Portrett av E. Phillips Fox

De 40 mest kjente E. Phillips Fox-maleriene, hvert og ett unikt

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 44 verk av E. Phillips Fox i vår katalog

Kort fortalt

Autumn showers (1900) er maleriet av E. Phillips Fox som vekker mest oppmerksomhet; originalen befinner seg i Art Gallery of New South Wales, Sydney. Deretter går blikket til Portrait of My Cousin (1893) og Untitled (AQZBK4) (1910). Blant de 44 verkene til E. Phillips Fox i vår katalog, er disse 40 de mest kjente – hver og en et unikt originalverk presentert med sitt årstall, sitt museum og årsaken til at det består.

1865 – 1915, Fitzroy Impressionism Flest verk: Art Gallery of New South Wales

Topp 10 malerier av E. Phillips Fox, sett gjennom galleriets øyne

1
Autumn showers (1900) av E. Phillips Fox

Autumn showers

1900 · Oil On Canvas · Art Gallery of New South Wales, Sydney

The painting Autumn showers is a work by E. Phillips Fox, completed in 1900. It emerged from a specific period in the artist's life, specifically during his 1899 residency at Charterisville, a homestead situated near Eaglemont in Victoria. This setting provided the backdrop for the creation of this oil on canvas piece.

6
English Landing of Captain Cook at Botany Bay, 1770 (1902) av E. Phillips Fox

English Landing of Captain Cook at Botany Bay, 1770

1902 · Acrylic On Canvas · The Ian Potter Centre - Ngv Australia, Melbourne

A Window into Colonial Australia: Emanuel Phillips Fox’s “English Landing of Captain Cook at Botany Bay” Emanuel Phillips Fox's "English Landing of Captain Cook at Botany Bay," completed in 1902, transcends mere depiction; it embodies a pivotal moment in Australian history and artistic innovation. More than just a picturesque landscape, this painting serves as a tangible reminder of the dawn of European settlement and the burgeoning Impressionist movement’s fascination with…

E. Phillips Foxs berømte malerier, nummer 11 til 40

Motivene som fanget E. Phillips Foxs blikk

De fire motivene som går igjen hyppigst i disse originalverkene, hver med sitt fremste eksempel.

Museene som har E. Phillips Foxs originalverk

De 7 museene som innehar flest av maleriene på denne siden.

Museum By Verker av E. Phillips Fox Malerier fra denne listen
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 Autumn showers, Heidelberg, Art Students
The Ian Potter Centre - Ngv Australia, MelbourneThe Ian Potter Centre - Ngv Australia Melbourne 3 Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, English The Arbour
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 2 Untitled (AQZBJJ), Untitled (AQZBJQ)
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 English After the bath Français Après le bain, Al Fresco
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of My Cousin
Kerry Stokes Collection, PerthKerry Stokes Collection Perth 1 Français Etude de nu
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 1 Ina Gregory

E. Phillips Fox gjennom tiårene: ett unikt originalverk for hvert tiår

Verk per tiår

Velg et tiår for å se originalverket som definerer det.

E. Phillips Foxs malerier: spørsmål til galleriet

Hva er det mest kjente verket til E. Phillips Fox?Avslør svaret

Autumn showers (1900), Art Gallery of New South Wales, Sydney. Deretter følger Portrait of My Cousin (1893) og Untitled (AQZBK4) (1910).

Hvor gammel var E. Phillips Fox da Autumn showers ble skapt?Avslør svaret

35 år gammel: Autumn showers er fra 1900, og E. Phillips Fox ble født i 1865.

Hvilke ti malerier av E. Phillips Fox er de mest kjente?Avslør svaret

Autumn showers, Portrait of My Cousin, Untitled (AQZBK4), Untitled (AQZBK8), Untitled (AQZBKC), English Landing of Captain Cook at Botany Bay, 1770, The Cabbage Patch, English The Setting Sun, Untitled (AQZBJU) og Untitled (AQZBJJ). Rangeringen ovenfor viser årstall og museum for hvert verk.

