długosz and Saint Casimir. (1869), som er en del av samlingen til Nasjonalmuseet i Warszawa i Warszawa. Vår katalog inneholder 1 verk av Florian Cynk; galleriet har bevart de 1 verkene som verden beundrer mest, hver vist med sin dato, sitt museum og sin historie.
1838 – 1912, Kraków
Flest verk: Nasjonalmuseet i Warszawa
Florian Cynks topp 10 malerier: galleriets utvalg
Museene som har Florian Cynks originalverk
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Florian Cynk | Malerier fra denne listen |
|---|---|---|---|
 Nasjonalmuseet i Warszawa |
Warszawa | 1 | Długosz and Saint Casimir. |
Florian Cynk år for år: originalverkene som definerer hvert år
1869 er året for hvert daterte verk av Florian Cynk i dette utvalget: her er de, rangert etter berømmelse.
Verk per år
Velg et år for å se originalverkene.
Samlere spør om maleriene til Florian Cynk
Hvilket verk er Florian Cynk mest kjent for?Avslør svaret
Długosz and Saint Casimir. (1869)
Hvor gammel var Florian Cynk da Długosz and Saint Casimir. ble laget?Avslør svaret
31 år gammel: Długosz and Saint Casimir. er fra 1869, og Florian Cynk ble født i 1838.
Hvor mange malerier etterlot Florian Cynk?Avslør svaret
Vår katalog inneholder 1 verk av Florian Cynk.
I hvilke museer henger mesterverkene til Florian Cynk?Avslør svaret
Hovedsakelig i Nasjonalmuseet i Warszawa (Warszawa). Museumslisten ovenfor viser alle.
Florian Cynk: liv og virke
The Academy and the Munich School
Florian Stanisław Cynk spent his formative years moving between the studios of Kraków, Dresden, and Munich. He began his studies at the Academy of Fine Arts in Kraków under Wojciech Stattler and Władysław Łuszczkiewicz. These early years provided a foundation that he later expanded upon while attending the Dresden Academy of Fine Arts and the Academy of Fine Arts, Munich, under Hermann Anschütz. His time in Munich, specifically between 1863 and 1867, placed him within the circle of the Munich School.
His brushwork followed a smooth, classicist academic style. This approach favored clarity and precision over loose or experimental strokes. In Kraków, he became a fixture of the local art scene, eventually serving as a professor of drawing at his alma mater. He also held the position of secretary of the Kraków Academy from 1873 to 1878 and later directed the Kraków Society of Friends of Fine Arts.
Religious Subjects and Historical Compositions
Much of his work focused on religious themes and historical scenes, particularly those relating to the Jagiellonian rule. He had a particular interest in portraits of legends and figures from Polish history. Some of his notable works include:
- Matki Bożej Królowej Korony Polskiej / Our Mother of God of the Polish Crown (1888)
- Długosz and Saint Casimir (circa 1869)
- Kinga of Poland
He often worked alongside Jan Matejko. Their collaboration was practical and deep; Cynk helped Matejko with the perspective on large-scale history paintings and created copies of Matejko's works to be used as models for woodcuts. Together, they painted portraits of Saints Kinga and Adalbert for the church in Stary Wiśnicz.
Illustrations and Teaching
Beyond the canvas, Cynk worked as an illustrator, providing drawings for periodicals such as Tygodnik Illustrowany. His ability to translate complex scenes into print was a necessary skill for the era's growing demand for illustrated news and literature.
His influence extended through the many students who sat in his classrooms. He taught a generation of artists, including:
- Stanisław Wyspiański
- Piotr Stachiewicz
- Wojciech Weiss
- Ludwik Misky
- Artur Markowicz
His life ended in Kraków in 1912, leaving behind a body of work held in the National Museum in Warsaw, Cracow National Museums, and the National Gallery in Lviv.