Hvor mange verk av E. Phillips Fox er kjent?Avslør svaret

Vår katalog inneholder 44 verk av E. Phillips Fox, datert fra 1889 til 1913.

Hvor kan de mest kjente originalverkene til E. Phillips Fox ses?Avslør svaret

Hovedsakelig i Art Gallery of New South Wales (Sydney), The Ian Potter Centre - Ngv Australia (Melbourne) og National Gallery of Australia (Canberra). Museumslisten ovenfor viser alle.

I hvilken periode malte E. Phillips Fox sine mest kjente malerier?Avslør svaret

I 1910s: 12 av de 40 verkene på denne siden ble laget da, Untitled (AQZBK4) av dem.

Hvilket kjent maleri av E. Phillips Fox er det eldste, og hvilket er det nyeste?Avslør svaret

På denne siden er det eldste The Cabbage Patch (1889) og det nyeste Untitled (AQZBKU) (1913).

Hvilke motiver foretrakk E. Phillips Fox?Avslør svaret

Landscape (3), Leisure (3) og Reading (3), fordelt på 40 verk på denne siden.

Hvilken kunstretning tilhører verkene til E. Phillips Fox?Avslør svaret

Impressionism, basert på originalene på denne siden.

Hvilke originalverk av E. Phillips Fox kan jeg se på Art Gallery of New South Wales?Avslør svaret

Autumn showers, Heidelberg og Art Students: Art Gallery of New South Wales, Sydney har 6 av verkene på denne siden.

E. Phillips Fox: et portrett av kunstneren

A Vision of Light and Leisure

Emanuel Phillips Fox stands as a luminous figure in the history of Australian art, a painter whose brush captured the ephemeral beauty of light and the quiet elegance of modern life. Born in Melbourne, Victoria, his artistic journey was one of profound movement, bridging the landscapes of Australia and the vibrant studios of Europe. As an Impressionist, Fox possessed a rare ability to translate the atmosphere of a moment onto canvas, creating scenes that feel less like static images and even more like breathing memories. His work often centers on the serene, capturing figures immersed in nature or the gentle rhythms of daily leisure, rendered with a mastery of color and light that evokes a sense of profound tranquility.

The development of his style was deeply influenced by his time spent abroad. After studying at the National Gallery of Victoria Art School, Fox traveled to Paris in 1886, where he remained in Europe for several years. This period of immersion in the heart of the Impressionist movement allowed him to absorb the techniques of light and shadow that would become hallmarks of his oeuvre. Upon returning to Melbourne, he became a pivotal figure in the second phase of the Heidelberg School, bringing a sophisticated, European sensibility to the Australian Impressionist tradition. His ability to blend the structural elements of composition with the fluid, atmospheric qualities of light allowed him to lead a new era of artistic expression in his homeland.

Mastery of the Impressionist Spirit

The essence of Fox’s artistry lies in his capacity to find the extraordinary within the ordinary. His paintings frequently feature women in contemplative or relaxed poses, often set against lush, sun-drenched backgrounds. Whether it is a figure reading a book beneath the shade of a tree or people gathered near the water's edge, there is an unmistakable sense of harmony and balance in his work. He utilized oil on canvas to build textures that mimic the natural world, from the delicate petals of flowers to the shimmering surface of a river.

His technical achievements are characterized by several key elements:

  • Luminous Landscapes: A profound ability to capture the specific quality of light, creating depth and dimensionality through subtle shifts in tone.
  • Atmospheric Composition: The use of nature—such as climbing vines, trees, and water—to frame subjects and create a sense of immersive environment.
  • Capturing the Moment: A focus on scenes of relaxation and leisure that convey a peaceful, almost dreamlike atmosphere.

Through his dedication to the Impressionist style, Emanuel Phillips Fox left an indelible mark on the Australian art canon. His legacy is not merely found in the beauty of his individual works, but in his role as a bridge between continents, bringing the light of Paris to the landscapes of Victoria and forever altering the trajectory of Australian painting.